[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

Les clowns

Titre original : I clowns
  • Téléfilm
  • 1970
  • Tous publics
  • 1h 32min
NOTE IMDb
7,0/10
3,2 k
MA NOTE
Les clowns (1970)
MockumentaryComedy

Fellini explore une obsession de son enfance dans un mélange de souvenirs et de faux documentaire sur les clowns de cirque.Fellini explore une obsession de son enfance dans un mélange de souvenirs et de faux documentaire sur les clowns de cirque.Fellini explore une obsession de son enfance dans un mélange de souvenirs et de faux documentaire sur les clowns de cirque.

  • Réalisation
    • Federico Fellini
  • Scénario
    • Federico Fellini
    • Bernardino Zapponi
  • Casting principal
    • Riccardo Billi
    • Gigi Reder
    • Tino Scotti
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    3,2 k
    MA NOTE
    • Réalisation
      • Federico Fellini
    • Scénario
      • Federico Fellini
      • Bernardino Zapponi
    • Casting principal
      • Riccardo Billi
      • Gigi Reder
      • Tino Scotti
    • 11avis d'utilisateurs
    • 41avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 2 nominations au total

    Photos73

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 67
    Voir l'affiche

    Rôles principaux60

    Modifier
    Riccardo Billi
    • Clown
    • (as Billi)
    Gigi Reder
    Gigi Reder
    • Clown
    • (as Reder)
    Tino Scotti
    • Clown
    • (as Scotti)
    Valentini
    • Clown
    Fanfulla
    Fanfulla
    • Clown
    Merli
    • Clown
    Carlo Rizzo
    • Clown
    • (as Rizzo)
    Alberto Colombaioni
    • Clown
    • (as I 4 Colombaioni)
    Pistoni
    • Clown
    Martana
    • Clown
    • (as I Martana)
    Giacomo Furia
    • Clown
    • (as Furia)
    Dante Maggio
    • Clown
    • (as Maggio)
    Galliano Sbarra
    • Clown
    • (as Sbarra)
    Peppino Janigro
    • Clown
    • (as Janigro)
    Carini
    • Clown
    Maunsell
    • Clown
    Nino Terzo
    Nino Terzo
    • Clown
    • (as Terzo)
    Osiride Pevarello
    • Clown
    • (as Peverello)
    • Réalisation
      • Federico Fellini
    • Scénario
      • Federico Fellini
      • Bernardino Zapponi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    7,03.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8ElMaruecan82

    Just watch "I Clowns", if they please(d) you, you'll respect them, if they scare(d) you, you'll understand them ...

    As far back as I can remember, I was always scared by clowns. Literally, my "coulrophobia" (that's the right word) happens to be my first life's episode I ever remember. So, allow me to start this review like Fellini did in his semi-documentary "I Clowns".

    My first encounter with clowns was on TV (still a big screen from children's eyes) and being a sickly timid boy, I have always been unsettled by abnormality, let alone these creepy chalky faces with bright make-up. A few days later, during my 3rd birthday party, I saw one of my cousins being made-up as a clown and as fast as I could, I ran immediately to my aunt's knee and pretended to sleep, forcing my eyes to stay closed. Clowns became the incarnation of a devil I ignored all about.

    And they were everywhere, I could hear their irritating voices on circus TV programs, watch them bullying poor "Dumbo", or hanging in these ugly paintings. The year after the birthday episode, my school's holiday party featured the two most famous clowns of my country. And I had to hide somewhere waiting for my Dad to take me, but the nightmare wasn't over yet: the same night, he bought me a 'memory' card game, and guess what? There were clowns there too, especially one picture that scared me so much I didn't even have the courage to throw it, I only left in a drawer. My cousin, who knew about my phobia, found it one day, and put it right before my eyes, laughing hysterically.

    And I still remember the nightmares that picture gave me. Well, you got the point, clowns can truly affect a child, and coulrophobia is no joke. So, I could easily respond to the kid's traumatic experience in the opening sequence of Fellini"s "I Clowns". Their shadowy silhouettes as soon as the fanfare starts seemed to announce an ominous coming and as soon as they get in the spotlight for a four or five minutes of grotesque mayhem and ugliness, epitomizing everything I hated about them, I wanted the show to stop. Thanks, lord, I wasn't the only one, Fellini was scared by clowns, and hell, even Bart Simpson, the coolest boy ever, didn't want to sleep, fearing that the creepy clown-like bed would eat him.

    My phobia slowly faded out, and I started to look at clowns more like pathetic characters, supposed to make us laugh of their ridicule aspect. And the point of Fellini's documentary is to try to understand the psychological roots of those half-repulsion half-fascination reactions clowns generally inspire. The study starts by exploring the probable causes of the child's fear: clowns reminded him of real eccentric people from the neighborhood: retarded, buffoons, creeps, freaks, genuinely hideous and irritating, but their personalities was even scarier because they were real while clowns are not.

    Clowns are rooted in theater's history; their masks embody the least noble of human condition, allowing us to laugh at them, instead of fearing them. They have a cathartic power that probably inspired most of Fellini's approach to life. As I titled in my review of "Amarcord", we're all clowns in the big top of life. And Fellini's world can be regarded as a great circus, where the protagonists are all trapped in their own clowns' masks, while we watch their show. A clown can be a prankster, naive, well-mannered or mean-spirited, the purpose is to make us laugh, as if the ultimate aspect of life was absurdity and if life is all a joke, let's end with a fitting punch-line. That's the core of Fellini's philosophy.

    And Fellini is the Ringleader of this Circus, driven by Nino Rota's turbulent fanfares. And only Fellini could have made such a jovial and poignant tribute, exploring in a semi-documentary format (he plays his own role) the historical steps that forged the clowns' archetypes. From Comedia del Arte's pantomimes, Pierrot's eternal figure, and some personal creations, two preeminent figures will emerge and constitute the pattern of most clowns' shows: the gentle and clumsy Auguste, and the elegant, sophisticated and serious white-faced clown, the obligatory straight man. Basically, all the clowns' icons: Medrano, Zavata, Bozo or those who scared the hell out of you as children, carried the essence of today's comedy.

    There are a lot of insightful moments in "I Clowns", which works as an educational film. It doesn't provide a definite answer about clowns, but only a sad report on today's detachment. The last climactic sequence where veteran clowns (who've been interviewed before) pay tribute to a late colleague whose name sunk into oblivion is the perfect illustration of that loneliness innate to the clowns reflecting our own cruelty. I almost felt guilty for having hated them so much, and I like to picture them as misunderstood outcasts. A film about them was long overdue, and only Fellini could have made such a vivid, absorbing portrayal, almost working on a self-referential level.

    Indeed, look at that head-shot on IMDb, it's probably the most eloquent illustration of Fellini's vision: he's half a clown, half a man. He incarnates this duality that prevails in clowns, both as the creators of their own caricatures, as artists, and victims of it, as men. And their conditions are driven by the audiences, and sometimes, meaner and more cruel than any clown in any number. The fate of "Gelsomina" in "La Strada" is the most tragic illustration of clown's conditions. And after the film, I guess I had more respect to clowns for their daringness to embody the unpleasant traits of human condition.

    But from that courage blooms something absolutely endearing and irresistible, elevating the notion of clown to a state-of-mind. It's not just about make-ups and circuses, Fellini, just like Chaplin, was a clown, embodying the only real truth about life: it a serious thing that shouldn't be taken seriously.

    And when you get that, you can get any Fellini's film.
    10christopher-underwood

    the circus tapestry that reflects Fellini's past films, future films and his life itself

    I had never seen this wonderful film before. I was aware that it had been made for TV, was about clowns, obviously and I had heard reports of terrible picture and sound. So, my blu-ray has been sitting around for some time until, prompted by a viewing of Fellini's first success, we decided to give this a go. It is fantastic. Clearly the quality issues have been dealt with and it would seem that the TV origins meant nothing. If the director was taking it easy after Satyricon, you could have fooled me. This has a magical and majestic extended opening sequence and an astonishing extended ending but in-between it is still all a swirl of exciting, amusing and emotional cinematic wonder. Ostensibly a documentary (we even see the director seemingly working with his crew) but there are illusions upon illusions and even the lovely interviews with elderly historic clowns from back in the day are so woven within the circus tapestry that reflects Fellini's past films, future films and his life itself, that we simply gasp and sigh as we share the maestro's own obvious delight.
    4claudio_carvalho

    Clowns and the World of the Circus

    Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.

    The overrated "I Clowns" is the weakest movie of Fellini that I have ever seen. This documentary is an absolutely personal and boring homage to the clowns and the world of the circus. Maybe Fellini had had a great satisfaction in this tribute since the theme was his childhood obsession; however I found it extremely painful to hear and watch after thirty minutes. If this documentary was a short, it could be more watchable. My vote is four.

    Title (Brazil): "Os Palhaços" ("The Clowns")
    3planktonrules

    Only for those who absolutely adore clowns or the work of Fellini

    This is an odd vanity project from the famed Italian director, Federico Fellini. It's quite different from his usual films--even though his flashbacks to his youth permeate the film like "Roma" and "Amarcord". This is because of general recollections of childhood, this one specifically is about clowns--something which seems like an obsession in this film. It's shot semi-documentary style and is quite episodic--showing various clowns around Europe and his recollections. In addition, often parallels to the clowns are given--real life situations and people who remind him of the clowns. If you are looking for anything more, then you're out of luck. And, it's a true testament to his fans that such a film STILL is highly regarded. As for me, I thought it was pretty boring and pointless. Sorry...but I just didn't see a lot of reason to watch this one except so that I could one day say I've seen all of Fellini's films (and I am darn close now).
    8Mr_Mirage

    Superior work of a great director.

    This little film tends to stand quietly in the shadows of the great director's other works. It cannot compare to 8 1/2, or La Dolce Vita, but it carries a remarkable quality to it that isn't quite like his other films.

    Fellini's circus theme is used here to a remarkable effect. There is a sadness that creeps in and around the film, like a cat watching a canary. It is unlike his other works, not as daring or bold, but worth some consideration.

    Vous aimerez aussi

    Répétition d'orchestre
    7,1
    Répétition d'orchestre
    Ginger et Fred
    7,2
    Ginger et Fred
    Le Casanova de Fellini
    7,0
    Le Casanova de Fellini
    Intervista
    7,0
    Intervista
    Et vogue le navire...
    7,4
    Et vogue le navire...
    Fellini Roma
    7,3
    Fellini Roma
    La voix de la Lune
    6,3
    La voix de la Lune
    La cité des femmes
    6,9
    La cité des femmes
    Le sheik blanc
    7,2
    Le sheik blanc
    Les feux du music-hall
    7,1
    Les feux du music-hall
    Boccace 70
    7,0
    Boccace 70
    L'amour à la ville
    6,5
    L'amour à la ville

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film has a 100% rating based on 19 critic reviews on Rotten Tomatoes.
    • Connexions
      Edited into Fellini's Circus (2011)

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 25 décembre 1970 (Italie)
    • Pays d’origine
      • Italie
      • France
      • Allemagne de l'Ouest
    • Langues
      • Italien
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • The Clowns
    • Lieux de tournage
      • Sabaudia, Latina, Lazio, Italie
    • Sociétés de production
      • RAI Radiotelevisione Italiana
      • Compagnia Leone Cinematografica
      • Office de Radiodiffusion Télévision Française (ORTF)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 284 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 32 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Les clowns (1970)
    Lacune principale
    By what name was Les clowns (1970) officially released in Canada in English?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.