Un singulier directeur

I'm not usually turned on by animal comedies, and I read the synopsis for this one and decided to give it a miss. Then I was flicking channels and came across a late film on the Disney channel, started watching it, became engrossed and thought it was nice, just funny enough without going overboard for laughs. Kurt Russell is certainly a long way from "action hero" status; the story works well enough, and it's classic Disney fodder that parents can enjoy with their kids. Rating: 6/10.

One of the funniest comedies I've seen yet. What made this so was the interplay between Wally Cox and Joe Flynn [one of my favorite comics]. The bit on the building ledge was too much and had me rolling. The bellowing company prez was well played by Harry Morgan, a man I well remember from the early 60's sitcom "Pete & Gladys" where he played the put upon hubby, Pete Porter. John Ritter performed the snobbish, suck-up nephew to the hilt who, of course, gets his just payment in the end. 4 stars.

Steven Post (Kurt Russell), an ambitious mail clerk at the fictional struggling UBC (United Broadcasting Corporation) Network, discovers that a chimpanzee named Raffles in the care of his girlfriend Jennifer Scott (Heather North), has the uncanny ability to choose which television programs will succeed or fail with audiences by blowing raspberries at shows he hates and claps his hands at shows he likes. Through a series of shenanigans, Post convinces executives Wilbanks (Joe Flynn) and Crampton (Harry Morgan) that Post actually has the abilities and his usage of the chimp eventually results in UBC becoming the top rated network. Wilbanks and Crampton soon grow suspicious of Post's overnight success and fearing their future in the company is at stake set out to discover Post's secret.

After the success of The Computer Wore Tennis Shoe's Disney reunited star Russell and director Robert Butler as well as a few supporting players for The Barefoot Executive. Like The Computer Wore Tennis Shoe's, the movie follows Kurt Russell as simple everyman but unlike his previous film the movie adds more weight to itself and feels like an actual movie rather than an extended sitcom plot. The movie builds it's premise on the framework of working one's way to the top and incorporates the gimmick premise of a Monkey that can pick successful TV shows. While the satire in The Barefoot Executive isn't the most cutting or acerbic about entertainment or corporate culture (save for the rather obvious satire of a Monkey understanding the public better than highly paid executives do) the movie is a pleasant enough sit thanks to Russell playing a more tangible level than Dexter Riley and Butler having honed his skills improving his timing and use of comedic friction. The story is fairly predictable and you'll be able to tell what story beats you're approaching well in advance of when the characters get to them but luckily the movie has enough amusing gags that it's familiar story doesn't make them stumble.

The Barefoot Executive isn't especially memorable and doesn't reach the highest points of Disney Gimmick Comedies like That Darn Cat, Blackbeard's Ghost or The Love Bug, but it is a well made film with good comic work from talented actors that's an amusing albeit not all that memorable sit.

A young man who works in the mail room at a TV network wants to move up the corporate ladder but finds himself stymied by his selfish boss. By chance he discovers that his neighbor's chimpanzee has a knack for picking successful TV programs.

This is classic Disney all the way. Somewhat silly, harmless fun, it is not hard-hitting and has really no deeper meaning or social commentary. One could, if they wanted, point to the jokes about monkeys picking what we see on TV. But that is not exactly deep satire.

Kurt Russell was alright early in his career, but it seems like this was an even bigger showcase for John Ritter. As Ritter's first film, he does not get a large amount of screen time, but certainly makes the most of each line he delivers.

All the way through this film, part of me was saying "I don't like this kind of film" while the rest of me was replying "No, but I'm enjoying it!" The rather offensive premise here is that the tastes of the great american television-watching public can best be assessed by a chimpanzee.

There's a little go at political-correctness, major swipes at TV production values and some great characterisations of TV exec types.

I watched it while laying carpet tiles and it made a welcome distraction and a good excuse to take a break. I enjoyed it