Macbeth

THE PLOT: Through ambition, greed, and the spurring of his wife a man rises to the ranks of King, but leaves murder, destruction, guilt, and a wide array of enemies in his wake.

THE POSITIVE: This is visually stunning from beginning to end. The photography of the Scottish landscape seems almost surreal. Although some may argue that the violence is excessive it is still well done and works in a nice lyrical fashion with the script. The gory special effects are very realistic and top anything that I have seen in any slasher movie especially the decapitation scene. The witches also come off as looking very frightening here. The scene in their coven where you see dozens of fully nude elderly women is grotesquely brilliant. This is one Shakespeare rendition that doesn't have any of the stiff staginess. The characters seem to be having real conversations and their lines are spoken in a much more natural way. Finch is absolutely perfect in the lead. The facial expressions that he show during Macbeth's different phases are fascinating and right on target. This would be a good version to show to teenagers and others who might not ordinarily be into Shakespeare. The action is well mounted and paced so anyone would be able to follow it even if they are not able to completely grasp the language.

THE NEGATIVE: Outside of a relentlessly bleak visual style that may be too much for some there really isn't anything negative about it.

THE LOWDOWN: This is the best film adaptation to Shakespeare's work that I have seen. It is exciting, graphic, realistic, visual, and captivating all at the same time even for those that may not be into Shakespeare.

THE RATING: 8 out of 10.

How does one do justice to one of the most nihilistic murderers in the history of drama? Even Richard the Third has a sense of humor. but once MacBeth buys into the witch's prophecy (which he doesn't have to do) - it's all straight to hell from there. Even his wife finally gets the idea that 'When you choose to ride the tiger, you don't get off' as one Confucian wit put it, long ago....

This is the film that put an end to the "high-school" Shakespeare that we all had to suffer through in the 1960s. That Shakespeare was dull, lifeless, meaninglessly conservative - everyone hated him. In America, we had heard about Peter Brooks, and about an all-nude MacBeth (which of course never happened, the reference was to the "out damn spot' scene, just as we see in this movie); and there were the legendary Orson Welles versions that were, unfortunately, wholly unavailable at the time. Then Zeffirelli made his Romeo and Juliet, showing Romeo's bare butt, even in the ad for the film, and we started getting the glimmer that Shakespeare had been a real person writing about other real people - then came Polanski's MacBeth.

I won't lie and tell you that this is the definitive MacBeth - or even that it's a really great movie - all of the actors seem like they are way over their heads in this material.

But Polanski's purely cinematic bravado pulls it off. Right from the beginning, watching a medieval warrior beat his opponent into a bloody pulp, we are drawn into a world where violence is the only truth we can believe - pretty much as MacBeth himself sees it.

From this point on, there was no turning back. The Shakespeare we inherit from this film may not be the one we want, but he is certainly a playwright of Elizabethan England (which the "high-school" Shakespeare never was).

That makes this film really important - at least until the definitive version actually gets made (and it hasn't, yet...).

Vehement and inch-perfect approach of Roman Polanski towards Shakespeare's greatest play "Macbeth". Polanski's absolute narrative technique and profound direction set the heinous deed of Macbeth and his tragic fate with elegance.

He brilliantly represents all Shakespearean symbols on the screen--- especially the floating "dagger", apparitions in the witches' den. Jon Finch powerfully portrays the downfall of Macbeth while Annis appears vivid struggling with her greed and conscience. Vibrantly, one of the mightiest adaptations from Shakespeare's :p

8/10__:D

Roman Polanski's blood-soaked version of Shakespeare's Scottish play was the video version of choice when we were studying this at school, in spite of it having a nude Lady Macbeth and witches (and Keith Chegwin in the cast - he's Banquo's son).

Jon Finch has the lead and he is exceptionally good. Even a dagger which really appears to float before him (an effect not needed) doesn't spoil things. Odd that he never really got good movie roles after this. His Lady M is Francesca Annis, a spider of a schemer, also putting in a good performance.

Less adequate are Martin Shaw as Banquo, Stephan Chase as Malcolm, and Sydney Bromley as the Porter, although Terence Bayler gives good value as Macduff.

Perhaps this Macbeth is the first one to be truly cinematic, something that even Orson Welles couldn't achieve with Scots accents and Scandinavian settings. It remains memorable long after seeing and, in its excesses, opens up the text for a new generation, and finally, sees the repellent murdering usurper get what he deserves.

(Incidentally for perspective, the book 'Macbeth - man and myth' by Nick Aitchison looks at the real historic facts in accessible coffee-table book style).

To say that this adaptation is a bit of a bloodbath is a bit of an understatement, but you cannot deny that this film from Roman Polanski is quite possibly the definitive film version of Shakespeare's play, which is very complicated to even contemplate transcribing to screen. The cinematography is excellent, as is the script. It is true that there are a lot of disturbing scenes, chiefly Lady Macbeth's nude sleepwalker scene and King Duncan's death. Roman Polanski should be commended for how much he managed to get into the film, and he somehow made it all effective. Any scene with the three witches, the murder of Macduff's family, plus the part when Macbeth sees Banquo's ghost was very well done.(I saw an amateur production of this, and not only was it disappointing, but that particular scene was the worst aspect of it) The performances were brilliant, Jon Finch(who did start off uncomfortable) is great on the whole as the treacherous thane-turned-king, and Francessca Annis was nigh-on-perfect as Lady Macbeth. And Martin Shaw was excellent as Banquo. From the suitably eerie opening scene, to the superb climax, this is a near-perfect adaptation, there were just some bits that were really disturbing to watch, that deserves more recognition. 9/10 Bethany Cox