Le soleil blanc du désert

No other film in the world serves better to describe the idea of a Russian movie classic. This verdict could be undersigned by millions and millions of people in the former USSR.

On the other hand, this film is the best one ever made in that peculiar genre which flourished in the Soviet times under the unofficial name of "Ostern", labeled thus by some highbrow wits. What is Ostern? Plainly and simply, it is Western Russian style, with West replaced by East and the word "Ostern" itself being a pun on the German equivalents for "East" and "Easter". The genre of Ostern is strictly limited by the following rules:

The place, Central Asia; the time, the 20's, or the early 30's. The main conflict is the re-conquering by the Soviets of those parts of the region that had belonged to the Russian Empire before the revolution. The good guys are Red Army men. The bad guys are local rebels, pictured strictly as highwayman and cutthroats, known by the generic (Turkic) name of "basmachi" - imagine some Mexican banditos from your horse opera, dressed like the Taliban and headed by a Calvera (The Magnificent Seven) conveniently renamed to suit the time and place.

Now, the way the particular Ostern winds up, is this good guy Sukhov (a Russian Clint Eastwood) has to wipe out, almost single-handedly, a whole gang of smugglers and outlaws terrorizing a certain region of the Caspian (or maybe Aral?) Sea coast and headed by a gruesome yet not entirely unlikable desperado named Abdulla, who is Sukhov's main adversary.

The movie combines several genres. Sometimes it's a simple shoot-em-all, sometimes a drama, and sometimes even a bit of comedy, with all this mixed in a perfect proportion. The sparks of humor look especially good on the rather tense general background, thus creating a unique atmosphere and spicing up the whole thing.

Being the best Ostern ever made, the movie is a tolerably good action flick, but actually it's a thousand times more than that. For the Russians it's a cult movie number one, with almost every line being a celebrated catch-phrase. Especially well-known is this one, "The East is a delicate matter", said by Sukhov to his young partner Petrukha. The baleful significance of this wisecrack, made in the early 70's, has been finally appreciated only after the Afghan campaign and from then on never fails to remain on the national political agenda.

The soundtrack has become truly famous, with the theme song "Your Excellency Lady Luck" (name translated) a top hit for decades, and, no doubt, for many, many years to come.

Most of the principal characters have become heroes of numerous jokes, and therefore, part and parcel of the national folklore.

If you haven't seen this one, you don't know Russian cinematography, simply because this film alone is worth hundreds and hundreds of others made in that country.

Being completely agree with all other comments, I can add a simple explanation what a cult movie it is. Every time when a manned spaceship is launched in Russia, it's team watches Beloye Solntse Pustyni right before takeoff. It's a tradition they never forgive. Even Dennis Tito had to watch it, together with other crew members, yet he probably had no translation or subtitles.

I's, oh, so wonderful film. I saw it for the first time in my 19, in 1971 in small bioscope in Poland. Soviet film were not very wanted by the teenagers but it was long, dull summer and I haven't nothing better to do. And, what a surprise - film full of humor, action and irony. Song sung by me beloved Bulat Okudzava. After a long, long time I've seen it again in 2000 (You know , Soviet films were almost banned in Polish democracy. A moment of anxiety how it will be work and - ohhh, same feelings, same thrills, same chills. No, not the same, even deeper.

Sukhov (Anatoliy Kuznetsov) is a former soldier making the journey home across the desert near the Caspian sea. He ends up tasked with protecting the harem of a notorious bandit leader named Black Abdullah (Kakhi Kavsadze), after the bandit left them for dead while running from the Soviet army. What should be a short and simple escort mission turns into a perilous battle when Abdullah returns for his wives, leaving only Sukhov and a handful of allies to defeat the bandit army.

Most of the Soviet films that I've seen have been the propaganda works of the late silent era and the coldly remote intellectualism of Andrei Tarkovsky. However, much like The Amphibian Man, White Sun of the Desert is an entirely different kind of Russian film, much more fun, vibrant, exotic, and entertaining. Sukhov makes for a great change-of-pace hero: positive, confident, and romantic, as depicted by his frequent narrated composition of love letters to his beloved back home, which often amusingly contrast with what's being shown on screen. The action scenes are capably done, and there are many funny lines of dialogue ("He had the wrong grenades.") that work across the cultural barrier. There are some surprisingly dark plot turns, but instead of derailing the adventurous mood of the film, it just makes it feel more Russian, somehow. Recommended.

White sun of the desert was a very interesting film. It seemed to revolve around the idea of duty. It often presented different characters with a challenge that they had to rise to and overcome in whatever way they knew how. The different ways that this idea manifested itself was the interesting part. Not every hero in the film was equal. Some of them were characters that possessed traits that were far from desirable but this was not always the case. For example, the main character Sukhov was making his journey home when he was given the task of escorting a group of women across the desert. He rejected this task at first but when the women were left with him he rose to the occasion and did whatever was necessary to protect them until they reached their destination. In the beginning of the film Sukhov find and saves Sayid from death. Throughout the film Sayid repeatedly leaves to peruse his own goal of avenging his father's death, but he always seems to return when his services are needed to help protect the group of women. Another unlikely hero in the film is Vereshchagin, a drunkard that clings to his past experiences of grandeur. This character is told by his wife not to get involved in Sukhov's problem but when he is truly needed he also does what is necessary and aids Sukhov in battle.

This was a very fun film to watch. It was very interesting to watch the different types of heroes that all rose to the occasion and did what they needed to do. Sukhov was the only character in the story that was not flawed in very obvious ways, but even the characters with problems were able to give what they had to the cause. This made me think of the soviet state and how it may have wanted to deliver the message that even if one is not perfect the state would not be able to exist and function without them. Everyone had to play a part that was necessary in order to complete the goal.