Les As de l'impériale

So what if this movie is non to pc and treats women as objects of lust. There are people who will hate this, moan about it, analyze and deconstruct it. IT'S A MOVIE!! If you don't like it don't watch it. Admittedly it is not to everyones taste but these will be the people who are too young to remember the series or the times. For the rest of us who do remember, we look back with nostalgia, see the old cars, advertisements the way people behaved and we smile. Harmless fun that does no one any harm. There is far worse on the screens now days, movies where every second word is a swear word, bullets flying, on screen sex. sometimes it's a breath of fresh air to see something that is a little different from a bygone age.

Admittedly, the humour in On The Buses is far from sophisticated, relying on 'nudge nudge wink wink' suggestiveness and crazy slapstick. In today's woke, politically correct, #MeToo climate, the innuendo and bawdiness in particular will be viewed by many as an embarrassment best swept under the cinematic carpet. However, those (like me) raised on a diet of Carry On films and ribald TV comedy (Dick Emery, Benny Hill, Are You Being Served?) and with a general appreciation of all things saucy from the '70s (the Confessions movies and the Adventures of... series) should find enough to enjoy about this big-screen outing for the On The Buses team to make it worth a ride.

Reg Varney plays bus driver Stan and Bob Grant is Jack his conductor, the pair spending every spare minute trying to chat up any tasty totty that crosses their paths. Quite how the pair ever score is beyond me - neither bloke is Brad Pitt - but both get lucky with a variety of skirt, from a married woman on their bus route, to the sexy Irish lass working in the canteen, to their 'clippie crumpet' female colleagues. The shenanigans that ensue are fairly predictable, and, if truth be told, not all that funny, but I cannot help but enjoy the film regardless, partly thanks to the likeability of its cheeky chappies, partly thanks to the feeling of nostalgia it gives me, and just a little bit because I know it upsets the easily morally offended (who I believe are now termed 'snowflakes').

6.5/10, rounded up to 7 for IMDb.

N.B. This was a major hit for Hammer Studios (best known for their horror films) and spawned two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973). Also, look out for the Lamb's Navy advert outside the bus depot, which features future Hammer glamour star and Bond babe Caroline Munro.

This is a disgracefully, unfunny and dire film in every respect. To call it backward and sexist is an understatement. It really is quite sad that it was only 34 years ago that tripe like this was considered acceptable let alone amusing. We would never know if the actors and director involved had any talent considering the crassness of the subject matter. All the men are irresistible, womanising cheeky chappies and all the women are either pathetic doormats or big-busted nymphomaniacs who enjoy being groped at every opportunity. This, by the way, sums up the complexity of the plot. For those who say that it is an accurate and genuine representation of working class life in the 70's, WHAT UTTER RUBBISH! And what an insult to working class people. If you enjoy this type of "classic" British sex comedy then good luck to you but its portrayal of both men and women is insulting and its not just "politically incorrect" its bloody wrong! Thank God they "don't make them like this any more".

Despite almost universal condemnation these days as one of Hammer's worst, this film adaptation of a popular TV comedy was the most successful film of the year at the British box office. I watched it with some trepidation, knowing it to be resented by the majority of Hammer fans, but to my relief I found it a witty, knowing and altogether nostalgic '70s comedy.

Like the best of the genre, ON THE BUSES provides a time capsule of working class life in the 1970s. The humour feels natural rather than forced, the characters feel true to life and the situations feel realistic. Yes, there's a preoccupation with sex and the film itself is crushingly misogynistic by modern standards, but the same can be said about comparable '70s movies of the era like CARRY ON LOVING or CARRY ON GIRLS.

As ever, my favourite character in the whole thing is Stephen Lewis's dogged inspector, but it's the dependable Reg Varney who holds the whole thing together as the lead. The storyline, which encapsulates a battle of the sexes, works well and there's a definite predominance of successful over unsuccessful gags. If you're a fan of British comedy in the 1970s then this is a must.

This spin-off from the popular ITV sitcom was the most popular British film of 1971, it's takings even outgrossing Diamonds Are Forever, the James Bond film of that year. Take my word for it, the critics tore it to pieces and they still do now when it's shown on television.

I don't think it's overly funny but I still love it. Okay so it's sexist, but like the Carry On films, even though it's not hilarious it still possesses a certain charm that these overblown American comedies cannot hope to achieve.

All the series regulars are here. Reg Varney, Doris Hare, Anna Karen,Bob Grant and Stephen Lewis. While they were all charming, Michael Robbins stands out for me because his comic timing was impeccable. For example, he would sit there reading the paper and suddenly he would look up and utter something amusing.