Up the Chastity Belt

This film does not have as funny a theme song, but most of the jokes are funnier. Howerd plays Lurkalot, a serf, who bears a striking likeness to Richard the Lionheart, and goes off to fight in the crusades. Eartha Kitt puts in a performance as Scheherazade, and there is a surprise about the reality of the Crusades.

This follow up to the filmed version of UP POMPEII sees the Frankie Howerd character (now named 'Lurkalot') transplanted to the medieval era, where he contends with chastity belts, scheming villains, the Crusades and a certain band of forest-dwelling Merry Men.

In other words, it's an excuse for more of the same, with Howerd making regular asides to the viewer and the comedy resembling a particularly smutty and diabolical entry in the CARRY ON series. The first thing that's noticeable is the paucity of the budget, which makes the film look even cheaper than the average episode of DOCTOR WHO and about on the same level as a school play.

The script is also shambolic, little more than a linked string of tired sketches that usually involve half-dressed women used as window dressing. Saying that, the cast is far better than you'd imagine, perhaps giving an inkling of the state of the British film industry during this era. Graham Crowden is delightful as the permanently sozzled Sir Coward de Custard, series regulars Lance Percival and Bill Fraser give it their best, and there are bit parts for Dave Prowse, Christopher Timothy, Frank Thornton, Sam Kydd and Roy Hudd. Watch out for a cameoing Eartha Kitt (on a sabbatical from Hollywood) and scene-stealing Hugh Paddick as the campest Robin Hood you ever will see.

Those who remember fondly Frankie Howerd's take on Roman society in 'Up Pompeii' will probably enjoy this bizarre comedy featuring, we presume, Lurkio's descendant, the serf Lurkalot (who does).

The plot is a little contrived, it must be said, and involves twin princes, separated at birth, finding themselves at opposite ends of the social spectrum: one a king, the other a peasant. There's something about the Holy Land, the Crusades and the key to the titular chastity belt - but really the plot is only an excuse for a relentless barrage of gags.

It could be said fairly that much of the content and certainly many of the jokes would probably not be considered appropriate if this film were being made today. But of course, it is important to remember that it is not being made today - it was made quite a long time ago, and attitudes were rather different then. As the title should suggest, much of the subject matter revolves around sex, although it is generally handled fairly innocently in comparison to modern movies, and those able to sit through any of the 'Carry On' films without taking offence should have no trouble with this. For example, the entertainingly camp portrayal of a certain green-clad, forest-dwelling folk hero is positively tame compared to many of the stereotypes and caricatures regularly presented on modern British TV.

In short, those who are able to endure such terrible political incorrectness will find Howerd in fine form, with a supporting cast all hamming it up good and proper in what is essentially a pantomime on film. Definitely worth a look, if you think you dare risk letting yourself laugh at it...

I love this film! Whilst 'Up Pompeii' was good, this is far better with more laughs and has the best Robin Hood ever committed to film!

The cast seem to be having a blast and this really comes across on screen. Frankie Howerd and the aforementioned Hugh Paddick in particular shine. A shame Hugh Paddick didn't do more films.

Some will say it looks cheaply made, but that doesn't bother me in the slightest, it's cheapness is outweighed by the laughs in offer.

One of the best British comedies of the 1970's and highly recommended to those who enjoy a good belly laugh, and I suppose aren't easily offended.

I think this film is better than Frankie howerds first outing as Lurkio in "Up pompeii". as classic as that film was this one beats it in my opinion. It is rather slow in parts but with excellent character performances by Rita Webb and Hugh paddick and of course Frankie camping it up as Lurkalot ("because I do!") the film is saved as a British classic. lots of setbound filming gives it a special magical feel. This film was cut down from an amazing 3 hour original and Frankie himself wasn't happy with the end result but it has become a classic. Lurkalot, the medieval surf, tries to save his master in a series of funny events only to find out he is in fact the twin brother of King john himself of England (played by..you guessed it! Frankie!) Eartha Kitt makes a purrrfect appearance and the best scene is stolen by Hugh paddick as the campest robin Hood to grace our screens ever, but when Rita webb turns up as maid Marion ("your reputation has spread far and wide...and thats not the only thing by the look of it!") the laughs really begin (as they say) see it once at least its a corny classic!