Quand siffle la dernière balle

I watched this as part of a cheap DVD set I bought at the supermarket for $6.99. It also included an Audie Murphy film, a Dale Robertson film and a Guy Madison film. All were westerns from the late 40's to early 70's. I really liked Shoot Out. I think that comparing it to True Grit because of some commonalities of cast/crew/producer and ( vaguely) theme is unfair. The relationship between John Wayne and Kim Darby was very different than the growing affection and dependence between Dawn Lyn's delightful Decky and Peck's tough but tender Clay. The way Peck and Lyn become father and daughter whether they actually were or not is touching. I like the way the little girl is very self-sufficient at one moment and kind of lost the next. And she seemed like a kid in many ways too; not a miniature adult. In addition, Robert F. Lyons was terrific as the psycho villain. He was cocky, stupid, pathetic, cruel, greedy and just mean. The ending where the tables are turned on him is brilliant and inventive and probably not what viewers expected. I also like Peck's final line after the final " shoot out" - " Fetch the law" Funny and brilliant.

I have recently watched this movie. I didn't expect so much according to previous readings about the movie. Right on the contrary, it is one of the best westerns I have ever seen. Evil is shown in a raw way. The acting is great, outstanding the acting of Robert F. Lyons as psycho villain. The whole sequence at the house of the alcoholic mother with a son is full of suspense and thrill. The movie is unpredictable, giving surprises about what will happen next; it deceived me twice at least. I recommend to watch it to anyone who loves good western and good movies in general. It shows a great deal of cruelty and fair revenge. Yet it is not perfect. Some characters, like Pepe, are too stupid or naive, somewhat overacted; I think that some more realism could've been given to this role. The sequence among the horses in the meadow is a real good moment, with excellent photograph and movement.

I admit that it's not the best western ever made, by a long shot, but it's worth watching just for the fine performance of Robert F. Lyons. He should have won an Oscar nomination for "Pendulum", and his performance here is almost as good. He made a chilling bad guy in both films.

Anyone ever notice that he wore the same shirt in this film that Roddy McDowall wore in "Five Card Stud" (which was made by Hathaway and Wallis)? Too bad they didn't have Lyons play the same role in that classic. McDowall did his best, but he couldn't match Lyons portraying a bad guy cowboy.....too British.

Say what you will. I like this one.

Is this a classic? Well no, but it isn't terrible either. People who love westerns and the west will enjoy this film. Is this Peck's greatest film? No, but Peck being one of the best actors ever to come out of Hollywood never gave a bad performance. This film also co-stars the great character actor James Gregory who also never gave a bad performance. Veteran character actors Paul Fix and Arthur Honnicutt have small roles but give their usual fine performances. These performances makeup for some of the other poor acting by supporting players. This film has beautiful scenery, lots of action and an unusual story line. What more needs to be said? Enjoy!

Shoot Out is directed by Henry Hathaway and adapted to the screen by Marguerite Roberts from the novel The Lone Cowboy by Will James. It stars Gregory Peck, Patricia Quinn, Robert F. Lyons, Susan Tyrrell and Dawn Lyn. Music is by Dave Grusin and cinematography by Earl Rath. Plot has Peck playing Clay Lomax, who is out of prison after 7 years and seeking revenge on the partner who shot him in the back during a robbery. But Lomax soon finds he has company in the young child form of Decky Ortega (Lyn), who has been sent to him by his one time lover Teresa, sadly now deceased.

Just do your little chore, punk.

It took a whack from critics of the day, and even now it only seems to have a handful of fans prepared to stand up and say they enjoy it very much. Shoot Out is not a great film, well actually the location work is certainly great, but it is a very rich and warm Western. The problems are hard to argue against, Peck is not adept at playing a vengeful bastard in his later years, the villains are of the near cackling pantomime kind, and a number of cheap money saving tactics are employed by an on the wane Hathaway. Yet the action hits the right notes, Peck's unfolding relationship with the adorable Lyn is heart warming, and the elder female characters-put upon prostitute desperately seeking a way out (Tyrrell)/plain Jane homemaker who drinks to forget her unfulfilled lot (Quinn)-are afforded intelligence in the writing. While some of the location photography, in Technicolor, is gorgeous as Earl Rath gets excellent value out of the New Mexico and California landscapes. And hey! There's even a cameo by the always awesome Arthur Hunnicutt.

I'm giving it a generous 7/10 because it's not deserving of the scorn poured on it elsewhere. If only for the central father/daughter relationship, the scenery and a neat flip-flop pay back scenario, this is recommended to Peck and Western fans. Just don't expect True Grit like some apparently did!