NOTE IMDb
7,3/10
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MA NOTE
Ajouter une intrigue dans votre langueA scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 3 victoires et 1 nomination au total
Photos
Conlan Carter
- Farmer
- (non crédité)
Ian McShane
- Charlie Cartwright
- (images d'archives)
- (non crédité)
Suzanne Pleshette
- Self - Actress in Film Clip from If It's Tuesday, This Must Be Belgium
- (images d'archives)
- (non crédité)
Avis à la une
Be wary and skeptical towards reviews that put too much focus on "The Hellstrom Chronicles" being fictional and a pseudo-documentary. Although most people acknowledge how great and visually stunning it is, they seem to think the "fake" aspects are much more important to write about.
What's so fake about it, I ask? Okay, the narrating scientist - Swedish Ph. D. Nils Hellstrom - doesn't exist, and thus didn't do all the entomologic research he so convincingly proclaims he did. Other entomologists did, though, because all these staggering insights and dazzling particularities we learn about the insect world are factual and captured in the tiniest detail. Lawrence Pressman is an actor, so "The Hellstrom Chronicle is fake. So if, say, David Attenborough or James Earl Jones had done the voiceover instead, it would have been okay?
Before watching the film (on a big cinema screen, which was awesome!) and based on its reputation, I was led to believe "The Hellstrom Chronicle" would spawn grotesque theories around conspiring against all other life-forms, human in particular, or gradually metamorphosing into indestructible monsters. It does nothing of that sort. Hellstrom merely demonstrates, meticulously, that insects are much better equipped and emotionally immune enough to survive and quickly repopulate after whatever type of potential apocalypse overcomes the world. This is not only correct, but also plausible and even probably. And the documentary doesn't even biblically state this will happen tomorrow or in a hundred years, just in the even of. Quite obviously, the tone of the narration and some of the footage is heavily dramatized, but can you honestly blame the producers for inserting a bit of sensationalism? After all, the early 70s was the era of flamboyant ecological horror and dystopian Sci-Fi cinema.
In 1972, "The Hellstrom Chronicle" won the Academy Award in the category of best documentary. I, for one, think this is more than deserved! Apart from the fascinating subject matter, it's also a supreme work of craftmanship. The film is more than half a century old now, but the cinematography and the editorial/technical knowhow have barely aged. I don't watch many documentaries, but this one can still easily compete with all the widely acclaimed stuff National Geographic and the BBC are producing these days. The voiceover monologues are almost like poetry or advanced literature to listen to; - full of superlatives and a wide range of synonyms. And, last but not least, even as a diehard horror fanatic, I occasionally squirmed in my seat when beholding close-up footage of - for example - the Black Widow destroying her mating partner, or a massive colony of legionary ants devouring an adult Komodo lizard!
In short - and apologies for the lengthy review - "The Hellstrom Chronicle" is an absolute must-see!
What's so fake about it, I ask? Okay, the narrating scientist - Swedish Ph. D. Nils Hellstrom - doesn't exist, and thus didn't do all the entomologic research he so convincingly proclaims he did. Other entomologists did, though, because all these staggering insights and dazzling particularities we learn about the insect world are factual and captured in the tiniest detail. Lawrence Pressman is an actor, so "The Hellstrom Chronicle is fake. So if, say, David Attenborough or James Earl Jones had done the voiceover instead, it would have been okay?
Before watching the film (on a big cinema screen, which was awesome!) and based on its reputation, I was led to believe "The Hellstrom Chronicle" would spawn grotesque theories around conspiring against all other life-forms, human in particular, or gradually metamorphosing into indestructible monsters. It does nothing of that sort. Hellstrom merely demonstrates, meticulously, that insects are much better equipped and emotionally immune enough to survive and quickly repopulate after whatever type of potential apocalypse overcomes the world. This is not only correct, but also plausible and even probably. And the documentary doesn't even biblically state this will happen tomorrow or in a hundred years, just in the even of. Quite obviously, the tone of the narration and some of the footage is heavily dramatized, but can you honestly blame the producers for inserting a bit of sensationalism? After all, the early 70s was the era of flamboyant ecological horror and dystopian Sci-Fi cinema.
In 1972, "The Hellstrom Chronicle" won the Academy Award in the category of best documentary. I, for one, think this is more than deserved! Apart from the fascinating subject matter, it's also a supreme work of craftmanship. The film is more than half a century old now, but the cinematography and the editorial/technical knowhow have barely aged. I don't watch many documentaries, but this one can still easily compete with all the widely acclaimed stuff National Geographic and the BBC are producing these days. The voiceover monologues are almost like poetry or advanced literature to listen to; - full of superlatives and a wide range of synonyms. And, last but not least, even as a diehard horror fanatic, I occasionally squirmed in my seat when beholding close-up footage of - for example - the Black Widow destroying her mating partner, or a massive colony of legionary ants devouring an adult Komodo lizard!
In short - and apologies for the lengthy review - "The Hellstrom Chronicle" is an absolute must-see!
The Hellstrom Chronicle is a documentary about insects wrapped within a fiction. Visually it's incredibly stunning, very similar to Microcosmos in its "how did they get that shot?" camerawork. The film is narrated by a fictional scientist who claims that the final two lifeforms on earth will be man and insect, and when they face off man will lose. This places a very ominous slant on the action, and instead of Microcosmos's wonderment at nature we are treated with Hellstrom's dire dissertation on the various advantages insects have over humans. The voiceovers are hilariously over the top, and the musical accompaniment is splendid in its portent of doom. The movie does tip its hand with an obviously set up hidden camera segment 3/4 of the way through, though the knowledge that Hellstrom is a fiction doesn't diminish the drama. By the end I actually appreciated the kooky construction, which gave the filmmakers a rationalization to deal with some of the harsher aspects of insect life.
This film. when I saw it years ago, had me convinced that it was a real "documentary." Excellent special effects and a very good performance by Lawrence Pressman.
More convincing it its way than the current Blair Witch Project which also purports to be a real story
More convincing it its way than the current Blair Witch Project which also purports to be a real story
I may be biased for this movie, but I love it and loved it as a child. I was completely into insects as a kid, so this movie didn't scare me. To the contrary I was probably exited by the possibility of a world ruled by insects. I guess I assumed they would let me hang around or something!
The movie is still great today, a quasi- documentary of the ways and purposes of insects and how they blindly and without hesitation follow that purpose even to the death.. Very well played by 'Dr. Hellstrom' and beautifully filmed, it stands the test of time very well with this viewer. I just watched it today.
The movie is still great today, a quasi- documentary of the ways and purposes of insects and how they blindly and without hesitation follow that purpose even to the death.. Very well played by 'Dr. Hellstrom' and beautifully filmed, it stands the test of time very well with this viewer. I just watched it today.
For 10 plus years, "The Hellstrom Chronicle" was regularly plugged into the 2am/4am movie slot on a local station in the middle 80's through 90's. Too bad it couldn't get more coverage, because this is how a documentary should be made.
The problem with documentaries is if you focus too much on the clinical data, it becomes dry. If yo try to interject drama into it, you run the risk of sending up the piece, into parody or even farce. Hellstrom interjects just the right amount of fiction, in the form of Lawrence Pressman, that links the documentary portions at a pace that keeps it from losing one's interest. It's obvious that "Dr." Hellstrom, a fictitious entomologist, is paranoid that insects will take over the world through their superiority over men. The most interesting thing, though, is he may very well be right! If the insect world footage has any say in how future matters may turn out, it will.
Of particular interest is the portion of the footage devoted to the driver ants. As has been quoted in other reviews, this is a prime example of "How DID they film that?!" documentary in motion. It's an inspiration out of "Leinengen Vs. The Ants," only it's real!
If you can find this "movie," give it a roll. Expand your mind a bit with some facts, while at the same time, become entertained by Dr. Hellstrom... even if he isn't a real doctor, but, he plays one on TV! (Actually, he did! Pressman went on to play one on Doogie Howser, M.D.)
The problem with documentaries is if you focus too much on the clinical data, it becomes dry. If yo try to interject drama into it, you run the risk of sending up the piece, into parody or even farce. Hellstrom interjects just the right amount of fiction, in the form of Lawrence Pressman, that links the documentary portions at a pace that keeps it from losing one's interest. It's obvious that "Dr." Hellstrom, a fictitious entomologist, is paranoid that insects will take over the world through their superiority over men. The most interesting thing, though, is he may very well be right! If the insect world footage has any say in how future matters may turn out, it will.
Of particular interest is the portion of the footage devoted to the driver ants. As has been quoted in other reviews, this is a prime example of "How DID they film that?!" documentary in motion. It's an inspiration out of "Leinengen Vs. The Ants," only it's real!
If you can find this "movie," give it a roll. Expand your mind a bit with some facts, while at the same time, become entertained by Dr. Hellstrom... even if he isn't a real doctor, but, he plays one on TV! (Actually, he did! Pressman went on to play one on Doogie Howser, M.D.)
Le saviez-vous
- AnecdotesDavid Wolper and Cinema 5 got audiences into theatres to see this documentary by promoting it as if it were a science fiction thriller.
- Citations
Dr. Hellstrom: Compared with Man, we have to admit that the insect does not display what we can describe as intelligence. But don't feel too proud about that, because where there is no intelligence, there is also no stupidity.
- Crédits fousEnd Credits: Nils Hellstrom, M.S., Ph.D., is a fictional character who was portrayed by Lawrance Pressman. His statements relating to the impermanence of the human species have been synthesized from contemporary opinions. All statements about the insect world are factual and have been reviewed by Roy Snelling and Charles Hogue, Ph.D., of the Entomology Department, Los Angeles County Museum of Natural History.
- ConnexionsFeatures Quand la marabunta gronde (1954)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Hellstrom Chronicle
- Lieux de tournage
- Las Vegas, Nevada, États-Unis(Nuclear Test Site Mercury NV)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 39 767 $US
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