L'Empire de Madame Sin

Bette Davis as an insane super-agent and Robert Wagner as her dupe? Why not? Everybody's having a lot of fun. The villains are equally amusing. The whole thing is tongue-in-cheek and high camp, and it always remains true to its own little world. One of the-lets-have-fun-and-not-take-anything-too-seriously-made-for-TV-flicks that ABC excelled in churning out in the early 70's.

My DVD describes Madame Sin as 'a prime example of the camp spy genre'; how misleading! Yes, there are some crazy futuristic inventions used by the baddies to achieve their nefarious goal, but the film as a whole is actually rather sober affair, especially considering the impact of the unexpectedly bleak ending.

Bette Davis plays the titular character, a criminal mastermind who lives on a remote Scottish island from where she conducts her wicked money-making schemes. Robert Wagner is ex-CIA agent Anthony Lawrence, who is abducted by Sin's henchmen and used as a pawn to assist in the stealing of a Polaris submarine, which the villainess intends to sell to revolutionaries.

Rather than a garish, cheezy romp full of outrageous set pieces and witty one-liners from the hero, writer/director David Greene plays much of the film surprisingly straight, even going so far as to add an avant-garde vibe to early scenes, taking the film firmly out of the realm of Matt Helm or James Bond. A bizarre electronic score only adds to the off-beat atmosphere.

Depicted as such, the film sometimes feels frustratingly dreary and uneventful: one longs for an exotic location, a desperate shootout or an exciting car chase to alleviate the tedium that occasionally sets in as Lawrence tries to thwart Sin's plans.

The idea of "Madame Sin" isn't bad...but casting Bette Davis...that's insane!

When the story begins, a secret agent, Anthony Lawrence (Robert Wagner) is kidnapped in the UK and brought to a manor home. This place is run by Madame Sin (Bette Davis), a half-Asian supervillian much like Fu Manchu or a Bond character. She is rich and evil and has scientists working for her making evil gadgets, such as as sonic device that can kill or render someone into human jelly as well as a machine where she can probe mines and even implant memories!! With this, she plans on making a fortune...sort of a mercenary criminal genius for hire! So why does she need Lawrence? Well, using him, she plans on stealing a Polaris submarine and selling it to a buyer willing to give her a billion dollars for it! Can Lawrence possibly twart her evil plans?

This was originally made as a pilot for a TV series...a series that was never picked up by any of the networks. And, when you watch it you can see why. The basic idea and location shooting are all fine...but having Bette Davis in the role was utterly ridiculous and she looks about as Asian as Lassie! I am sure a lot of folks laughed when they saw this...and it's sad that when the film was made, Davis was essentially doing ANYTHING provided it paid. See films like "Bunny O'Hare" and you'll see what I mean.

The bottom line is that is actually a very cool spy/action film...but is fatally flawed simply because of the casting. Fun to watch...and unfortunately a bit silly.

Now who didn't enjoy Bette Davis doing her very own impression of Fu Manchu"? She's so hammy it's good! Sadly, though, it also features Robert Wagner who was never the most compelling of actors to watch. He's an agent for the American government whom she uses her mind-bending ray upon so that he will help her and her scheming henchman "De Vere" (Denholm Elliott) to pinch a billion-dollar Polaris nuclear submarine from it's Scottish loch base. To that end, she uses her guile and expert manipulation techniques to get him to kidnap his pal "Cavendish" (Gordon Jackson) who co-ordinates all the naval activity and whom she hopes to brainwash into diverting this vessel into the clutches of her evil client. The question is, though, might "Lawrence" (Wagner) have enough cerebral mettle to resist her powerful gadgetry and thwart her cunning plan? What I did enjoy about this is the sheer joy of a star who is out to send the whole thing up. She's having fun - and Elliott actually does quite well too as her dastardly cohort. There's some lovely Argyllshire scenery and plenty of toys straight out of the "Doctor Who" end-of-season sale from 1972. Though there are a few interlopers from time to time, it's really just left to the three of them to tell us this daft story and for my money they do it fine. No, you'll never see it up for an award but I did rather savour the conclusion, her aspirations for Windsor Castle and that malevolent grin on her face could strip paint! Aim low and you ought not to be disappointed.

I know very little about Director David Greene, who did mostly TV work and appears to have been no relation of Graham Greene's, the British writer. That much is clear from the campy script that David and Oringer hammered together with some self-deprecating humor, especially in the shape of eyelid-painted Bette Davis as MADAME SIN, the sinister lady who carries out all manner of experiments on the unfortunate souls who get caught in the waves of her sonar-sounding waves that basically turn the brain into jelly, and pliable to her despicable whims.

Of course, the fact that she wants a British Polaris submarine, apparently to make a fortune out of it, is preposterous, Even harder to believe is Robert Wagner as some top spy/agent who keeps getting hit by the sonar, to the point of going deaf, which has laughable consequences as he tries to enlighten the British military on the foul plays by the evil MADAME SIN.

Cinematography is just OK, editing not that great. The best thing about this TV flick is Denholm Eliott as the Madame's evil sidekick, looking prim and proper, constantly adjusting his tie. His initial encounter with Wagner, with two Catholic nuns on hand, provides the film's most memorable segment. The other good bit is the end, with MADAME asking when the lease on Buckingham Palace, or Windsor Castle or whatever that royable abode is, will be up because she wants to take it over.

Also interesting to see Burt Kwouk, of Cato Fong fame in the Pink Panther franchise as Inspector Clouseau's sparring manservant, as the wordless hand-scarred man who remains shadowy until close to the end.

Not bad fun, but having just rewatched it all I remember are the beginning and end. 6/10.