Columbo: Rançon pour un homme mort
Ajouter une intrigue dans votre langueAfter killing her boring husband and disposing of the body, a supposedly brilliant tort attorney fakes his kidnapping and keeps the ransom money. The FBI may be fooled, but not Columbo.After killing her boring husband and disposing of the body, a supposedly brilliant tort attorney fakes his kidnapping and keeps the ransom money. The FBI may be fooled, but not Columbo.After killing her boring husband and disposing of the body, a supposedly brilliant tort attorney fakes his kidnapping and keeps the ransom money. The FBI may be fooled, but not Columbo.
- Réalisation
- Scénario
- Casting principal
- Attorney
- (as Henry Brandt)
- Pat
- (as Jeane Byron)
Avis à la une
Lee Grant plays a very skilled trial lawyer who is used to winning. However, one thing in her life is NOT perfect. She's married to an older man and now that he no longer is useful in forwarding her career, she's bored with him. Instead of divorce, however, you KNOW it will end in murder. After all, it's "Columbo"!
The story is well written, the acting by Grant and the rest is quite nice and it's well worth your time. My only quibble is early in the show, you see the Lieutenant making an illegal search of a locker. With no search warrant or apparent need to search it, he did anyway.
By the way, on IMDB this is listed as the first installment of "Columbo"....but as I mentioned above, it's actually the second.
This is a solid season 1 episode, and watch for the fine portrayal by Lee Grant, who makes this Columbo a memorable one. Peter Falk also does a fine job as he's on the hunt after the killer.
As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Knowing this ahead of time won't ruin anything for you; it is simply what happens in all the films. With this strict adherence to formula it is usually down to several factors whether or not the Columbo film stands out or if it is just average. However with this film we are really in the territory where the formula was created. This second pilot sees a murder committed in the first few moments, Columbo brought in and filled with doubts and suspicions. In essence the plot is solid and interesting, with Columbo picking away at small things that bother him but it doesn't quite ring true.
The film brings in Columbo quickly, which is a good thing, but it seems to spend too much time on Margaret, which is a bit of a drag. The film could have lived with her in a smaller role but outside of her the rest is still pretty strong. Falk is much, much better as Columbo than he was in the first pilot (Prescription Murder) as he is much more animated and quirky rather than flat as he was then. He is funny and dogged and, although he isn't as good as he would quickly become, he is still pretty good. Grant is strong and is a good foil for Columbo shame they do not have as much time together as other films allow. Mattick is annoying and, like I said, she gets in the way and is a misjudged part of the film generally.
Overall a good start proper to the successful series. The majority of the formula is in place and it is surprising how little tweaking it needed to make it run and run from there. Fans will love it of course but it has an appeal beyond that (it was released in cinemas in the UK) and is worth a look.
This pilot sets a high standard (which wasn't always maintained, let's be honest) and has strong writing and characterisation, as well as showing some visual flair with slow fades, jump cuts and other effects.
Columbo here is the Lieutenant we will come to love, absent-minded, rambling, but with pin-sharp instincts and a deep sense of justice ("I couldn't have you convicted on false evidence" he says at one point. He wants to catch the criminal but he will do it fairly and properly). The performances of Peter Falk and Lee Grant are excellent.
Some reviewers have felt the suspect wouldn't be stupid enough to use the ransom money after being so smart in planning the crime and covering her tracks. I think the fact the money was going into a *Swiss* bank probably made her feel it was a risk worth taking - you can't get any information out of those guys, so no-one would know it was the ransom money. Besides, she really doesn't have a conscience.
Le saviez-vous
- AnecdotesThe morning after Leslie makes the drop, Margaret is watching Assurance sur la mort (1944), the classic movie about a woman who has her lover kill her husband to collect on a life insurance policy.
- GaffesWhen Leslie Williams leaves her husband's 1971 Lincoln sedan at the stop sign and goes to a mailbox to mail the ransom note, she is startled by an approaching car. The car is a Corvette. However, as the car is shown driving away, the rear of the car is a 1971 Lincoln sedan.
- Citations
Agent Carlson: Let's understand this one thing: if you start harassing this woman, I'm going to take it upstairs.
Lt. Columbo: Ah, just one minute, uh, Mr. Carlson. You see, it's like this: this is not just a kidnapping; this is a murder now... and I kinda figure that's my department. I'll see ya 'round.
- ConnexionsFeatures Assurance sur la mort (1944)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Lösegeld für einen Toten
- Lieux de tournage
- Barney's Beanery - 8447 Santa Monica Blvd., West Hollywood, Californie, États-Unis(Columbo having Chili and talking to Margaret)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro