Deux enfants qui s'aiment

I'm rather astonished that this film is still available in the United States, where by decree of our Congress individuals under eighteen are not allowed to be shown having sex. Or for that matter, even permitted to have sexual thoughts.

That being said, you'll like this film, if you can ignore the highly sappy plot and just enjoy the two young stars and the travelogue-like images of South of France. If you had a first love as sweet as Paul or Michelle (I know, 'sweet' is a rare breed these days)you'll particularly smile.

I first saw this movie my freshman year in college. I still consider those times quite magical, and this movie fits into that profile. The young female lead was exquisite, growing quickly from an innocent-looking child intoto a young beauty. A host of movies from that era blended music, cinematography, and dialogue in a way that has become basically a lost art. Friends uses a near-classical score from Elton John with scenes of the French countryside that display like a series of paintings.

Even the somewhat-sappy dialogue fits into the culture of that era, spoken poetically by the 2 leads. The movie is truly eye-and-ear candy to be enjoyed. The subject is almost heart-breaking, as 2 youngsters try to capture happiness with methods they don't quite understand. This kind of romance has disappeared from the screen, substituted by a sort of head-banging cinematic relationship with sex and love.

I recently listened to cuts from the soundtrack on Elton John's "Rare Masters" CD. It brought back all the reasons I really cherished this movie. Hearing the voices of the leads within one cut let me once again relive the sights and sounds of an era that embraced life, love, and romance.

Well.....I wouldn't want to lecture anybody but I do feel the urge to say some things I consider important about this BEAUTIFUL film. I saw it for the first time in 1976 (I was 14) and then one more time a year later. That was it. The rest of it was the pink LP of Elton John's soundtrack getting the music and the story deeper and deeper inside my heart. How deep? A week ago my cousin gave me a VHS copy as a present. (No DVD's yet). Boy....was I surprised!! Poets have always sustained that deep childhood and adolescent experiences of beauty, love, God, idealist pursuits, stay with you forever. Since they occur mostly at the heart's level (no intellect yet!), they define your soul's contours like a sculptor would do with a stone. If sometimes we didn't tend to forget how right they are perhaps we would do better in understanding the meaning of every minute, of every decision, of every turning point of our lives.

So, I confess I feel nostalgia. But the fascinating part of this is watching the film again, and through this trip back in time, enriching that understanding of why we, people from the 60's, grew up as we did. The spirit of those times is all here: a Genesis created far from the official world of consuming and economic success, make love not war, the beautiful pop ballads, the poetry of the lyrics, a totally romantic view of adolescent rebellion with the awakening of sexuality carefully wrapped in tender and chaste love, these two lonely spirits still full of childhood innocence growing together as they learn mutual commitment and turning into "adults".

I showed the film to a group of school youngsters and they abounded with such simplistic and cynical comments regarding it as naïve and foolish. Guys, be serious!! Cinema is an art and as art it reflects not only human emotions but historical moments. And this is exactly what "Friends" does in a masterly way. It reflects an idyllic idea of rebellion and new beginning we all dreamt about when we were 15. I'm now a musician and I feel some of us, artists for that matter, still dream about it!! How else could we live? That's "Friends", that's "Brother Sun Sister Moon", that's "Hair". Those were the times, still alien to AIDS, alien to explicit and vulgar texts in pop songs with no melody, to pornography presented as "sexuality", to this barbaric new "world order" growing after September 11th.

What a heart warming experience to see Paul and Michelle again, timidly and tenderly exploring the new fantasies of their romantic world. What a trip back to the very core of our hearts: to Paris, to Elton John at his best, to that urban scenario surrounded by 2 CV Citroëns and the VW Beetles. What a fresh air from the peaceful cottage in Camargue, surrounded by fishing ponds and wild horses. They made us who we are, as did Serrat in Spain, Brel in France, Peter Paul and Mary, Joan Baez, Luther King, the Beatles, the early Bee Gees, Belafonte's Spirituals, Gandhi, the Gospel of Elvis.

People still hoping: get this picture. Start with innocence and grow from there. You'll find out what it's all about. And from there you'll have a solid and more truthful foundation; some ideals to look for in life, a way to handle personal and world affairs. We need so much of this today! Give yourselves the chance and maybe someday the time of cynics will end. (I have an extra VHS copy)

Santiago Zuleta. Bogotá, Colombia.

Perhaps the most concerning thing about this film is the way many reviewers only see it as controversial, because it deals with young love. Also the ideals it sets out are how we would like to see the world, but are often prevented from doing so.

Get past all this and you have a simple story of a boy and girl, who become friends and develop into lovers; but mostly outside of society's rules. While they pay lip service to certain conventions, they don't allow the rules to control their daily lives. The need for money requires the boy to get a job, but beyond this they live an idealistic existence in the beautiful surroundings of the Camargue.

If you don't get a warm feeling while watching this film, then you have a cynicism that will spoil any innocent storyline. This may not be the Hollywood blockbuster that makes a lot of money, but it's one of those films whose story is very relevant at any time.

This is a love story of chance and simple purity. There is nothing shocking about this film for love can blossom completely between two teenagers of 14 and 15, and while the law might state otherwise, emotions develop naturally. Two listless teenagers unhappy with their home lives, meet by chance in Paris and develop a casual friendship. One is an English boy (Sean Bury) studying in France and from a rich family. The other is a young girl (Anicée Alvina) whose parents are both dead and has been taken in by her cousin. On a sudden impulse the boy and girl run off to Arles where the girl's father owned a small house nearby. With just each other, the beautiful scenery of the Carmargue, and a growing love between them, they make a new life for themselves. Their simulated marriage ceremony, achieved by following an actual wedding in the local church, shows their acceptance of some of the rules of society. It is just the unencumbered innocence of youth that puts them apart from the adults. Soon a baby is born to them, with the boy acting as midwife without any outside help. Everything is idyllic until the police finally locate the boy's whereabouts.....