Fortune and Men's Eyes

I saw this film shortly after its release, when I was around 18 years old, and many of the scenes went right over my head. Watching it again now, I am amazed at how many scenes have stuck in my mind (especially the harrowing ending). Although (not surprisingly) dated, and clearly made on a very low budget, this film has a remarkable way of pacing the action and building tension: for instance, the almost-hallucinatory prison Xmas party seems to be going on forever until it suddenly erupts in violence.

In 1971, people were excited (or outraged) about the homosexual scenes, but I think it would be wrong to think that the film is "about" homosexuality. For me, it is about power structures in what Goffmann has called a "total institution". Sexuality, or rather rape, is just another tool to maintain power, along with violence and trade in tobacco and drugs.

It's a raw, brutal and uncomfortable film, and well worth watching.

'Fortune and Men's Eyes' is a film which I recommend as interesting viewing for anyone who wishes to watch an early story of important gay cinema.

It's author, the late playwright Jonhn Herbert, is an icon of gay writing.

This is a story based on John Herbert's own unfortunate true experience as an inmate as a teenager in a penal institution in Canada, wrongly imprisoned after being the victim of gay bashing. It is a play that later became a film.

I recommend that you watch this film despite the fact that it is old, to say the least.

Smitty (Burton) goes to prison and realize that it place where inmates set each other up, and also a place where there is no women, so a weak prisoners are forced to be sex slaves for tougher prisoners. He shares a cell with a drag queen name Queenie (Greer) and a tough Christian Slater type name Rocky (Hall). Smitty becomes friends with Rocky, not knowing that Rocky wants Smitty to be his lover. Crisp dialogue, well edited scenes, make this film very shocking for 1971. Hall is a standout as Rocky and gives a very icey performance that makes me wonder why he didn't become a big star playing villians in films (only other big work he did was 99 44/100% DEAD in 1974). Burton and Greer is also good, as Burton does a fine job projecting a innocent kid who keep looking at his picture of his girlfriend, knowing life isn't going to be same. Canadian actor Danny Freedman is also effective at the end scene that is another shocker. Don't see this film if you are offended or scared of the subject. But I think it's one of the best film of the 70's. Highly Recommended.

It was a good thing they had a cast-audience group discussion following off-Broadway weekend performances of "Fortune and Men's Eyes."

That way whatever questions may have been on attendees' minds could be fielded directly to cast members and director, which were seated across the proscenium.

After the performance I had the pleasure of attending, I was struck by the candor of that production's "working family." Somehow, the intimate nature of the play appeared to make for great cast cohesiveness, and the discussion was lively and informative. It also provided greater clarity as to what both Playwright John Herbert had in mind and what the director was trying to express.

Unfortunately, in the film version (scripted by the playwright) there was something missing. Despite a fine cast delivering thoroughly thoughtful performances, an unrelenting downbeat pall seems to hover over everything.

It's been reported that the film's producers wanted the sensational qualities emphasized; they got their wish--probably at the expense of a broader, more poetic and philosophical statement of the human condition.

Michael Greer offered an outstanding Queenie, a character that is quite convincing. However, it's a bitter, sardonic soul whose surface sense of humor's only a cover for a wounded interior.

Zooey Hall's Rocky is likewise expertly rendered and completely believable--yet a crafty and cold individual with few redeeming qualities.

Wendell Burton's Smitty is the most empathetic character, yet a "pothead" and "looser"--not at all the "innocent" he purports to be.

Harvey Hart's & Jules Schwerin's codirection is adequate, given their parameters. Yet the entire production fails to rise much above the norm, despite many powerful and effective expose scenes.

It's interesting to note the careers of the above three lead actors: Burton had the most work, yet roles were few and far between, and he retired from acting at the early age of 40. Hall, despite his good looks and fine talent, only did three more films after this. Greer likewise had a very limited film career (his Queenie role perhaps seriously type casting him).

Though I never saw Sal Mineo's stage production, I heard that it was even more controversial and sensational than either of the above two versions.

And that's going some.

I saw this in the Cosmo (pre GFT) in Glasgow one afternoon. The original and still the best movie on prison sex. Kept me to the straight and narrow! Powerful, unpleasant, occasionally verging on crudeness. Definitely best viewed after some libation. Not a date movie. Recommended - once.