Petits meurtres sans importance

A black comedy in every sense of the word. It's too bad that Alan Arkin doesn't direct more movies because he really scored with this one. It's a movie that still seems so fresh today because of its storyline, even after close to 30 years. It was pertinent back then and even more so today. It's great to see appearances here by Arkin and Donald Sutherland, and it's one of Elliott Gould's best roles.

Keep on the lookout for this in your late night t.v. schedule. It's really worth seeing again (and especially if you haven't seen it yet).

I asked the clerk at my local video store to suggest a comedy from the 70's on VHS as my DVD player was broken. He recommended Little Murders and got a glazed over look in his eye and an idiots smile on his face, obviously reminiscing over a scene in the film. That was enough for me to want to rent it, and I'm glad I did. The acting in this film is outstanding, the highlight for me was Alan Arkin playing a Dr. Strangelove esquire police officer and of course the scene with Donald Sutherland as the minister. The film holds up remarkably well for having been filmed over 35 years ago, it must have been ahead of it's time when it came out. Aside from a few slang terms that were definitely from a by gone era, the film could easily take place today. All in all worth the effort if for nothing else than an outstanding cast of Arkin, Sutherland and Gould. Did it get any better than that acting wise in the 1970?

It doesn't get any darker than this, folks. Jules Feiffer shows off his penchant for absurdity and his mastery of the monologue (Lou Jacobi, Donald Sutherland and director Alan Arkin each get one powerhouse scene where it's basically all them with the other characters reacting). The cast is excellent and their handling of Feiffer's language is amazing. Elliot Gould's performance is particularly effective, and Vincent Gardenia as his father-in-law is hysterical.

I saw this film and then read the play it was based on, and both give off the same claustrophobic air of desperation while still being side-splittingly funny. It is definitely worth hunting down. In the words of Father Dupas, it is "all right."

Exact rating: 8.25

The pulse of this movie is subversive and menacing, and even though there are many, many great laughs, I think the classification of it as a comedy is wrong. It never feels like a comedy. In terms of tone, it is something like the pilot for Twin Peaks and a Mamet play and an Odets play, but with some strange off off off off Broadway claustrophobia and seventies nihilistic horror. It displays a collapsed and paranoid urban environment in which people are combative with words and isolated by them.

I feel it should be essential viewing for any writer, as it contains four of the best-- if not the actual four best-- monologues I've ever heard in a movie. Arkin and Sutherland have amazing monologues that are only marginally upstaged by those given by Gould and Jacobi.

I laughed many, many times (as did many people in the sold out screening I attended), but when it ended, the haunting and thoughtful core of the movie lingered more than did the comedy.

A rich and allegorical piece that deserves serious study and accolades.

(I saw a 35mm print of the movie at Film Forum, N.Y.)

When they were all in their heyday, Elliott Gould, Alan Arkin (who also directed) and Donald Sutherland collaborated on the over-the-top black comedy "Little Murders", in which Gould plays emotionally vacant New York photographer Alfred Chamberlain, hooking up with vivacious young Patsy Newquist (Marcia Rodd) in the midst of several hundred unsolved homicides in the Big Apple. In the process of everything, the series of events exposes the flaws in all the characters, especially Patsy's parents (Vincent Gardenia and Elizabeth Wilson).

I think that my two favorite scenes are the appearances of Sutherland and Arkin. Sutherland plays a priest who seems to be a cross between Sutherland's characters from "MASH" and "Kelly's Heroes"; Arkin plays a detective who spouts out the craziest monologue explaining why there's a conspiracy behind the murders. Overall, this is very much a New York kind of movie. I should identify that there are several very long scenes during the movie, but it's certainly not a flick that you'll forget anytime soon. Impressive.