The Brotherhood of Satan

'Brotherhood Of Satan' is a very interesting and overlooked Seventies Satanic thriller. Initially you might lump it in with silly-but-fun schlock like 'The Devil's Rain' and 'Race With The Devil' but it's actually a much more complex and ambitious movie with a much more serious and less sensationalistic approach. T.V. veteran Charles Bateman and Ahna Capri ('Enter The Dragon') play a couple on a road trip with their young daughter (Geri Reischl - 'I Dismember Mama') who find themselves in a mysterious and hostile small town gripped with hysteria. Townsfolk have been brutally murdered and children kidnapped and nobody is quite sure why. Glance at the title of the movie and take three guesses! 'The Wild Bunch's L.Q. Jones (who also co-wrote and co-produced) and Strother Martin (the latter probably best known for his role in 'Cool Hand Luke' - "What we have here is a failure to communicate!") star as the town sheriff and doctor respectively. This is one of a half a dozen movies they made together and it is always a joy to see them sharing screen time. They made a great team which was unfortunately cut short with Martin's death in 1980. The supporting cast also includes Hank Kimball from 'Green Acres' (!) Alvy Moore, a real kick for buffs. 'Brotherhood Of Satan' is a surprisingly creepy and effective horror movie with a sometimes fascinating approach to narrative. A movie that is ripe for rediscovery!

When I first saw this movie, I hated it as it made little sense. Watching it a second time was good because I discovered that it did have some intelligence to it. However, it's probably too intelligent for the audience it intended to attract. The plot conecrens the inhabitants of a small town who are into witchcraft, attempting to kidnap children for evil purposes and the efforts of a family passing through the town to unravel the mystery. Though not particularly scary, it does have some moments which really stand out and are not easily forgotten. It's also nice to see Strother Martin (an underrated actor) getting to play a lead role.

Every great once in a while, you stumble upon a movie that exceeds even your wildest expectations. Given the IMDb rating of 4.0, I wasn't really expecting much with The Brotherhood of Satan. I hoped that at a minimum it might be cheesy fun like The Devil's Rain or any of the other early 70s similarly themed Satanic horror films. I couldn't' have been more wrong. What I got instead was an ambitious and intelligent film with a cast I really enjoyed. Speaking in broad terms to avoid giving anything away, the film's style and structure are much more experimental than the straightforward storytelling so prominent in the early 70s. The Brotherhood of Satan doesn't beat you over the head with plot points and explanations. A lot is left to the viewer to fill in the blanks. As a viewer, you know something is amiss, but for the longest period you're just not sure what it is. The unknown helps make for a far creepier atmosphere than most similar films. The ending is effective with its surreal imagery. I sat in amazement as the final credits began to roll. Those wanting a big slam-bang finale will be disappointed with the ending's simplicity. A lesser film would have tried to pull out all the stops and would, most likely, have failed miserably.

There are moments in the film where it's easy to forget the director, Bernard McEveety, had primarily worked in television before The Brotherhood of Satan. There are a few scenes that are so well set-up, lit, and shot that even the most accomplished of directors could learn a thing or two. For example, I've seen enough films over the years to realize that directors can sometimes seem to have trouble shooting widescreen shots indoors. Not here. The scene where the men are discussing their plan of action in the sheriff's office is amazing. We see all five men at once - each doing their own thing as in real life. In a lesser film, we might see all the men at once, but each would be motionless, quietly waiting their turn to deliver their dialogue. It's a small scene, but it looks so natural and is so beautifully shot that it's one of my favorite moments of The Brotherhood of Satan.

Finally, I mentioned the acting in my opening, so without going into a long-winded speech, I'll just say that The Brotherhood of Satan features Strother Martin and L.Q. Jones. Any film with these two guys is almost an automatic winner with me.

The Brotherhood of Satan is viewed by some as a great film and by others as much less than mediocre. The difference lies in the mind of the beholder. Literal-minded folk will definitely not appreciate it and will find it slow-moving and boring. Even those who think of it as a classic will agree that it takes a long time for anything significant to happen. However, for those with a metaphysical bent, once the film gets moving, it resonates at a very deep level of the psyche.

Someone raised in a mystical or semi-mystical religion, taught doctrines of transubstantiation, resurrection of the body, the power of prayer, the importance of surrender to the almighty, and the necessity of worship will find striking parallels here though the object of adoration is the Powerful Evil One. God needs the Devil, good needs evil, life needs death, the old need the young in a dualistic world. When attraction is balanced by repulsion in the mind of the viewer, the effect is powerful. Strother Martin in the role of doctor and devil's surrogate is superb.

The use of toys and dolls to symbolize elements that exist on different levels of size or importance is ingenious. This multidimensionality suggests to our subconscious mind that nothing is just what it appears to be. In science fiction and horror, this powerful tool stimulates the imagination. In science it suggests multiple realities, multiple universes.

For some reason in the 1970's it seemed to be a requirement for every former cast member of "The Wild Bunch" to appear in a low-budget satanic-themed horror movie. You had Ernest Borgnine in the ridiculous "Devil's Rain", Warren Oates in the underrated "Race with the Devil", and of course William Holden in the the overblown sequel "Damien: Omen II". The weirdest one though was probably this one which features both Strother Martin and L.Q. Jones (Jones, who would later write and direct the cult classic "A Boy and his Dog", also contributed to the screen play).

It starts out promisingly enough with an entire family somehow being compacted in their car, all except for the young son who wanders off and runs into a strange group of other children. For awhile it is unclear whether this movie is ripping off "Village of the Damned" or "Rosemary's Baby", as you have this group of orphaned and kidnapped children wandering around after their parents have been done by a bizarre murder spree, AND you have a coven of decrepit oldsters led by Strother "What we have here is failure to commun'cate" Martin. The main protagonists are a good-looking but bland couple and their young daughter who are only passing through town, but become involved in the weird goings after they discover the remains of the compacted family. Jones plays the good guy sheriff, and Martin has a second role as the seemingly kindly town doctor.

The satanic scenes are very weird with a lot of freaky shots of children's dolls, and people violently convulsing and dropping dead. The pretty blonde wife also has a "Rosemary's Baby" style hallucinatory dream that is like "Coffin Joe" on particularly bad acid. The end finally ties everything together sort of, but this remains one of those 70's movies that is a lot longer on style than on logic. Still I guess I'd recommend it if you go for these sort of films at all.