NOTE IMDb
5,7/10
3,3 k
MA NOTE
Un couple invite un comte de Hongrie à tenir une séance, ignorant qu'il est un vampire.Un couple invite un comte de Hongrie à tenir une séance, ignorant qu'il est un vampire.Un couple invite un comte de Hongrie à tenir une séance, ignorant qu'il est un vampire.
Donna Anderson
- Donna
- (as Donna Anders)
Judy Lang
- Erica Landers
- (as Judith Lang)
George Macready
- Narration
- (voix)
Erica Macready
- Babette - the nurse
- (non crédité)
Mark Tapscott
- Peter (seance guest)
- (non crédité)
Stella Thomas
- Vampire Woman
- (non crédité)
Avis à la une
At the time this film was made, vampires were almost always slow and hypnotic. This was really the first vampire film that treated them as swift and animalistic. That made this film surprisingly effective. It was even more surprising since it was originally supposed to be a pornographic vampire film called THE LOVES OF COUNT IORGA. It is flawed, but I still think it is the most effective vampire film I have ever seen. And I have seen quite a few.
Count Yorga (Robert Quarry), a vampire, comes from Bulgaria to 1970 Los Angeles and starts making a coven of beautiful female vampires. Will their boyfriends be able to stop him?
This was a huge hit in 1970 because it was the first modern vampire film. Up until then all vampire films had been set in Europe in the 1800s or early 1900s. This was the first vampire film set in modern day. Still it isn't a great film. It was originally shot with soft core sex scenes which were (pretty obviously) edited out and it was turned into a sleazy PG rated film. It was made on a very low budget (it shows) and suffers from some horrible 1970s fashions and dialogue. Also the makeup on the female vampires is pretty poor. Still this isn't a total disaster either.
The script is actually pretty intelligent considering this was a fairly rushed production. The acting is good--especially by Quarry who makes an imposing vampire. Very subtle performance but he handles the violent scenes quite well too. It moves at a fairly quick pace and has a great bloody climax--pretty extreme for a PG film. This won't impress audiences like it did in 1970 but it's still not that bad.
The 2000 video version I have has "Yorga" spelled as "Iorga".
This was a huge hit in 1970 because it was the first modern vampire film. Up until then all vampire films had been set in Europe in the 1800s or early 1900s. This was the first vampire film set in modern day. Still it isn't a great film. It was originally shot with soft core sex scenes which were (pretty obviously) edited out and it was turned into a sleazy PG rated film. It was made on a very low budget (it shows) and suffers from some horrible 1970s fashions and dialogue. Also the makeup on the female vampires is pretty poor. Still this isn't a total disaster either.
The script is actually pretty intelligent considering this was a fairly rushed production. The acting is good--especially by Quarry who makes an imposing vampire. Very subtle performance but he handles the violent scenes quite well too. It moves at a fairly quick pace and has a great bloody climax--pretty extreme for a PG film. This won't impress audiences like it did in 1970 but it's still not that bad.
The 2000 video version I have has "Yorga" spelled as "Iorga".
I saw this one on a movie channel and loved it. I haven't seen it for 30+ years. Robert Quarry is magnificent as a "matinee idol" vampire, in the best Lugosi tradition. Someone should post a short biography of this often-overlooked actor. A little heavy-handed in parts, but it's sure sexy and scary. The supporting actors are very good, especially a young Michael Murphy. You might also want to view Dr. Phibes Rises Again with Quarry and Vincent Price going toe-to-toe. See this one if you like seventies style or good low-budget horror.
Rated PG-13 (kitty munching; lewd activities in Volkswagen Bus and cleavage isn't quite the word).
Rated PG-13 (kitty munching; lewd activities in Volkswagen Bus and cleavage isn't quite the word).
I was a bit surprised by this rather low budget 1970s incarnation of vampire films. That's because around this same time period, vampire films were getting a bit stale and silly--with too many Hammer Dracula films (the franchise was getting weaker due to so many sequels) as well as dumb films like OLD Dracula and the Blacula films (which weren't terrible, but they sure were silly). However, despite my fear that this would be another stale film, this one turned out to be better than average and well worth a look. While only a nut would compare this to the greatness of Dracula or NOSFERATU, it still is a decent example of the franchise.
Before talking about the plot, there was something odd I noticed and that was how sexy the film was and it looked, at times, like it was a soft-core porno movie. However, again and again when it looked like it was going that direction, the movie abruptly changed direction--sometimes as if scenes were edited out to make this a film for general viewing. I checked IMDb for this and was not at all surprised to find that this was indeed the case. For example, a lesbian sex scene seemed about to occur--then the scene just ended. In another case, a woman was wearing a very revealing nightgown and began a very torrid scene with Iorga (there were two spellings in the film) and this just ended as well. There was also a very gratuitous scene involving a couple making love in a van for absolutely no reason--but again, with creative editing you really didn't see anything! As a result, the film is still quite sexy--but also one you could probably still let your teens watch.
Iorga/Yorga lives in the Los Angeles area in a house that looks more like a castle than a house. Even in crazy L.A., this house was definitely out of place! The film begins with his having a séance with three couples and it's soon apparent that the Count has magical hypnotic powers. Soon, it also becomes rather obvious that the Count is a heterosexual vampire--with strong desires for the three women but only a desire to kill off the men.
Many elements are taken from Dracula--even including a Dr. Helsing-like character. Despite the familiarity, the decent acting and nice update of the old tale make this worth a look. Plus the performance by the guy playing the Count was pretty cool.
Before talking about the plot, there was something odd I noticed and that was how sexy the film was and it looked, at times, like it was a soft-core porno movie. However, again and again when it looked like it was going that direction, the movie abruptly changed direction--sometimes as if scenes were edited out to make this a film for general viewing. I checked IMDb for this and was not at all surprised to find that this was indeed the case. For example, a lesbian sex scene seemed about to occur--then the scene just ended. In another case, a woman was wearing a very revealing nightgown and began a very torrid scene with Iorga (there were two spellings in the film) and this just ended as well. There was also a very gratuitous scene involving a couple making love in a van for absolutely no reason--but again, with creative editing you really didn't see anything! As a result, the film is still quite sexy--but also one you could probably still let your teens watch.
Iorga/Yorga lives in the Los Angeles area in a house that looks more like a castle than a house. Even in crazy L.A., this house was definitely out of place! The film begins with his having a séance with three couples and it's soon apparent that the Count has magical hypnotic powers. Soon, it also becomes rather obvious that the Count is a heterosexual vampire--with strong desires for the three women but only a desire to kill off the men.
Many elements are taken from Dracula--even including a Dr. Helsing-like character. Despite the familiarity, the decent acting and nice update of the old tale make this worth a look. Plus the performance by the guy playing the Count was pretty cool.
When we think of great vampire portrayals, normally the names of Lugosi and Christopher Lee immediately pop into our heads. Robert Quarry, however, is as convincing a vampire as both of those great actors. His performance and demeanor as a Bulgarian Count in this film is truly outstanding. He lives in a large house somewhere in California and terrorizes young women and their boyfriends. What makes this picture a better than average vampire film is that it has a very tense and atmospheric plot structure. We basically know what fate will befall our innocent(just) protagonists, but we become riveted to their actions and those of the Count. Quarry plays the Count with a charm that is both amiable and yet caustic. He makes one of the wittiest vampires in film. The rest of the cast is adequate, and I think Roger Perry does a wonderful job as a blood specialist who goads Count Yorga one evening into talking about the supernatural. A must see for the classic horror fan.
Le saviez-vous
- AnecdotesThis film was originally conceived as a low budget softcore pornography film titled "The Loves of Count Iorga, Vampire". Later, however, the decision was made to film it as a regular horror film with the less erotic title "Count Yorga, Vampire" . This name change explains the poor animation of the name "Count Yorga" in the film's title as it now appears on-screen. The original title and original Iorga spelling were both restored to the film by the 1990s, but all prints of it were still identical to the original 1970 release. Apparently, no additional footage survives from its original porn version of it at all and it is unknown if said version was actually filmed or, if it was filmed, whether or not it was finished or even released if it was (it is worth noting, however, that the characters often pronounce the Count's name within the film as "Iorga" (ee-yor-ga) and not as "Yorga" (yor-ga)).
- GaffesCount Yorga's fangs are inconsistent throughout the entire film: sometimes all of his visible teeth are pointed, but in a few shots only his canines are pointed while his incisors are not.
- Citations
Count Yorga: Doctor Hayes, what an unexpected surprise.
Dr. James Hayes: Yes, so much so that I almost had a massive coronary.
- Versions alternativesThe new Twilight Time DVD version of the film contains a longer version of the kitten eating scene.
- ConnexionsEdited into Le vampire noir (1972)
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Détails
Box-office
- Budget
- 64 000 $US (estimé)
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