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Where's Poppa?

  • 1970
  • R
  • 1h 22min
NOTE IMDb
6,4/10
2,5 k
MA NOTE
George Segal in Where's Poppa? (1970)
When an attorney meets the girl of his dreams, he fears that his batty mother will scare her off, so he schemes to eliminate the senile old woman.
Lire trailer2:55
1 Video
38 photos
Dark ComedyComedy

Ajouter une intrigue dans votre langueWhen an attorney meets the girl of his dreams, he fears that his batty mother will scare her off, so he schemes to eliminate the senile old woman.When an attorney meets the girl of his dreams, he fears that his batty mother will scare her off, so he schemes to eliminate the senile old woman.When an attorney meets the girl of his dreams, he fears that his batty mother will scare her off, so he schemes to eliminate the senile old woman.

  • Réalisation
    • Carl Reiner
  • Scénario
    • Robert Klane
  • Casting principal
    • George Segal
    • Ruth Gordon
    • Ron Leibman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    2,5 k
    MA NOTE
    • Réalisation
      • Carl Reiner
    • Scénario
      • Robert Klane
    • Casting principal
      • George Segal
      • Ruth Gordon
      • Ron Leibman
    • 57avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Trailer
    Trailer 2:55
    Trailer

    Photos38

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    Rôles principaux35

    Modifier
    George Segal
    George Segal
    • Gordon Hocheiser
    Ruth Gordon
    Ruth Gordon
    • Mrs. Hocheiser
    Ron Leibman
    Ron Leibman
    • Sidney Hocheiser
    Trish Van Devere
    Trish Van Devere
    • Louise Callan
    Barnard Hughes
    Barnard Hughes
    • Colonel Hendricks
    Vincent Gardenia
    Vincent Gardenia
    • Coach Williams
    Rae Allen
    Rae Allen
    • Gladys Hocheiser
    Paul Sorvino
    Paul Sorvino
    • Owner of 'Gus & Grace's Home'
    William LeMassena
    William LeMassena
    • Judge
    • (as William Le Massena)
    Michael McGuire
    Michael McGuire
    • Army Lawyer
    Rob Reiner
    Rob Reiner
    • Roger
    Joe Keyes Jr.
    • Gang Leader
    Israel Lang
    • Mutha
    Garrett Morris
    Garrett Morris
    • Garrett
    Arnold Williams
    Arnold Williams
    • Arnold
    Buddy Butler
    • Buddy
    Martha Greenhouse
    • Owner of 'Happytime Farms'
    Jane Hoffman
    • First Job Applicant
    • Réalisation
      • Carl Reiner
    • Scénario
      • Robert Klane
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs57

    6,42.4K
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    10

    Avis à la une

    8Harrison-37

    Previous reviewer (Wayne Malin) is wrong!

    No, he did get one thing right: the plot summary is fine. But, Wayne misses the point about "black humor": it's NOT supposed to have limits, by definition. Yes, the bits are meant to skewer what we consider "sacred" and, yes, it will offend those you can't ponder why certain societal taboos exist. As a whole the movie is far, far tamer than a lot of the crap that passes for "art" and comedy these days. Is the plot warped? Yes. Do you stare slack-jawed in disbelief at some bits? Yes. Is it funny? Totally, but not in a Jerry Lewis or Jerry Seinfeld way (though some of absurd parts do have a Seinfeldesque quality). That's why I give it an 8 out of 10. (He did get one other thing right: the courtroom scene is pretty priceless).
    7Gavno

    Once Upon a Time there was a school of American Black Comedy

    ...and it produced some low budget, but VERY memorable films. The genre seems to have been based around New York City. Most of them owe more than a little bit to the '60s vintage British version of Cinema Verite expressed in films like A TASTE OF HONEY and THE L SHAPED ROOM... and further back yet to the French films like THE 400 BLOWS.

    The Americans added humor to the mix.

    LITTLE MURDERS, THE PRODUCERS, and THEY MIGHT BE GIANTS were some of the better known products. They were made by directors and actors who had huge amounts of enthusiasm, social commentary crying out to be expressed, and intelligence... but not a whole mountain of money to put their visions on film.

    They spun off major studio products with big name actors and production values like A NEW LEAF, HAROLD AND MAUDE, and PETE 'N TILLIE.

    Enter WHERE'S PAPPA?... one of the "transition" films, firmly between the "No budget" New York stuff, and the later "Low Budget" Hollywood productions that they spawned.

    Like MOST of the genre, WHERE'S PAPPA? takes on a sacred cow... dealing with older, dependent relatives (in this case, the hero's mother), and saying the things about it that we ALL think but DON'T DARE say out loud for fear of being thought a monster. In this case, we wrestle with the decision to put Mama into a nursing home. A hard choice... but it has it's comic aspects, which get explored fully.

    George Siegel does a GREAT job in the lead, the perfect foil for Ruth Gordon. Ron Liebman's a standout as Siegel's brother. As in his roles in UP THE ACADEMY and WON TON TON, THE DOG WHO SAVED Hollywood, Liebman shows off a deft skill in handling comedic material.

    Incidentally... look for Garrett Morris from the original Saturday NIGHT LIVE crew as a mugger in Central Park!

    ____________________________________________________________

    BTW... I'm editing this review after the fact, because I made an interesting discovery about the film.

    There are at least TWO DIFFERENT VERSIONS of it out there.

    Having watched the TV version for a long time, when I recently came up with a copy of the Laserdisc version I was startled to see that the ending on the disc is completely different, and somewhat longer!

    In a totally unsettling and quite uncomfortable way, it completely reverses the commonly seen ending's decision and solution to the story's central problem... and today, it would probably earn an R rating... if it's implications didn't get the original ending CENSORED, that is! The Freudian hints left a bad taste for me... I can see exactly WHY the filmmakers changed it.

    ____________________________________________________________

    If irreverence is your bag, you'll enjoy WHERE'S POPPA?
    10gitano1

    One of the funniest movies of all time

    I saw this movie originally in 1970. It was a co-feature with a movie called Sunday Bloody Sunday which is what we actually went to see. When this film came on my first reaction was, What the hell! Within minutes I was laughing and the laughs never stopped. I lived in Seattle at the time, but I had grown up in New York City, so the events of the film had a special cache for me. The parts that occurred within Central Park were incredibly funny, and the Taxicab scene is a true classic. I have seen a lot of films in the intervening years and have attempted several time to find a copy of this film (I was finally successful this morning). Despite the years since first seeing it and all that I have seen since nothing has ever topped this film for just plain fun. Carl Reiner is a true comic genius.
    clemenza51

    An incomparable classic

    After reading some of the negative comments on this film,I felt I must add a comment or two,myself. God bless you,Carl Reiner for taking one of the most laugh out loud novels (By Robert Klane) and turning it into my favorite black comedy classic. My mother,God rest her, was,in many ways very similar to Ruth Gordon's masterful portrayal. While my Mother was still alive,I found many reasons to laugh at some of her shennanagins,especially her treatment of me,and now that she's passed,I have fond,funny memories that if it were not for this film,I'd have spent a lot more time in therapy than I had to. Criticising the film,It's direction,or any of the actor's performences is,to me,ridiculous and can only be a lack of knowledge of the art of acting or cinema in general. Is it the greatest comedy ever produced? No. But it certainly is among the most unique. On newer prints,however,I would avoid the last few minutes of the film,as it does change the overall flavor,and should have ended as it did in it's theatrical releases. Just turn the tape off as you hear the song,"I Don't want to go like this,so I'll just go like that..."
    blueingreen88

    Not quite as funny as you've been led to believe...

    ...but still worth a look-see. I, too, only saw it for the first time recently, based on a friend's glowing recommendation, and I have to say that, for the most part, it didn't live up to my friend's hype. George Segal is the best thing in the whole movie, a true master of the comedic slow-burn. Ruth Gordon, and I realize she has plenty of fans, is given little more to do than just spout "Where's Poppa?" all the time, which gets a bit annoying after awhile (although her best single scene is when she accosts her son--Segal--at the dinner table in front of his date).

    I suppose my one real complaint is that the movie lacks heart, which may actually be a plus, depending on your comedic tastes--this is one mean-spirited movie, even for today's audiences. Certainly not for everybody, and DEFINITELY un-P.C., but it's got just enough laughs to warrant at least one viewing. I will admit, the best sequence of the whole film is the Rob Reiner/Bernard Hughes courtroom scene, which had me laughing out loud and is arguably the least politically correct bit in the movie (next to the black muggers in Central Park, of course).

    One note: See if you can find a newer print, if it's available--the VHS copy that I saw had a HORRIBLE transfer.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The first American film to use the word "c***sucker".
    • Gaffes
      When Gordon puts the old trunk in the trunk of his car, its top is up. In the next shot the trunk is over on its side with the rounded top to the left. Later, out of the city, the trunk's top is to the right.
    • Citations

      Sidney Hocheiser: Get away from that door, or I'm gonna choke your child.

    • Crédits fous
      Gene Hackman is the court observer next to Penny Marshall
    • Versions alternatives
      Home video version features a different ending, showing a defeated George Segal climbing in bed with his mother and telling her: "Here's Poppa!"
    • Connexions
      Featured in Precious Images (1986)
    • Bandes originales
      Where's Poppa?
      Music by Jack Elliott

      Lyrics by Norman Gimbel

      Sung by Clydie King

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    FAQ17

    • How long is Where's Poppa??Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 septembre 1971 (Argentine)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Going Ape
    • Lieux de tournage
      • NYPD 26th Precinct, 150 West 68th Street, Ville de New York, New York, États-Unis(police station exterior)
    • Société de production
      • The Where's Poppa Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 22 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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    George Segal in Where's Poppa? (1970)
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    By what name was Where's Poppa? (1970) officially released in Canada in English?
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