Un romancier playboy, qui a travaillé en parallèle avec une agence de renseignement, quitte celle-ci, mais se retrouve à effectuer de nouvelles missions dans le monde entier.Un romancier playboy, qui a travaillé en parallèle avec une agence de renseignement, quitte celle-ci, mais se retrouve à effectuer de nouvelles missions dans le monde entier.Un romancier playboy, qui a travaillé en parallèle avec une agence de renseignement, quitte celle-ci, mais se retrouve à effectuer de nouvelles missions dans le monde entier.
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I enjoyed Department S when I discovered it on DVD, so decided to give its spin-off series a try, even knowing going in that it was not as well-regarded. I very quickly found out why!
What made Jason King (the character) work in Department S was that he had two relatively normal sidekicks - who appear here only in the briefest of stock footage flashbacks in one single episode - to bounce off, making him seem like an eccentric in a more or less everyday world. Given his own series and shorn of anyone to keep him in check, however, Jason becomes absolutely ludicrous, a camp comic-book creation with barely even one toe in reality. That he's at all bearable to watch is entirely down to Peter Wyngarde's charm, as the scripts frequently make him casually sexist and even racist in a cringeworthy 1970s way. (One episode actually has him say "Ah so, dlagon rady" to a Chinese woman... a Chinese woman played by a British actress in yellowface and false eyelids. Horrible!)
The stories are also bottom-of-the-barrel stuff. Since he's no longer part of a law enforcement agency, every contrivance imaginable is needed to force Jason into the plots. He unwittingly uses a codeword meant to identify an arms dealer. He's hypnotised. He's mistaken for a hit-man because he's carrying a rose. He picks up a hitch-hiker involved in a crime. He's impersonated (twice). He's blackmailed by MI6 (several times). He's kidnapped (repeatedly). In the laziest example, he just so happens to know *three* different people - from different countries - who are trying to obtain a stolen statue, none of whom have any connection to each other.
The scripts are not the only thing that were cheap. To pay for location shooting in Europe (Jason visits Paris, Hamburg, Vienna, Venice and other cities - mostly wandering around in front of famous landmarks just to prove that yes, they really sent their leading actor there for the day) the show was shot on 16mm film rather than ITC's usual 35mm, and it looks terrible. 16mm can be decent quality - look at the restored DVDs of the Jon Pertwee era of Doctor Who - but here everything is muddy and astonishingly grainy. The same sets appear over and over (every rich character seems to share a room with a blue domed ceiling), as do even cars. There's a silver Vauxhall Viva that follows Jason to almost every country he visits!
Amazingly, a halfway-decent story does occasionally manage to force its way through the dross; 'As Easy As ABC' sees two criminals using the plot of one of Jason's own novels to carry out a robbery and frame him for it, 'To Russia With Panache' plays like a lost Department S script as Jason investigates a bizarre murder in the Kremlin, and 'Wanna Buy A Television Series?' amusingly bites the hand that feeds it by ridiculing the same US TV networks that ITC depended upon to fund its shows. But most of the episodes are empty, silly and, worst of all, *boring* nonsense that not even Wyngarde's charisma can save.
What made Jason King (the character) work in Department S was that he had two relatively normal sidekicks - who appear here only in the briefest of stock footage flashbacks in one single episode - to bounce off, making him seem like an eccentric in a more or less everyday world. Given his own series and shorn of anyone to keep him in check, however, Jason becomes absolutely ludicrous, a camp comic-book creation with barely even one toe in reality. That he's at all bearable to watch is entirely down to Peter Wyngarde's charm, as the scripts frequently make him casually sexist and even racist in a cringeworthy 1970s way. (One episode actually has him say "Ah so, dlagon rady" to a Chinese woman... a Chinese woman played by a British actress in yellowface and false eyelids. Horrible!)
The stories are also bottom-of-the-barrel stuff. Since he's no longer part of a law enforcement agency, every contrivance imaginable is needed to force Jason into the plots. He unwittingly uses a codeword meant to identify an arms dealer. He's hypnotised. He's mistaken for a hit-man because he's carrying a rose. He picks up a hitch-hiker involved in a crime. He's impersonated (twice). He's blackmailed by MI6 (several times). He's kidnapped (repeatedly). In the laziest example, he just so happens to know *three* different people - from different countries - who are trying to obtain a stolen statue, none of whom have any connection to each other.
The scripts are not the only thing that were cheap. To pay for location shooting in Europe (Jason visits Paris, Hamburg, Vienna, Venice and other cities - mostly wandering around in front of famous landmarks just to prove that yes, they really sent their leading actor there for the day) the show was shot on 16mm film rather than ITC's usual 35mm, and it looks terrible. 16mm can be decent quality - look at the restored DVDs of the Jon Pertwee era of Doctor Who - but here everything is muddy and astonishingly grainy. The same sets appear over and over (every rich character seems to share a room with a blue domed ceiling), as do even cars. There's a silver Vauxhall Viva that follows Jason to almost every country he visits!
Amazingly, a halfway-decent story does occasionally manage to force its way through the dross; 'As Easy As ABC' sees two criminals using the plot of one of Jason's own novels to carry out a robbery and frame him for it, 'To Russia With Panache' plays like a lost Department S script as Jason investigates a bizarre murder in the Kremlin, and 'Wanna Buy A Television Series?' amusingly bites the hand that feeds it by ridiculing the same US TV networks that ITC depended upon to fund its shows. But most of the episodes are empty, silly and, worst of all, *boring* nonsense that not even Wyngarde's charisma can save.
Well, I may have a different view on this type of show than other reviewers. When I put on one of these DVD episodes I'm not expecting a mind bending plot experience or to be blown away by production values.
I put this on and I just go back. Back to the 70's and 80's (where I find my favorite TV programs, it was just a special time) and I can overlook a very lot of flaws. Thing is I'm American and never heard of Peter or this or the previous series until around 3 months ago, yet it still gives me nostalgia and I love British TV, maybe because there are so many new things to find I didn't have before.
This was just a different time and I can feel it and really enjoy everything about this. As far as Peter being the sole protagonist, this is actually fine with me. He is so entertaining that I enjoy every second of him being on screen. Yes I plan to get the Section "S"(I think that is the correct name) DVD's as well as honestly it's true they were better, the same "sniper" pistol is used over and over and over as a prop in this series due to budget, and the film isn't mega-HD (in fact I thought I bought a bootleg when first watching my copies) But I really don't care.
Peter is great and it's just fun. I love it but I'm hella nostalgic, I love to put on the series and just to watch or maybe let it run while I do something else, who wants today's TV in the background making you depressed with how terrible everyone is to each other as that seems to be what makes you "interesting" nowadays's--how much of a jerk you can be to others. Even as a womanizer Peter (Jason) is still more polite and a gentlemen than anyone on TV now. The reason I longer have cable.
As someone mentioned, at least these old shows HAD characters, flawed or not. Something you can not find in today's TV.
I put this on and I just go back. Back to the 70's and 80's (where I find my favorite TV programs, it was just a special time) and I can overlook a very lot of flaws. Thing is I'm American and never heard of Peter or this or the previous series until around 3 months ago, yet it still gives me nostalgia and I love British TV, maybe because there are so many new things to find I didn't have before.
This was just a different time and I can feel it and really enjoy everything about this. As far as Peter being the sole protagonist, this is actually fine with me. He is so entertaining that I enjoy every second of him being on screen. Yes I plan to get the Section "S"(I think that is the correct name) DVD's as well as honestly it's true they were better, the same "sniper" pistol is used over and over and over as a prop in this series due to budget, and the film isn't mega-HD (in fact I thought I bought a bootleg when first watching my copies) But I really don't care.
Peter is great and it's just fun. I love it but I'm hella nostalgic, I love to put on the series and just to watch or maybe let it run while I do something else, who wants today's TV in the background making you depressed with how terrible everyone is to each other as that seems to be what makes you "interesting" nowadays's--how much of a jerk you can be to others. Even as a womanizer Peter (Jason) is still more polite and a gentlemen than anyone on TV now. The reason I longer have cable.
As someone mentioned, at least these old shows HAD characters, flawed or not. Something you can not find in today's TV.
This is by way of a comment on one of the other reviews.
The episode "All that Glisters..." was playing recently on a TV that I could hear but not see. "Thunderbirds!" I thought since I could clearly hear the voice of Scott Tracey. On going in to actually watch the TV I was amazed to see that it was Jason King rather than Thunderbirds and that bizarrely Clinton Greyn was speaking with Scott Tracey's voice. The lip-sync was excellent but it was clearly a dubbed voice since the acoustic was different. And of course, rather than Greyn's rounded Welsh tones we were getting the distinctive Canadian sound of Shane Rimmer. Cant understand why they did this - and then not credit it? Weird.
The episode "All that Glisters..." was playing recently on a TV that I could hear but not see. "Thunderbirds!" I thought since I could clearly hear the voice of Scott Tracey. On going in to actually watch the TV I was amazed to see that it was Jason King rather than Thunderbirds and that bizarrely Clinton Greyn was speaking with Scott Tracey's voice. The lip-sync was excellent but it was clearly a dubbed voice since the acoustic was different. And of course, rather than Greyn's rounded Welsh tones we were getting the distinctive Canadian sound of Shane Rimmer. Cant understand why they did this - and then not credit it? Weird.
Compared to its predecessor Department S, Jason King was a generally enjoyable but sometimes uneven show which pointed to the impending decline of the ITC adventure series. Though many of the stories were good with excellent guest actors, and there was an emphasis on style, the series suffered from budgetary constraints compared to its contemporaries in 1971. These included grainy 16mm film, too much studio filming/stock footage and no matter where in the world a particular episode was set, any cars used tended to be right hand drive including in particular a recurring Vauxhall Viva that turned up in episodes set in France, Turkey and the Far East among others. Other ITC series disguised these discrepancies better.
It was also sometimes slow moving and lacking in atmosphere, concentrating on King's style, flamboyance, social graces and relationships with whichever guest actress(es) were in the particular episode, rather than other characters and the ultimate plots, which were becoming clichéd. The show may have benefited if there had been regular support actors to play with/against King in every episode.
Nevertheless, Jason King is one of the most memorable TV characters of that era, if not of all time, and the best episodes were very good indeed. Being forever identified as Jason King, and unfortunately caught up in a minor scandal, whether Peter Wyngarde could have continued to be (or wanted to be) a convincing leading man in subsequent years is debatable. He would have been excellent in lighter fare such as sitcoms and perhaps even as a Doctor Who. His relative obscurity is a loss to TV and movies.
It was also sometimes slow moving and lacking in atmosphere, concentrating on King's style, flamboyance, social graces and relationships with whichever guest actress(es) were in the particular episode, rather than other characters and the ultimate plots, which were becoming clichéd. The show may have benefited if there had been regular support actors to play with/against King in every episode.
Nevertheless, Jason King is one of the most memorable TV characters of that era, if not of all time, and the best episodes were very good indeed. Being forever identified as Jason King, and unfortunately caught up in a minor scandal, whether Peter Wyngarde could have continued to be (or wanted to be) a convincing leading man in subsequent years is debatable. He would have been excellent in lighter fare such as sitcoms and perhaps even as a Doctor Who. His relative obscurity is a loss to TV and movies.
Having just read the write up on this site.. I'm not sure I agree. ITV4 has started showing a lot of old ITC progs, including Department S and Jason King. Watching it now at age 54.. I remember it when first shown.. but now.. I'm enjoying it all over again. I'm surprised they were hour long episodes... but find I have really enjoyed them. Many will compare them to modern series.. well, I view everything with the thought of, they were of their time. I've found what I've seen so far humorous.. and knowing what I know now of Peter Wyngarde, am STILL thoroughly enjoying them? Tongue in cheek.. STYLE.. charm with the ladies.. a laugh.Entertaining. Its a shame modern series with hi tech effects.. often overshadow characters. These shows HAVE characters. Now I know there were 26 episodes, I know a mate who told me there were only 6.. must have read a miss print.
Le saviez-vous
- AnecdotesUnlike its parent series Département S (1969) (shot entirely on 35mm film), this series made use of the cheaper 16mm stock as a cost-cutting move by ITC. This was something of a trade-off, as star Peter Wyngarde was able to be genuinely seen in international location shots interacting with local landmarks. The writing team could then decide how to best integrate this footage in their scripts.
- ConnexionsFeatured in The Greatest: 100 Greatest TV Characters (2001)
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- How many seasons does Jason King have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- O Mundo de Jason King
- Lieux de tournage
- Betchworth Quarry, Betchworth, Reigate, Surrey, Angleterre, Royaume-Uni(scene of Olivier's car driving off a precipice - episode 'Toki')
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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By what name was Jason King (1971) officially released in India in English?
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