Bleak Moments

Mike Leigh is much more effective in "Bleak Moments" than his later, more popular efforts like "Secrets and Lies". The latter lacks much of the intensity and focus of this film.

The characters in Mike Leigh's films live in different, often isolated worlds. Some haltingly, painfully attempt to communicate and relate to one another. Others just blindly or blithely drift by. There is some caring, often much misunderstanding. In Leigh's later films the characters come to some reconciliation, but there is no such escape for them here. The movie is, true to its name, bleak.

Tom Noonan's "What Happened Was", which is highly recommended to anyone who likes this film, is really a working out of one critical "coffee and sherry" scene in Bleak Moments.

One of the best films I've seen in recent years. 10/10

a.k.a Loving Moments – and this seems the better title. The story is moving and full of quiet humor. Let's just say, from soup to nuts. Moreover, Sylvia, the sensitive bookish main character, is able to see the humor in the situations she encounters. Anne Rait, who plays Sylvia, is gorgeous. Her luminous smile, her sometimes furrowed brow, her tightly drawn-back black hair, her tentativeness, her quiet strength – no problems watching her for 100 minutes – and the director does his utmost to capture her charm and her latent emotions on film. For me, this film is not about people who fail to make relationships, but simply about people and relationships.

Mike Leigh is the undisputed king of the awkward moment. He takes a this cinematic staple and extrapolates it into clenching agonies of time. In some of his films, Leigh allows the unease to build up to a crescendo, and in other films he simply lets it simmer. It's safe to say the awkward silence is something of a Leigh trademark, and in this film we are given a searing, painful stretch involving five pathologically shy people.

Sylvia is an attractive yet shy working-class woman caring for her mentally disabled sister, Hilda. Her well-meaning harridan of a workmate pitches in to help from time to time, but Sylvia knows this woman is a credulous boob. There's a teacher down the street, also shy to the point of being socially inept. He likes Hilda, but that dog won't hunt, so he takes a shine to Sylvia.

Will either of these two break through their timidity? Will anyone get face to face and come down to brass tacks? If Leigh's vision of stodgy English reserve and working class ennui has anything to say about it, we can assume it's not likely...

This slow and bleak film isn't for everyone, but it helps one understand the foundations that Leigh created early in his career.

Netflix has most of Mike Leigh's earlier films, including his early BBC films, available for on-demand streaming, so I thought I'd check out his debut feature, being a fan.

The absence of artifice in Leigh's films is always very refreshing. You never get the Hollywood "sheen" on the story. Even when he uses Names, the performances never seem like performances, but rather a scene you would most likely walk in on if you opened the front door of any house at random.

That lack of artifice is particularly glaring in Bleak Moments and one can't help but wonder if this was part of what Leigh was trying to get across: the conversations appear to be shot in first-take improvisational style and if things happen, they do, and if they don't, they don't. He isn't going to force an unnatural performance and you shouldn't expect one, either.

There's a lot going on in these pregnant pauses, however, and many shadings of self-consciousness to sift through before you glimpse the tortured soul behind each character. It is a subtle and classy trick, as other have pointed out, that the least self-conscious and therefore joyous character is developmentally-disabled Hilda.

Occasionally Leigh will show-off a bit, and to good effect, particularly in the fast cut group of headshots prior to Sylvia and Peter's date, but for the most part he plays it cool and just lets us bask in the glow of some great, naturalistic acting.

Seldom has a movie been more aptly titled than Mike Leigh's debut "Bleak Moments". It's the story of Sylvia, (an excellent Anne Raitt), an attractive but lonely spinster who lives with her mentally challenged sister and whose life is indeed a series of bleak moments in which nothing very much happens. Most of Leigh's early works have been bleakly funny and, more often than not, uncomfortably so as if we are being invited to laugh at the sad sacks who make up his world rather than empathize with them and "Bleak Moments" certainly sets the tone for what was to follow. This is a grim and not very pleasant picture chock full of grim and not very pleasant people. It's brilliantly acted, (Leigh has always been a great director of actors), but it's not an easy movie to like.