Les As de l'impériale

Dated, but wonderful. "On The Buses" was part of my childhood and ab-so-lutely a product of its time, so i understand (and respect) why many non-Brits or young Brits hate it. Filmed between 1969 and 1973 as a 70 episode tv series and three movies it chronicles the lives of bus driver Stan (Reg Varney), his family, his best mate Jack (Bob Grant) and their constant battles with Inspector Blake (Stephen lewis). It doesn't sound much on paper but the reality for millions around my own age (40) and older was hilarious comedy and I wouldn't hesitate to call it a classic. I used to long for Sunday evenings to see the latest episode. Of course it's sexist and vulgar and anti PC. That's the way comedy (and life) was back then, and in my opinion we were better for it! It's also a stunningly accurate portrayal of British working class life in the early 70s. Here's a little 'aside' for those of you who slag off the crudity and sexism of On The Buses. My Granny hated it (for those reasons) and used to watch the sober / religious tv show presented by Jess Yates instead. We later discovered he was "shagging" everything he could get his hands on! At least On The Buses was never hypocritical. It was always well written and the cast were excellent. The talent and depth they brought to the characters puts it right up there with Dads Army and Only Fools & Horses. Michael Robbins had a deadpan style and razor sharp timing that few actors could equal. There's always a hilarious sense of the famous British 'repression' in his character. Some people may remember his guest appearance as a Flea Exterminator in an episode of "The Good Life". He can never bring himself to say the word "flea" and always refers to them as "the little offendors". There's a great chemistry between Stan and Jack and I really felt that Reg Varney and Bob Grant were mates. Of course, the highlight of On The Buses was always the priceless Inspector, "Blakey". Stephen lewis is a genius and the character he created is second to none, anywhere in British tv. With his Hitler moustache, pained expressions and classic catch-phrases he's a comedy icon. Like all fans I was very saddened by the recent death of Bob Grant. If only the poor man could've realised how much laughter he brought to the world. RIP Bob.

Admittedly, the humour in On The Buses is far from sophisticated, relying on 'nudge nudge wink wink' suggestiveness and crazy slapstick. In today's woke, politically correct, #MeToo climate, the innuendo and bawdiness in particular will be viewed by many as an embarrassment best swept under the cinematic carpet. However, those (like me) raised on a diet of Carry On films and ribald TV comedy (Dick Emery, Benny Hill, Are You Being Served?) and with a general appreciation of all things saucy from the '70s (the Confessions movies and the Adventures of... series) should find enough to enjoy about this big-screen outing for the On The Buses team to make it worth a ride.

Reg Varney plays bus driver Stan and Bob Grant is Jack his conductor, the pair spending every spare minute trying to chat up any tasty totty that crosses their paths. Quite how the pair ever score is beyond me - neither bloke is Brad Pitt - but both get lucky with a variety of skirt, from a married woman on their bus route, to the sexy Irish lass working in the canteen, to their 'clippie crumpet' female colleagues. The shenanigans that ensue are fairly predictable, and, if truth be told, not all that funny, but I cannot help but enjoy the film regardless, partly thanks to the likeability of its cheeky chappies, partly thanks to the feeling of nostalgia it gives me, and just a little bit because I know it upsets the easily morally offended (who I believe are now termed 'snowflakes').

6.5/10, rounded up to 7 for IMDb.

N.B. This was a major hit for Hammer Studios (best known for their horror films) and spawned two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973). Also, look out for the Lamb's Navy advert outside the bus depot, which features future Hammer glamour star and Bond babe Caroline Munro.

So what if this movie is non to pc and treats women as objects of lust. There are people who will hate this, moan about it, analyze and deconstruct it. IT'S A MOVIE!! If you don't like it don't watch it. Admittedly it is not to everyones taste but these will be the people who are too young to remember the series or the times. For the rest of us who do remember, we look back with nostalgia, see the old cars, advertisements the way people behaved and we smile. Harmless fun that does no one any harm. There is far worse on the screens now days, movies where every second word is a swear word, bullets flying, on screen sex. sometimes it's a breath of fresh air to see something that is a little different from a bygone age.

Despite almost universal condemnation these days as one of Hammer's worst, this film adaptation of a popular TV comedy was the most successful film of the year at the British box office. I watched it with some trepidation, knowing it to be resented by the majority of Hammer fans, but to my relief I found it a witty, knowing and altogether nostalgic '70s comedy.

Like the best of the genre, ON THE BUSES provides a time capsule of working class life in the 1970s. The humour feels natural rather than forced, the characters feel true to life and the situations feel realistic. Yes, there's a preoccupation with sex and the film itself is crushingly misogynistic by modern standards, but the same can be said about comparable '70s movies of the era like CARRY ON LOVING or CARRY ON GIRLS.

As ever, my favourite character in the whole thing is Stephen Lewis's dogged inspector, but it's the dependable Reg Varney who holds the whole thing together as the lead. The storyline, which encapsulates a battle of the sexes, works well and there's a definite predominance of successful over unsuccessful gags. If you're a fan of British comedy in the 1970s then this is a must.

When Inspector Blake's (Stephen Lewis) decision to hire women bus drivers threatens Stan (Reg Varney) and Jack's (Bob Grant) over-time windfalls and lay-about ways, the boys take time off from seducing clippies, afternoon delights, and dealing with Stan's dysfunctional family (including an enormously pregnant Olive) to ensure that the ladies don't last. As I always liked the characters in the original show, I decided to give the film version a butchers. Not surprisingly, the plot is thin, the gags painfully predictable (has there ever been a sidecar in a comedy that stays attached to the motorcycle?) and there's lots of cleavage and frilly knickers on display. Stan has a certain short charm but seeing his mate Jack as a highly accomplished lothario is a bit of a challenge (in the TV series, even Blakey got in a few wisecracks about Jack's prominent choppers). Stan's hapless sister Olive (Anna Karen) and her miserable husband Arthur (Michael Robbins) are hilarious (to this day I can't hear the name 'Arthur' without hearing Olive's plaintive voice), as is the much put-upon Inspector Blake, whose mustache-muffled snickering whenever he thinks he has Stan and Jack on the ropes still cracks me up. Needless to say, as a tamely raunchy British 'sex comedy' from the early 70s, the show has something to offend everyone in our more righteous (judgemental?) era, so if you're adverse to displays of toxic (but silly) masculinity, stereotypical (but silly) femininity, and sexist (but silly) 'woman-driver' jokes, I'd suggest that you skip this relic.