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Haré Rama Haré Krishna

  • 1971
  • 1h 40min
NOTE IMDb
7,1/10
899
MA NOTE
Dev Anand, Zeenat Aman, Prem Chopra, and Mumtaz Askari in Haré Rama Haré Krishna (1971)
Comédie musicaleDrame

Ajouter une intrigue dans votre langueIn the background of the rise of the International Hare Krishna movement in the 1970s, is a Montreal-based family of the Jaiswals, consisting of mom, dad, son, Prashant, and daughter, Jasbir... Tout lireIn the background of the rise of the International Hare Krishna movement in the 1970s, is a Montreal-based family of the Jaiswals, consisting of mom, dad, son, Prashant, and daughter, Jasbir. Due to irreconciable differences between Mr and Mrs Jaiswal, they separate, leaving Jasb... Tout lireIn the background of the rise of the International Hare Krishna movement in the 1970s, is a Montreal-based family of the Jaiswals, consisting of mom, dad, son, Prashant, and daughter, Jasbir. Due to irreconciable differences between Mr and Mrs Jaiswal, they separate, leaving Jasbir with dad, and Prashant with his mom. Eventually Prashant and his mom travel to India, l... Tout lire

  • Réalisation
    • Dev Anand
  • Scénario
    • Dev Anand
  • Casting principal
    • Zeenat Aman
    • Dev Anand
    • Mumtaz Askari
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    899
    MA NOTE
    • Réalisation
      • Dev Anand
    • Scénario
      • Dev Anand
    • Casting principal
      • Zeenat Aman
      • Dev Anand
      • Mumtaz Askari
    • 15avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires au total

    Photos6

    Voir l'affiche
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    Voir l'affiche

    Rôles principaux41

    Modifier
    Zeenat Aman
    Zeenat Aman
    • Jasbir Jaiswal…
    Dev Anand
    Dev Anand
    • Prashant Jaiswal
    Mumtaz Askari
    Mumtaz Askari
    • Shanti
    • (as Mumtaz)
    Baby Guddi
    • Young Jasbir
    Satyajeet Puri
    Satyajeet Puri
    • Young Prashant
    • (as Master Satyajit)
    Prem Chopra
    Prem Chopra
    • Dronacharya
    Rajendranath Malhotra
    Rajendranath Malhotra
    • Toofan
    • (as Rajendra Nath)
    Mehmood Jr.
    Mehmood Jr.
    • Machina
    Sudhir
    Sudhir
    • Michael
    Kishore Sahu
    Kishore Sahu
    • Mr. Jaiswal
    Achala Sachdev
    Achala Sachdev
    • Mrs. Jaiswal
    Mumtaz Begum
    Mumtaz Begum
    • Shanti's Mother
    Iftekhar
    Iftekhar
    • IGP
    Raj Kishore
    Raj Kishore
    • Sakhi
    • (as Rajkishore)
    Gautam Sarin
    Gautam Sarin
    • Deepak
    Indrani Mukherjee
    Indrani Mukherjee
    • Mrs. Jaiswal (2nd)
    • (as Indrani Mukerji)
    Prakash Thapa
    Prakash Thapa
    Kunki Anand
    • Réalisation
      • Dev Anand
    • Scénario
      • Dev Anand
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    7,1899
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8chakrabortyabhishek07

    It never was about ISKON

    You see the way people in the early seventies blamed ISKON for their radical nature which eventually was the supposed conclusion of being turned into hippies is not at all true and that is why this film is so damn important.

    I am surprised that Dev Anand actually thought that a guy in mid forties would look like a guy in mid twenties. Zeenat Aman was stupendous. Mumtaz was good but the real highlighter of this film is the music of the legendary Rahul Dev Burman.........I mean WOW!! Funny thing I read about other reviews is that no one mentioned the song "phoolon ka taaron ka sabka kehna hain" I understand "Dumm Maaro Dumm" was phenomenal, why was it still is even today but the other songs were very good too.

    Acting was above average, certain aspects are too melodramatic but then again keeping in mind the 1970s of India it was good, great job by cinematographer and rest of the support staffs.

    I give my ratings out of 10:

    Acting - 6 Story - 8.5 Screenplay - 8.5 Direction - 8 Music Dept. - 10 (since 100 out of 10 was not possible) Other Aspects - 6

    Overall - 7.83 out of 10 so I round it of to 8 out of 10
    8tejaswi-nimmagadda

    Two siblings lost to each other at a young age try find each another before its too late.

    Dev Anand (or Prashant) and Zeenat Aman ( Jasbir/Janice) are siblings brought up in single parent families. Jasbir (the sister) grows up in an affluent environment but this is not enough to lead her to reject her life and ultimately join a hippie movement that eventually leads her to drugs. Prashant (the brother) on the other hand grows up in a less affluent environment but grows up to be a matured gentleman. The story marks Prashant making efforts to save his little sister (who is perpetually in a trance) from a hostile hippie environment. This movie stands the test of time, commenting that cults and hippie groups are a place for those who give up on their lives when they should instead stand up and be counted in the face of adversity. Great music compositions in this movie that mean different things in different situations and to different people, and the director brings forth an eerie feeling to it.
    8hipriti

    Rarely explored sentiment...

    We do not come across movies on brother-sister relationship in Indian cinema, or any other language or medium. This relationship has several aspects which have not been exploited in movies or novels. Typically, a sister is depicted as a pile-on who can be used for ransom in the climax. This movie treats the subject in an entirely different light.

    It is inspired by George Eliot's novel "The Mill on the Floss". The brother is very prosaic, all-good, the blue-eyed boy who is a conventionally good son and a favorite with his mother. The sister is romantic, wild and defiant of the unwritten rules of the society. In spite of this, the love of the brother-sister is the winner.

    This movie is about the love of the two siblings who are separated in childhood and revival of the same feeling when they meet years later. It is also the quest of the subdued brother to reunite with his sister who has chosen to be wild to defy the world.

    Although the movie and the novel are set about 3 centuries apart in two distant countries, yet the sentiments are the same and still hold true.
    9sanjitas

    from my point of view

    This is one of the movies of Dev Anand who gave great yet distinct movies to Hindi movie industries such as Jewel thief and guide. The story is short (if you ask me what is the story), plot is simple- a brother seeks for his lost sister. Sister has joined the hippies who smoke from pot and chant Hare Rama hare Krishna. Yet the movie portrays few of the significant events that the world experienced in 70's.Hippie culture, their submission to drugs, freedom ,escaping duty, family, and adopting anything new such as eastern (which was new for whites) religion. They have been handled perfectly. Zeenat gave her best and Dev as usual was remarkable. Songs are the best used (unlike they are abused for the sake of having songs) in this movie. They have not been spoiled.One perfect example is 'Dekho o deewano...Ram ka naam badnam na karo'. Each word in the song is very philosophical and meaningful. The end is tragic but that is not the essence of the movie. Overall Devji who does believe in making different movies has been successful in showing what he wanted to show here. A must see to experience hippie culture and beautiful Nepal of 70's.
    ds-12

    Great music and good looking actresses but poor story

    Dev Anand (or Prashant) and Zeenat Aman ( Jasbir/Janice) are siblings brought up in different countries. Because of poor parenting (crudely shown), Zeenat joins the hippie movement and also does drugs. Dev Anand after getting a letter from his father to locate Jasbir in Kathmandu visits that place, falls in love with Mumtaz( Shanti) and is also accused of stealing antiques.

    Jasbir has blocked her painful childhood memories and Dev Anand sings the song which he used to sing when he was a kid to jog her memory.

    Other than the great R.D.Burman music and Anand Bakshi lyrics and the footage shown about the ISKON movement and the beautiful stars and the Kathmandu location, the movie sucks big time. The story is extremely weak.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Mumtaz did not want to play the role of Dev Anand's sister and insisted she play the role opposite Dev Anand. Everyone kept telling her that the film was about a brother and sister. Zeenat ended up with the better role causing Mumtaz to be bitter.
    • Gaffes
      The film opens with two child actors playing the character of the older brother (Prashant) and the younger sister (Janice) separated by just a few years apart. As the characters grow into adults, there is an obvious but a visually significant age gap between Prashant and Janice. Dev Anand (who plays the adult Prashant) was 47 years old whilst Zeenat Aman (who plays the adult Janice) was only 20 during the film's production. This meant that the resulting age gap between the two actors increased from a few years to 27 years apart.
    • Connexions
      Featured in Boom (2003)
    • Bandes originales
      Dum Maro Dum
      (uncredited)

      Sung by Asha Bhosle & Chorus

      Music composed by Rahul Dev Burman

      Lyrics by Anand Bakshi

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    FAQ14

    • How long is Haré Rama Haré Krishna?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 janvier 1976 (France)
    • Pays d’origine
      • Inde
    • Langue
      • Hindi
    • Aussi connu sous le nom de
      • Брат и сестра
    • Lieux de tournage
      • Londres, Angleterre, Royaume-Uni(out door Hare Krishna scenes on streets)
    • Société de production
      • Navketan
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Color

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