De la part des copains
- 1970
- Tous publics
- 1h 34min
NOTE IMDb
5,7/10
3,4 k
MA NOTE
Ajouter une intrigue dans votre langueWith his wife and daughter being held hostage, a seasoned ex-military man is involved in a shady smuggling operation to save his family.With his wife and daughter being held hostage, a seasoned ex-military man is involved in a shady smuggling operation to save his family.With his wife and daughter being held hostage, a seasoned ex-military man is involved in a shady smuggling operation to save his family.
- Réalisation
- Scénario
- Casting principal
Yannick Delulle
- Michèle Martin
- (as Yannick de Lulle)
Roger Mailles
- Poker Player
- (as Roger Maille)
Bob Ingarao
- Fisherman
- (non crédité)
Avis à la une
'Cold Sweat' is a 70's actioner I was actually quite pleasantly surprised by. Charles Bronson plays a guy whose cronies have caught up with him after spending many years in jail for a crime that he fled from. He's in sanctuary in France with his wife (played, rather slummingly wouldn't you say? By Liv Ullmann), and what do you know, his evil friends from the past catch up with him and takes his whole family hostage so that they can complete the One More Job together. Bronson accepts, but since this is a Bronson film, He's Got Other Tricks Up His Sleeve. So begins a fun little cat and mouse game, mainly dealing with the daughter or other of the bad guys (played hilariously by James Mason) and the trade-offs Manson and Mason are fun to watch. There's lots of chases too! Wee! Finally, I just want to comment on the print of the film I saw on DVD. It looked somewhat banged up, but I thought it just added to the viewing aesthetic of the movie! I just felt I was in a New York grindhouse movie theater, with this double featured with say, Dolomite or something.
Though proudly billed as Terence Young's COLD SWEAT, this turned out to be a below-average international concoction: the plot is formulaic albeit adapted from a novel by Richard Matheson one that Bronson often returned to, of a man whose past catches up with him (in fact, I recently watched Sergio Sollima's similar but superior VIOLENT CITY [1970]).
The film is doubly disappointing, however, for wasting the talents of actors of the caliber of James Mason and Liv Ullmann the latter clearly wishes she was elsewhere, while the former often resorts to hamminess (with a ridiculous American accent to match). As expected, the narrative flanks Bronson with real-life spouse Jill Ireland here in perhaps her most embarrassing performance as a spoiled hippie brat; needless to say, the star more often than not lets his physique do the acting for him but his is an undeniable screen presence and, as I've written elsewhere, he just happened to fit the bill for what was required of an action star in the late 60s/70s.
The supporting cast also includes Michel Constantin (who was also in VIOLENT CITY), "Euro-Cult" regular Luigi Pistilli, and Jean Topart all of them appearing as members of Mason's gang, with the latter being the most villainous of the lot and who gets his just desserts in memorable fashion. The best thing the violent film has going for it are the plentiful and exciting action sequences, particularly a lengthy if somewhat irrelevant car chase towards the end (once again, the work of Remy Julienne). Though the budget DVD at least presented it in the correct aspect ratio, the print for COLD SWEAT (which, along with a few other Bronson titles, has fallen into the public domain) was still too soft and murky to do justice to its variety of European locations.
The film is doubly disappointing, however, for wasting the talents of actors of the caliber of James Mason and Liv Ullmann the latter clearly wishes she was elsewhere, while the former often resorts to hamminess (with a ridiculous American accent to match). As expected, the narrative flanks Bronson with real-life spouse Jill Ireland here in perhaps her most embarrassing performance as a spoiled hippie brat; needless to say, the star more often than not lets his physique do the acting for him but his is an undeniable screen presence and, as I've written elsewhere, he just happened to fit the bill for what was required of an action star in the late 60s/70s.
The supporting cast also includes Michel Constantin (who was also in VIOLENT CITY), "Euro-Cult" regular Luigi Pistilli, and Jean Topart all of them appearing as members of Mason's gang, with the latter being the most villainous of the lot and who gets his just desserts in memorable fashion. The best thing the violent film has going for it are the plentiful and exciting action sequences, particularly a lengthy if somewhat irrelevant car chase towards the end (once again, the work of Remy Julienne). Though the budget DVD at least presented it in the correct aspect ratio, the print for COLD SWEAT (which, along with a few other Bronson titles, has fallen into the public domain) was still too soft and murky to do justice to its variety of European locations.
Charles Bronson is an expatriate American boat owner in the south of France, living with his wife, Liv Ullmann and his stepdaughter. He seems a lighthearted guy, until James Mason shows up. Mason was his captain in the army, and the leader of a smuggling ring, which included Bronson. Bronson turned witness, and Mason went to prison. Now Mason has kidnapped Ullmann and daughter to force Bronson to take part in his latest scheme. But despite some good planning, matters soon become complicated.
It's seems like an odd trio, but despite Bronson clearly being the star, Ullmann and Mason get some fine, extended sequences. There's also some fine location camerawork around Nice and Beaulieu-sur-Mer, an exciting high-speed driving sequence, and Jill Ireland as a ditz.
It's seems like an odd trio, but despite Bronson clearly being the star, Ullmann and Mason get some fine, extended sequences. There's also some fine location camerawork around Nice and Beaulieu-sur-Mer, an exciting high-speed driving sequence, and Jill Ireland as a ditz.
Usually this Italian Charles Bronson outing gets torn to shreds, but I found this sturdy, vigorous and taut crime feature to be modestly well-done in what it sets out to achieve with its modest budget. This would be the first international production (the others to follow 'Red Sun (1971)' and 'The Valachi Papers (1972)') and the weakest of three films, which director Terence Young would have Bronson in the leading role. Bronson is reliable and looks in good shape. Along side him there are recognizable faces in James Mason, Liv Ullmann, Jill Ireland, Luigi Pistilli, Michel Constantin and Jean Topart. The lesser support cast do an admirable job, but the likes of Mason, Ullmann and especially Ireland hit the bottom. Mason basically chews on his lines. Ullmann doesn't look all that comfortable and Ireland just makes you cringe. The former two are wasted. Other than Bronson, it's the villainous side-kicks Pistilli, Constantin and the cold-blooded Topart that are the life of the party. The script falls on the flimsy side. A tightly drilled and violently gritty story, but elementary straight-laced all-the-same. A former soldier/drug smuggler attempts to start a new life in the south of France with his family, but some of his ex-comrades return to settle a score. What begins as slow-grinding, laying out the premise's predicament would gradually unfold into a collection of grit-your-teeth, cat-and-mouse set-pieces. Thrillingly fast, long-winded and twisty-turny cars chase being the pick of the lot. It's not until the last half of the story when the raw, brutal explosiveness kicks in. The pace moves well enough, and the scenic photography of the European locations is fittingly captured. The bravura camera-work solidly gets amongst the action and the swirling music score is penetratingly overstated in a gusty fashion. Durable action joint.
Yeah, it's a terrible euro-pudding bomb, and Terence Young never was much of a director, but it's also a film I saw when I was 12, where I discovered Bronson. As bad as the film (really !) is, CB is physically at his absolute best in it : thick moustache, black T-shirt, pumped-up muscles, he walks through "Cold sweat" with an incredible presence. Of course, his couple with Liv Ullmann is laughable, James Mason looks bored to death (he should be), Jill Ireland is pathetic as a hippie drug dealer (she did it again in "Assassination" years later). But as far as Bronson's mythology is concerned (in Europe, at least), "Cold sweat" meant something at the time. The first time he was publicized as a superstar. For fans only...
Le saviez-vous
- AnecdotesOnly 3 days after the film's release In the US, it was aired on television.
- GaffesWhen Fabienne takes ice cubes out of the fridge in one hand while holding the ice bucket in another, it can be clearly seen that the amount of ice is not enough to fill even the half of the ice bucket. However in the next frame after dropping ice in the sink, she walks out of the kitchen with the ice bucket, overfilled with ice cubes.
- Citations
Joe Martin: And you and Michelle. What will you do while I'm away?
Fabienne Martin: We'll wait.
Joe Martin: Like Hell. I wait!
- Versions alternativesTo receive a UK 'A' cinema certificate the film was cut by the BBFC to remove the sound of a neck break and a brief scene of nudity, and to edit the shooting of a man with a flare gun. It was later reissued with a 'AA' (now 15) certificate and the cuts restored.
- ConnexionsEdited into Tela Class: Sem Desejo de Matar (2008)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Cold Sweat?Alimenté par Alexa
Détails
- Durée1 heure 34 minutes
- Rapport de forme
- 1.66 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was De la part des copains (1970) officially released in India in English?
Répondre