Mrs. Pollifax-Spy

Odd but true, I missed seeing this film when it was new as I was a fairly busy man at the time. Little did I know at that time that this was to be the Roz's last major production. ........And because it was her last film, this is a shame that to my knowledge this has never seen the light of day since it first ran in theaters! What a crime, not only for Roz's fans but also to the fans of Mrs.Pollifax stories as well to be denied the pleasure of seeing the Roz in the Role of Mrs. Pollifax. So I am going to ask to whom it may concern: Please rescue the prints from the vault and put this out on DVD!! Heck, you don't even have to spend a ton of money to restore it to digital standards if you don't want to, just release it as a "budget special" for all I care!! I'd like to at least watch ANY VERSION of this before I check off for good!!!

So who cares if it isn't exactly Roz's greatest film? Who cares if this isn't the greatest filmed version of a Mrs. Pollifax story? What matters here is that this is Roz's LAST MOVIE and that alone makes it WORTH RELEASING TO DVD!!!

An unusual take on the spy / secret agent genre, Mrs. Pollifax represents a sideways look at what audiences had become accustomed to in the just-ended sixties, which were dominated by James Bond, his campy imitators and flashy, young femme fatales. The closest anyone came to this in the previous decade, in terms of a female spy, was probably "Fathom," starring a very young Raquel Welch. This one presents actress Russell in her final theatrical film, as a retired housewife and recent widow who strolls into C.I.A. headquarters and volunteers for the 'dirty tricks' business. There's a certain charm attached to this scenario and it continues throughout the film. Mrs. Pollifax, though entering her twilight years, is nowhere near senility, is very well spoken and seems sharper than most of the people around her. Her character was created in a series of mystery novels by Dorothy Gilman, kind of an American version of the British sleuth 'Miss Marple.' Russell also had a hand in the script, writing under a pseudonym. The tone of this film is kind of a cross between the tongue-in-cheek escapades of elderly adventurers and serious spy business, so it may strike some as a bit uneven. For example, even though Pollifax faces definite danger during the story, the filmmakers also throw in a sight gag referencing famous agent 007. In the plot, the C.I.A. rep expectedly dismisses Pollifax at first as a harmless eccentric, but there happens to be a simple courier job available in Mexico which the rep's boss (Elcar) thinks she is well suited for. And off we go.

I first saw this film only recently, having heard about it once or twice over the past 30 years. I was taken a bit by surprise as to the direction the story veers off to. Based on the rather bland atmosphere of the introduction and first few scenes at C.I.A. HQ, I expected Pollifax to have some sort of silly short adventure in Mexico, similar to a TV episode, and head back to the USA for more repartee with her supervisors and other agents. However, the courier job, which involved simply picking something up in a bookstore, does not go as planned: Pollifax finds herself leaving Mexico on an airplane heading to parts unknown with another captured agent, the seasoned & cynical Farrell (McGavin, just before "The Night Stalker"). After debarking the airplane at gunpoint, they're transported by automobile until the road runs out somewhere in the mountains and head further into the boonies via mule. By this point, I was thinking, what the hell is all this? They end up in the most isolated prison for spies imaginable, somewhere in Albania. Things looked very bleak but Pollifax is a 'never say die' type of dame and soon charms most of the guards and wardens (Persoff, Gould and John Beck in a very early role). The exception is Perdido (Paulsen), the one in charge, and it's clear that the two prisoners will eventually be executed. Pollifax soon takes charge of 'the mission' (mostly now an escape plan), despite Farrell's long experience in these matters. This kind of keeps you guessing most of the way, and, despite the slow spots in the early sections of the film, there's enough suspense to keep your attention to the very conclusion. Mrs. Pollifax would not return on film, as it happens, though there was a TV Movie in the nineties. Heroine:8 Villains:6 Male Fatales:7 Henchmen:5 Fights:4 Stunts/Chases:6 Gadgets:3 Auto:5 Locations:7 Pace:6 overall:6

Rosalind Russell is as fine an actress at the end as she was in her prime. She actually fit Dorothy Gilman's suburban-retiree-detective-spy Mrs. Polifax to a tee. The supporting cast seems to be enjoying her antics as much as we do. The script is very silly and pedestrian, but given the genre, it's implausability does not get in the way of some great fun.

Recently widowed empty-nester Mrs. Pollifax (Rosalind Russell) needs something to do and decides to seek gainful employment. So, she marches into the CIA and offers her services as a spy. Being an unassuming, older woman, one of the CIA bigwigs thinks she's perfect for simple courier missions. But when her first assignment to Mexico goes horribly wrong, Mrs. Pollifax finds herself in a world of trouble inside an Albaian prison.

Mrs. Pollifax-Spy isn't a bad movie by any means, it's just that it's not very good either. One of my main issues is the pacing. The film gets off to a fantastic start, complete with vibrant, interesting Mexican locations. These scenes have a real sense of fun and life to them. But, things change dramatically once Mrs. Pollifax finds herself in Albania. The pace slows to a crawl and it seems to take forever for much of anything to happen. Plus, the Albanian scenes are just so drab looking. I never knew there were that many shades of brown.

Russell's on-screen pairing with Darren McGavin took a while to grow on me. I"ve never seen him as the leading man type. But by the end, I was on board with their relationship. I suppose that is one bright spot from the movie's second half.

5/10

Like so many of her contemporaries Rosalind Russell was finding it difficult to get work without having to resort to the horror genre. I give her credit she never did do that. For her last big screen release she chose a film that was about a middle aged woman who now that her kids are grown and she's a widow decides that espionage is the career for her. With the help of her US Senator she gets an introduction to a top CIA man and says she wants to become Mrs. Pollifax-Spy.

As guileless as Russell is Dana Elcar decides maybe she will do at least as a courier. But through a series of mixups and missed signals Russell whose assignment was in Mexico is whisked off to Albania where she's held prisoner with professional spy Darren McGavin. Their Albanian prison is in the hands of a "Red" Chinese general Albert Paulsen with his second being Albanian Nehemiah Persoff. Paulsen's occidental features are explained that he's off mixed racial origin.

Mrs. Pollifax-Spy has the charm of Rosalind Russell to carry it over the rough spots which are many. I find it hard to wrap myself around the concept that at my age which is older than Russell's was as presented I could just get my Senator to just arrange an appointment with the CIA so I could apply to be a spy. People for that agency are recruited in all kinds of ways, but I doubt they just take people who ask to work. Even Dana Elcar says we get a lot of screwballs.

For Roz Russell fans.