Dans la Russie d'avant la révolution, un paysan juif tente désespérément de marier trois de ses filles, tandis qu'un sentiment antisémite de plus en plus fort menace son village.Dans la Russie d'avant la révolution, un paysan juif tente désespérément de marier trois de ses filles, tandis qu'un sentiment antisémite de plus en plus fort menace son village.Dans la Russie d'avant la révolution, un paysan juif tente désespérément de marier trois de ses filles, tandis qu'un sentiment antisémite de plus en plus fort menace son village.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 3 Oscars
- 10 victoires et 14 nominations au total
Paul Michael Glaser
- Perchik
- (as Michael Glaser)
Ray Lovelock
- Fyedka
- (as Raymond Lovelock)
Avis à la une
Opening with the wonderful song "Tradition" which is the overriding theme of the entire musical, with its comedy and its pain, this film is a charming, sentimental telling of the lives and tribulations of a family. The beauty of it is that despite occasional violence against a people, they maintain their spirit through the ages. It's about what every father believes, "There is no one adequate to marry my daughter." Things happen and people get knocked down, and eventually everyone gets to his feet once more. There is the combative relationship between Tevye and his wife, and their love ("but do you love me") that goes pretty much unstated. In the end they continue to stand tall together because what they have put into the world is true love, not the overly dramatic, silly love that permeates our world today. See the movie. See the stage play. You will always leave with an optimistic spring in your step, and wonderful songs in your heart.
I know people have complained about the length of this movie. Yeah, it is long, three hours approximately, but there are so many things that compensate. Norman Jewison's direction is very good, and the film is stylishly filmed, with some nice cinematography and there are nice scenery and costumes. The choreography is great, energetic in parts and graceful in others. Next, the music is outstanding. The incidental music largely reminiscent of Russian folk music is a real treat, but the songs are outstanding. The beautiful "Sunrise, Sunset", the fun "Tradition", the idealistic "Match Maker" and the energetic "If I Were A Rich Man", all amazing. Also, Topol, what an absolutely brilliant performance. He put body and soul into Tevye, successfully mixing humour, wisdom and poignancy and the result is one of the most memorable performances in any musical to grace our screens. All the other performances are wonderful, I liked it all five daughters had distinct personalities, and Norma Crane is fantastic as the mother. The story is both tight and poignant, about a milkman of Jewish values, who wishes his five daughters to marry. In conclusion, wonderful and definitely memorable. 10/10 Bethany Cox
In pre-revolutionary Russia, a poor Jewish peasant (Topol) must contend with marrying off his three daughters while antisemitic sentiment threatens his home.
Let me say this right of the bat: while this film may focus on a Jewish family and their struggle to enter the modern world (which may be good or bad), you certainly do not need to be Jewish to enjoy it. I always felt like this film (and "Yentl") were marketed towards the Jewish community, but it need not be. It is just a great story with excellent songs.
I loved the singing, the dancing, the story, the humor, the characters... there was really nothing I disliked about it. I was a bit surprised the eldest daughter was not Barbra Streisand, because they look identical. But, oh well. And I am also a bit surprised that the director was not Jewish, especially with a name like Jewison... but hey, he did a marvelous job!
Let me say this right of the bat: while this film may focus on a Jewish family and their struggle to enter the modern world (which may be good or bad), you certainly do not need to be Jewish to enjoy it. I always felt like this film (and "Yentl") were marketed towards the Jewish community, but it need not be. It is just a great story with excellent songs.
I loved the singing, the dancing, the story, the humor, the characters... there was really nothing I disliked about it. I was a bit surprised the eldest daughter was not Barbra Streisand, because they look identical. But, oh well. And I am also a bit surprised that the director was not Jewish, especially with a name like Jewison... but hey, he did a marvelous job!
I LOVE this musical but I weep a little always for the Yiddish culture lost forever. The world is so much poorer.
I apologise for straying from the artistic merit to linger on the loss to Humanity
Nevertheless this film is a permanent record of the fact that we enjoyed a wondrous Yiddish culture in our midst in Europe but after a series of Pogroms culminating in the Holocaust the heart was ripped out of our culture here in Europe
The music, the humour, the humanity, gone forever from the Heart of Europa. Europe's loss
Irish Gentile
I apologise for straying from the artistic merit to linger on the loss to Humanity
Nevertheless this film is a permanent record of the fact that we enjoyed a wondrous Yiddish culture in our midst in Europe but after a series of Pogroms culminating in the Holocaust the heart was ripped out of our culture here in Europe
The music, the humour, the humanity, gone forever from the Heart of Europa. Europe's loss
Irish Gentile
Let me say up front, I am not predisposed to enjoy a movie like this. On the contrary, as a straight WASP, the last thing I want to watch is a broadway musical or a bunch of Jews 'kavetching' about how bad they have it. That is definitely NOT what this film is about. Though the subject matter is Jewish, to say it is a Jewish film would grossly limit it's significance. It is about the human experience. Any one who has felt pain and persecution will relate to it. Therefore I say every human should love this film. It has an indomitable optimism and remarkable pathos that causes the viewer to empathize with the characters, namely Reb Tevye, played by Topol in arguably one of the finest dramatic performances ever. Considering the lack of success Topol has had with the rest of his career it would literally seem he was born to play this part. This film will most likely not be enjoyable for those looking for spoon fed, mindless entertainment or titillation, but for anyone who appreciates the beautiful things in life, it is high art. I recommend you set aside an undisturbed block of time, (use the can first, it's three hours long) when you are feeling relaxed, eat some good homemade soup and watch this masterpiece. Perfect casting, cinematography, pacing, art direction, wardrobe and best of all, an exquisite soundtrack by the great, and very young, John Williams. Listen to this movie on a powerful sound system and it will sweep you into each musical number. Especially (my favorite) the bar room dance scene. Fiddler on the Roof should be on every top 100 list that exists. Like no other movie I can think of, 'Fiddler' reaches deep into the heart and begs one to look at what things in life are worth living for and dying for.
Le saviez-vous
- AnecdotesThe "Sunrise, Sunset" scene was not lit by electric movie lights but by hundreds of candles, by Cinematographer Ossie Morris. Years later, Norman Jewison said it was the best lit scene in any of his films.
- GaffesWhen the old man is talking to Tevye about Tzeitel, the shadow of the microphone boom is visible on the old man's shirt.
- Crédits fousTopol and the cast sing "Tradition" without any opening credits rolling. At the end of the number, the fiddler standing on the left of the screen launches into an extensive solo while the opening credits roll on the right of the screen.
- Versions alternativesOriginally released at 181 minutes (with an intermission); later trimmed for 1979 reissue to 149 minutes.
- ConnexionsEdited into 5 Second Movies: Fiddler on the Roof (2008)
- Bandes originalesTradition
(1964) (uncredited)
Music by Jerry Bock
Lyrics by Sheldon Harnick
Performed by Topol and Chorus in the pre-credits sequence
Meilleurs choix
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Détails
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 404 330 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 726 942 $US
- 11 nov. 1979
- Montant brut mondial
- 10 407 890 $US
- Durée
- 3h 1min(181 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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