Love

Adaptation of the D.H. Lawrence classic concening the loves of two 'modern' sisters in Yorkshire during the 1920s.

At first glance this film is rather hard to take in. The story is difficult to follow and at times, barely visible. Almost as if its asumed we are all so familiar with the book, that a strict narrative is unnecessary. You are likely to finish watching and ask yourself wtf? The acting is rather remarkable however and Ken Russell puts up the usual visual wonderland, so its easily rewatched. As I did, I realized the plot isn't whats important to this film at all. I'm sure the book too leaves that very same impression. You are meant more to study the characters, listen to their musings, and if possible relate to them, rather than follow a traditional storyline with a beginning middle and end. Art imititating life for a change. A different sort of experience, sensually cerebral, if thats possible, but well made and worth a look. Jackson, Bates and Reed, three would be hams, each giving understated and marvelous performances.

This faithful adaptation by Ken Russell of one of D.H. Lawrence's best works is just as powerful & just as profound now, over 30 years after its initial release. The story is set in England a few years after World War I, at a time when many women of marriageable age were forced to examine their assumptions about relationships. When the Brangwen sisters complain about the lack of men, it's true. Many of the men who should have been available to them were lost in the war.

The film was made @ the dawn of the women's movement, once again a time when many women of a certain age were driven to examine their own assumptions about relationships, and looked to Lawrence (& then to Russell) for answers to questions beyond words.

This is not to deny the importance of the men in this story. Both Rupert & Gerald are drawn to the kind of women who ask these questions. Both of them have a myriad of other choices, but they're not satified by less.

So Russell finds a visual way to tell this story, & much of it would seem to be "over the top" were it not so obviously sincere & courageous. Glenda Jackson, a relative unknown at the time, won her first Oscar. We agree. She gives an extraordinary performance in a most difficult role: Gudrun is not likeable, but she IS honest.

By it's mere cinemagraphic style and on screen personalities, this film introduced me to the idea of the avant-garde, existential and 'esoteric ritual' perspective of ordinary events. Their true mystery. For me, the style of the film went far beyond its content or dialogue. This film taught me the idea of an intelligent stylishness, and how erotic Glenda Jackson's character could be sheerly by virtue of her brilliant and cunning personal style. Pretty surprising, but then, seducing his audience in great new ways has been one of Russell's great talents. His films always seemed at the cutting edge, and I was seeing them 12 years later!

One of the best literary adaptations ever to grace the screen this wonderful movie does justice to Lawrence's novel but more importantly to his vision. The cast is magical bringing to life Lawrence's characters at perfect pitch. Alan Bates IS D. H. Lawrence/ Rupert Birkin and Oliver Reed, Jennie Linden and Glenda Jackson, who won an Oscar for her role, are superb. The script is excellent and draws on Lawrence's writings in addition to titled novel. For instance the scene where they are having lunch in the garden and Rupert (Bates) expounds on the fig fruit is actually taken from a poem by Lawrence called The Fig. It is little touches like this that really show the research and respect that went in to the adaptation. I don't know of a braver writer of relationships then Lawrence and this film is unflinching in its portrayal of every kind.

Ken Russell's adaptation of D. H. Lawrence's novel Women in Love is one of my favorite films. It explores the hearts and minds, personalities, and philosophies of four intelligent and educated young people in the beginning of 20-th century and their romantic relationships (heterosexual and homosexual, friendship, love and desire). They are played by Alan Bates, Oliver Reed, Glenda Jackson, and Jennie Linden.

Glenda Jackson who was relatively unknown at the time won her first Oscar for a magnificent performance in a most difficult role: her Gudrun is not a likable character, she is an self-centered predator, but she is honest and very interesting. I read some comments that she was not beautiful. Well, she may not have been pretty but I believe there is more than prettiness to make a woman loved, and admired otherwise a lot of women in this world would never be able to learn the feeling. Gudrun's intelligence, strong character, and self-confidence make her very attractive and desirable.

The film has many unforgettable scenes with two that stand alone after all these years. First of them is one of the most provocative and delightful sexual scenes ever filmed. It takes place during a picnic. Alan Bates dressed in a light white suite describes to the others how to eat a fig. He carefully holds it, and then pulls it open while he compares the process to a woman and looks teasingly at shy Ursula, Gudrun's sister (Jennie Linden). This little scene is as powerful as a famous wrestling scene, even though everybody who saw the film would recall the wrestling scene as a most memorable in "Women in Love".

The wrestling in the nude was Lawrence's (and Russell's ) solution to allow two men to relieve the horror and dreadfulness of the drowning tragedy that occurred shortly before. The scene takes place for long time, 5-10 minutes, with the fire from fireplace highlighting Reed's and Bate's bodies as each struggles against the other. The scene is extremely sensual but whether they engaged in sex or not we don't know…

This is a very special film that has not lost its beauty and appeal now even though it was made over 35 years ago. Extraordinarily striking and highly sensual, it is a must see for anyone truly interested in film.