L'enterrée vive

I saw this TV movie as a kid with a babysitter and ended up so freaked out that I spent the night in tears waiting for a hand to reach up from under the bed and grab me. I saw it again as a young adult and it still sent chills up my spine with the side profile shots of the buried woman. Very haunting images.

Like many others, this is the one horror movie that really affected me when I saw it as a child. I used to have nightmares and get chills thinking about it. I remember really being frightened of the sounds coming out of the ground. Probably shouldn't have watched this type of movie at such a young age. As an adult, I have talked about this movie to friends who had never heard of it and told them that it would be great to find a copy so that they could see it. I'm sure it would still scare the heck out of me now. I would love to get it and invite a bunch of friends over and watch it in our theater room. The impact of this movie would be so much greater on a large screen versus the small television that we had in the 70's. It would be interesting to see how my teenagers would react to it and how they would compare it to the scary movies of today.

Obviously, for me, this horror movie did what it intended to do! SCARE ME!!!

The theme of a woman buried alive on the grounds of a wealthy woman's estate is nicely handled here for a maximum of shock and suspense. A bit overwrought at times, with Olivia de Havilland having to convince police, family and neighbors that they need to rescue a woman whose faint cries for help have startled her. The trouble is, she's a woman with a known mental illness and nobody believes her.

This was a highly popular ABC made-for-television movie and successful at the time. Nice to see the supporting cast includes Joseph Cotten, Walter Pidgeon, Charles Drake and Ed Nelson. Nelson has a pivotal role as the man who knows the truth about the woman's screams.

Suspenseful and worth viewing despite the now grainy print of this TV film being shown on cable. And by the way, it was photographed in technicolor, not black and white as a previous comment suggests. That viewer must have been having trouble with TV reception!!

Working with this wonderful performer was a great thrill for me. She was like and beginner with great joy and loved every suggestion I made and wanted to rehearse over and over again. I was shocked somewhat because few Oscar winners seem to want to do that with and "unknown" which I kind of was in those days. When waiting around we talked once about Errol Flynn who I think did 8 pictures with her, back in the Warner Bros, days. She said all the bad press he got on being Pro Nazi and other things, was to quote Her. "was ridicules, and believe me I knew him better then anyone." Joe Cotton,all the way back with Wells in "Citizen Kane," was a regular guy, and was the star of the first film I did, still in New Orleans, It was entitled "The Steel Trap" with the wonderful Teresa Wright. I was an extra and scared to death standing next to him in a big scene. The title of this ABC TV movie was something else and they changed it after we started shooting. Olivia really hated the title saying, "All the audience will see is my face screaming from this title."

I wrote this because you all liked the picture so much. Thanks Ed Nelson

TV-movies from the early '70s, and particularly those legendary "ABC Movies of the Week", make it look so easy to deliver tense and compelling thriller stories! I truly love most of these gems, and "The Screaming Woman" instantly became a new personal favorite! Like the very best of its kind, this film is short and sober but tremendously compensates in atmosphere and plot-intelligence what it lacks in action footage. When a film is based on a story written by Sci-Fi genius Ray Bradbury, you can rest assured the script is pure quality. The plot is simple and straightforward, but oh-so ingenious and intriguing! The ageing and wealthy but mentally unstable Mrs. Laura Wynant returns home to her country estate to recover from a period in an institution. During her first estate tour, out on the horse carriage, however, she hears petrified woman's screams coming from underneath the soil. While Laura is convinced that an innocent woman is buried alive at her property, her greedy family members see her hysterical behavior as the ideal opportunity to control her finances. The already capturing story is made extra stirring thanks to the grisly sub plots and mysterious supportive characters, like the constant bickering between Laura Wynant's son and daughter-in-law and the odd-behaving neighbors. The amazing Olivia de Havilland is phenomenal as the misunderstood and disrespected elderly lady in distress, but she also receives good support for the entire rest of the cast, notably Ed Nelson, Charles Knox Robinson and Laraine Stephens. Jack Smight ("Airport 1975", "Damnation Alley") was one of the most underrated directors of his generation and he delivers some of his best work with this film. My only main complaints are that Joseph Cotton (one of my favorite actors of all times) should have had more screen time and that also the luscious Alexandra Hay's role is too small. The climax is genuinely spine-chilling and guaranteed to haunt your memories for the rest of your life.