Jeune, riche et obsédé par la mort, Harold est changé à jamais par sa rencontre Maude, une septuagénaire optimiste, lors d'un enterrement.Jeune, riche et obsédé par la mort, Harold est changé à jamais par sa rencontre Maude, une septuagénaire optimiste, lors d'un enterrement.Jeune, riche et obsédé par la mort, Harold est changé à jamais par sa rencontre Maude, une septuagénaire optimiste, lors d'un enterrement.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 3 victoires et 3 nominations au total
Tom Skerritt
- Motorcycle Officer
- (as M. Borman)
Ray K. Goman
- Police Officer
- (as Ray Goman)
Gordon De Vol
- Police Officer
- (as Gordon DeVol)
Sonia Sorel
- Head Nurse
- (as Sonia Sorrell)
Avis à la une
I only saw this film quite recently but it hopped straight to my number one film of all time. It is beautiful. Bud Cort is charming as Harold and Ruth Gordon - dare I say cute? As Maude. If I look like her when I'm eighty I'll be out there nicking cars and fluttering my eyelashes at policemen too! Maude wrenches Harold free from his morbid and lonely existence to show him how lush and amazing the world can be and he emerges from his experiences a happy man. This is definitely one of the films that (along with say, Fight Club, American Beauty and The Rocky Horror Picture Show) show you can be who you want to be, and you needn't let anyone oppress you. It's brilliant. Everyone should know a Maude. It has inspired me to buy a banjo and play Cat Stevens songs.
I want to BE Maude when I am older. Ironically, I have never seen a movie that was so full of life and joy. There are many little things in this movie, little details and gags, that increase the movie's replayability. The acting is amazing. Ruth Gordon and Bud Cort have wonderful chemistry,which is a tribute to the their acting ability, as well as the tight writing and solid direction. I was sad that this movie did not garner more recognition than it did when it was released. I am also disappointed that Bud Cort has not starred in more things since this movie. Oh well. This is a good Hal Ashby movie to start with, but if you get a chance you should watch as many as possible. They are quirky, thoughtful and wonderful. "Harold and Maude" is a paean to life and love, even if it's in the weirdest places.
Hal Ashby's "Harold and Maude" neatly fits into the category of cult classic, chiefly by virtue of its subject matter. In brief, the film concerns a morbid young man who befriends a free-spirited septuagenarian. Together they make about as unlikely a pair as you'll ever see in a romantic comedy.
The stars of the film, Bud Cort & Ruth Gordon, play their parts with relish. Furthermore, the two have excellent chemistry together. Besides the stars, Vivian Pickles, as Harold's overbearing mother, and Charles Tyner, as his uncle Victor, stand out in support.
Ashby's direction is well-handled and the film sports some nice visuals. However, the film's best element on the technical side is arguably the soundtrack. The songs of Cat Stevens are heard throughout and they truly capture and enhance the spirit of the film.
In the end, "Harold and Maude" is certainly a unique little film and one that seems way ahead of its time. It's the sort of quirky movie that would be right at home next to some of today's independent films. Given it's eccentricities, I'm unsurprised that it was a commercial flop at the time of its release but, thankfully, it has gained in stature over time.
The stars of the film, Bud Cort & Ruth Gordon, play their parts with relish. Furthermore, the two have excellent chemistry together. Besides the stars, Vivian Pickles, as Harold's overbearing mother, and Charles Tyner, as his uncle Victor, stand out in support.
Ashby's direction is well-handled and the film sports some nice visuals. However, the film's best element on the technical side is arguably the soundtrack. The songs of Cat Stevens are heard throughout and they truly capture and enhance the spirit of the film.
In the end, "Harold and Maude" is certainly a unique little film and one that seems way ahead of its time. It's the sort of quirky movie that would be right at home next to some of today's independent films. Given it's eccentricities, I'm unsurprised that it was a commercial flop at the time of its release but, thankfully, it has gained in stature over time.
The self-destructive and needy wealthy teenager Harold (Bud Cort) is obsessed by death and spends his leisure time attending funerals, watching demolishing of buildings, visiting junkyards, simulating suicides trying to get attention of his indifferent, snobbish and egocentric mother and having sessions with his psychologist. When Harold meets the anarchist seventy nine year-old Maude (Ruth Gordon) at a funeral, they become friends and the old lady discloses others perspectives of the cycle of life for him. Meanwhile his mother enlists him in a dating service and tries to force Harold to join the army. On the day of the eightieth anniversary of Maude, Harold proposes her but he finds the truth about the end of the cycle of life.
The cult "Harold and Maude" was a huge success in Brazil for people of my generation with a refreshing and funny exposition of themes like death, love and life through the friendship and love of a teenager and a septuagenarian woman. The complex Harold is a young man that needs the attention of his indifferent mother. He found in his childhood the only moment that she really seemed to be worried about him after a serious accident in school and he uses to fake suicides trying to have the same attention back. Maude is an anarchist old woman not attached to material stuff like properties or collections that steals cars for self-locomotion. Along a few days, Maude gives a lesson of life to Harold, changing his behavior and feelings forever. The performances of Ruth Gordon and Bud Cort in this weird love story are unforgettable and the soundtrack with Cat Steven's songs is another plus. Unfortunately "Harold and Maude" has been forgotten in Brazil by the distributors and neither the VHS nor the DVD has been released in my country; I just have a tape recorded from the cable TV. My vote is eight.
Title (Brazil): "Ensina-me a Viver" ("Teach me to Live")
The cult "Harold and Maude" was a huge success in Brazil for people of my generation with a refreshing and funny exposition of themes like death, love and life through the friendship and love of a teenager and a septuagenarian woman. The complex Harold is a young man that needs the attention of his indifferent mother. He found in his childhood the only moment that she really seemed to be worried about him after a serious accident in school and he uses to fake suicides trying to have the same attention back. Maude is an anarchist old woman not attached to material stuff like properties or collections that steals cars for self-locomotion. Along a few days, Maude gives a lesson of life to Harold, changing his behavior and feelings forever. The performances of Ruth Gordon and Bud Cort in this weird love story are unforgettable and the soundtrack with Cat Steven's songs is another plus. Unfortunately "Harold and Maude" has been forgotten in Brazil by the distributors and neither the VHS nor the DVD has been released in my country; I just have a tape recorded from the cable TV. My vote is eight.
Title (Brazil): "Ensina-me a Viver" ("Teach me to Live")
I first came to Harold and Maude from a suggestion from an eccentric friend who I thought I would humor by tracking down a 34-year-old movie. What I found, however, was one of the most amazing yet understated movies about the joys of life that I have ever seen. There are many subtle lines that take an extra amount of time and thought with a little self-reflection that can shake the very belief system of the viewer. For example,
"Zoos are full, prisons are overflowing... oh my, how the world still dearly loves a cage."
and,
"Maude: I should like to change into a sunflower most of all. They're so tall and simple. What flower would you like to be?
Harold: I don't know. One of these, maybe.
Maude: Why do you say that?
Harold: Because they're all alike.
Maude: Oooh, but they're not. Look. See, some are smaller, some are fatter, some grow to the left, some to the right, some even have lost some petals; all kinds of observable differences. You see, Harold, I feel that much of the world's sorrow comes from people who are this, (pointing to an individual daisy) yet allow themselves be treated as that (pointing to an entire field of seemingly identical daisies)"
Harold and Maude is about a young person who is full of life and obsessed with death, and an elderly person who is nearing death but is obsessed with life. What is revealed with this strange juxtaposition is that we can only learn to live life to its fullest by following the lessons of the dying. The message that I have taken from Harold and Maude is to live like you were dying!
"Zoos are full, prisons are overflowing... oh my, how the world still dearly loves a cage."
and,
"Maude: I should like to change into a sunflower most of all. They're so tall and simple. What flower would you like to be?
Harold: I don't know. One of these, maybe.
Maude: Why do you say that?
Harold: Because they're all alike.
Maude: Oooh, but they're not. Look. See, some are smaller, some are fatter, some grow to the left, some to the right, some even have lost some petals; all kinds of observable differences. You see, Harold, I feel that much of the world's sorrow comes from people who are this, (pointing to an individual daisy) yet allow themselves be treated as that (pointing to an entire field of seemingly identical daisies)"
Harold and Maude is about a young person who is full of life and obsessed with death, and an elderly person who is nearing death but is obsessed with life. What is revealed with this strange juxtaposition is that we can only learn to live life to its fullest by following the lessons of the dying. The message that I have taken from Harold and Maude is to live like you were dying!
Le saviez-vous
- GaffesWhen Maude pulls the banjo out of a cabinet, you see the reflection of crew and lights.
- ConnexionsEdited into The Kid Stays in the Picture (2002)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Enséñame a vivir
- Lieux de tournage
- 10 Stacey Court, Hillsborough, Californie, États-Unis(Chasen Family mansion)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
- Montant brut mondial
- 4 535 $US
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