Les charognards

When you go hunting with Brandt Ruger, you go first-class all the way. But when you steal his "property", you sign your own death warrant.

That is something that a notorious outlaw (Oliver Reed) and his gang have to learn in the worst way possible in THE HUNTING PARTY, a 1971 British/American western that, even by 21st century standards, is still incredibly violent. Reed kidnaps a local schoolteacher (Candice Bergen) in the (now faint) hope that he'll be taught how to read. When Bergen warns him about her husband, he tells her "It don't matter whose wife you are." A fatal misjudgment on his part, for her husband Brandt Ruger (Gene Hackman) is not one to fool around with. While out on a hunting party with a few of his friends, the dictatorial and very abusive land baron learns of Bergen's kidnapping, and thus gets blood in his eyes. And rather than going after game, he and his boys instead go after Reed and his gang, picking them off one at a time with high-power rifles that can hit from a distance of 800 yards. The result is a sagebrush variation of THE MOST DANGEROUS GAME, done with some of the most brutally violent shootouts this side of THE WILD BUNCH and SOLDIER BLUE. And as he is a man driven by extreme jealousy (Bergen is his personal "property", whom he physically abuses on more than one occasion), the fact that Bergen is beginning to develop a rapport with Reed now gives him whatever license he feels he needs to kill her as well, though he drags it out for the sheer sadistic fun of it to a very cynical and blood-splattered conclusion.

There isn't too much doubt that THE HUNTING PARTY was made to take advantage of the "market" opened up by THE WILD BUNCH and its director Sam Peckinpah's choreography of violent action, as well the spaghetti westerns of Sergio Leone. The shootouts are extremely bloody, and they clearly mirror those of THE WILD BUNCH in the use of slow motion and quick cutting. Where THE HUNTING PARTY falls short, however, is in a crucial area that Peckinpah knew was vital to his film being successful: the action and plot must be character-driven and made to feel real to an audience. Veteran TV director Don Medford (who, among other things, directed the classic 1961 Twilight Zone episode "Death's Head Revisited) and screenwriters Gilbert Ralston, William Norton, and Lou Morheim know how to do the Peckinpah-inspired gunfights, but they don't seem to have taken too much time to really delineate any complexities in the three main characters. Bergen is merely a damsel in distress, caught between two men who are basically bastards, one merely semi-controlling (Reed), the other a sadistic control freak of the highest order (Hackman). Absent the complex psychological and character-driven narrative that propelled THE WILD BUNCH to a controversial but well-deserved glory, THE HUNTING PARTY can so easily be tagged, as more than a few critics have done (albeit perhaps too zealously), as an extremely bloody sagebrush shooting gallery in which violence is staged for the sake of violence.

The film does succeed in giving us good performances from the three leads (notably Hackman, whose role is credibly sadistic to the highest degree); good cinematography done on location in Spain (as a stand-in for Texas); and supporting roles for L.Q. Jones (a member of Peckinpah's stock company); Simon Oakland; Mitchell Ryan; and William C. Watson. And one can't fault the long-distance shooting that occurs, or the way it so ingeniously borrows a great old-world story (THE MOST DANGEROUS GAME) and puts it into a WILD BUNCH-type western format. Had the filmmakers only paid a bit more attention to complex characters and motives here as Peckinpah had in his epic film, however, THE HUNTING PARTY might have been a bit more than a good, if incredibly and graphically violent, post-Peckinpah/Leone addition to a Western genre that was rapidly changing during the late 1960s and early 1970s.

Advertisements for "The Hunting Party" misleadingly portrayed the scenario as a western riff on the old "Most Dangerous Game" ploy: man hunting man for sport. Instead, this William Norton-Gilbert Alexander-Lou Morheim script is an old-fashioned revenge tale studded with new-fangled blood and sex. Gene Hackman plays land baron Brandt Ruger, an amoral sadist living in the rural town that bears his surname, who leads a somewhat-leery pack of well-wrought gentleman friends on a hunt to kill the gunslingers responsible for kidnapping his wife (he also appears to want his wife killed as well, since she's obviously been raped and now may be carrying a bastard child!). Taking his cue from Sam Peckinpah's "The Wild Bunch", director Don Medford takes great delight in blasting his supporting cast away to Kingdom Come in a hail of gunfire, blood-packs spurting in slow motion. Medford hasn't much originality (or versatility), and several of his scenes are downright sloppy. However, Ruger's unmitigated relish for treating humans as cattle allows Hackman to revel in some mangy, dastardly deeds--he's a marvelous villain. As the head of the kidnappers, Oliver Reed disguises his British accent fairly well and is surprisingly tender with captive Candice Bergen (as sort of a Sweet Hostage). Opening scene juxtaposing the knifing of a cow with Hackman forcing himself on his wife in the bedroom is heavy-handed at best, distasteful at worst. But the picture improves from there and gives us a brutal, fairly realistic look at the lawless West. Very good performances from all three stars, excellent work as well from Mitchell Ryan as Reed's faithful friend Doc. **1/2 from ****

One of those "lost" films that only shows up on cable once in a while, THE HUNTING PARTY is a blood soaked western that is an obvious response to Sam Peckinpah's THE WILD BUNCH. Made in 1971 by Don Medford and starring a young Candice Bergen, a vicious Gene Hackman, and Oliver Reed with an American accent. This is certainly one of the most violent westerns ever made with slo-mo gunshot wounds and more agony and gore than most horror films. Nihilistic and extreme without hope or redemption. The soundtrack is excellent as well as the photography and editing. The Hunting Party will hopefully be rediscovered on home video soon, or else make sure you catch it on FLIX this month!

Hunting Party, is violent and bloody. Just like most Westerns. I really like Oliver Reed in this film. He is great as the rough and tumble cowboy who kidnaps the woman of the richest man in the territory. Best part is his tenderness. She never had someone treat her tenderly, and love her. Did not care for Candice Bergen's acting. She was just was not believable in the part. She walked through the film with her mouth gaping open. But the film was worth seeing, I watched it over about 3 times, mainly because of Oliver Reed. Gene Hackman played his part well of a controlling and manipulating husband. You will see many character actors who had bit parts who became bigger actors in the present. All in all it is a must see film.

Gene Hackman and Oliver Reed face off in this hard-hitting Western from Don Medford (!). Unfortunately, the film seems to be trying to out-Peckinpah Peckinpah without fully knowing why he does what he does. What we're left with is a superficial exercise in nihilism but who doesn't love that? Lots of good action scenes, some nice acting and a meanstreak separate this one from the pack. Well worth searching out despite its flaws.