Une patrouille de la cavalerie est prise en embuscade par les Cheyennes pendant qu'elle effectuait la protection d'un convoi. Seuls survivent un soldat et une femme, qui vont alors essayer d... Tout lireUne patrouille de la cavalerie est prise en embuscade par les Cheyennes pendant qu'elle effectuait la protection d'un convoi. Seuls survivent un soldat et une femme, qui vont alors essayer de regagner le fort le plus proche.Une patrouille de la cavalerie est prise en embuscade par les Cheyennes pendant qu'elle effectuait la protection d'un convoi. Seuls survivent un soldat et une femme, qui vont alors essayer de regagner le fort le plus proche.
- Réalisation
- Scénario
- Casting principal
- Indian Woman
- (as Aurora Clavell)
- Agent Long
- (as Alf Elson)
- Kiowa Warrior
- (non crédité)
- Mrs. Long
- (non crédité)
- Lt. Mitchell
- (non crédité)
- Kiowa indian
- (non crédité)
- Lieutenant
- (non crédité)
Avis à la une
In this Vietnam-era Western there are noisy action , shootouts , fights , a love story , extraordinary landscapes and a big deal of gratuitous violence . The film is based on real deeds regarding ¨Sand Creek massacre¨ and there are some remembrance about Vietnam killings and hardship on racial themes by that time . The highlight of the movie , of course , is the Cheyenne massacre with lots of blood and guts , it results to be an authentic butchery and was censured , prohibited , cut , and severely trimmed in some countries . The motion picture is classified ¨R¨ for the cruel murders and isn't apt for little boys, neither squeamish . The violence of its Indian slaughters , in which seemingly every part of the bodies were slice off and blood fountained all over the screen , brought worldwide queues and much criticism in the newspapers . The picture achieved too much success , in spite of violence and crude theme and excessive final brutality . The ending confrontation amongst the cavalry and the hapless Cheyennes is breathtaking and overwhelming.
Peter Strauss interpretation as a naive and innocent ¨Soldier Blue¨ is top notch and Candice Bergen as a reckless and impulsive girl is magnificent . Robert Hauser's cinematography is excellent , the landscapes are glittering and spectacular . Roy Budd's musical score is atmospheric and imaginative . The motion picture is well directed by Ralph Nelson though he develops an extreme ¨exploitation violence¨ in the final episode . Nelson traveled around the world to defend the film , his biggest box-office hit , insisting that the violence was utterly necessary and it was sincerely meant . Rating : Good , though very criticized for gory scenes . Well Catching , 'a must see' for action-starved Indian Western buffs who will enjoy the action and strong themes .
Basically a fictional re-enactment of the infamous 1864 Sand Creek massacre in Colorado by the U.S. Cavalry on a Cheyenne Indian village and the events that lead up to it, but actually based on Theodore V. Olsen's novel "Arrow In The Sun", SOLDIER BLUE, directed by Ralph Nelson (of CHARLY and LILIES OF THE FIELD fame), stars Candice Bergen and Peter Strauss as, respectively, a Cheyenne-raised white woman and a disenfranchised U.S. Cavalry officer who have survived a savage attack by Cheyenne Indians on an Army payroll wagon train and are forced to be together to survive, even as they disagree starkly on who is right in the white man-versus-Indian conflict. Eventually, of course, they start to fall in love. This gives a story that otherwise might be interpreted as an arguably pretentious attempt to link the Cavalry's atrocities of the past to the modern Army's behavior in Vietnam a certain amount of emotional validity. But it also leaves the viewer heavily unprepared for the incredibly horrific massacre that climaxes the film.
Even today, this massacre, a sequence of unbelievably extreme violence that involves hacked body parts, rape, and infinite bloodshed, makes SOLDIER BLUE very difficult for viewers to watch. In fact, when the film was re-released in 1974, much of that bloodshed was chopped off so the film could somehow get a 'PG' rating; it is that version that American viewers have had to put up with on video until late 2006. Apart from the brutal nature of that final sequence, the film's depiction of the Army as a bunch of bloodthirsty savages does not make SOLDIER BLUE an easy film to agree with--and contrary to what a previous reviewer said, I don't think it even comes close to being a politically correct movie. It may not be a masterpiece, the way THE WILD BUNCH or SAVING PRIVATE RYAN were (and they too were incredibly ferocious in terms of violence). But it's good that SOLDIER BLUE has finally made it to DVD in its original uncut form so that people can now judge its validity in whole, regardless of its politics or, even more, its enormously graphic finale. It is a film that HAS to be seen today.
The haunting opening song is a portent of a terrible tragedy. I got the feeling that something truly horrific was going to happen. It's a song that I won't forget for a long time. The film's two protaganists(Candice Bergen and Peter Strauss, a US cavalry trooper), escape from Indians who have attacked an Army wagon train(carrying amongst other things The soldiers wages). The subsequent storyline lulled me into a false sense of security. Bergen and Strauss begin to fall in love whilst deliberating about the plight of the Indians (Bergen feels they have been mistreated. She knows this. She had lived with Cheyenne Indians for 2 years. Strauss feels differently. His naivety does show...Great acting!!Well done Peter!). Actually I got very bored with this, thinking that the movie was turning into one of those slushy 'opposites attract' stories. But the introduction of Donald Pleasance as the sadistic gunrunner changed that. Strauss and Bergen are abducted by him. This point in the movie is important. I feel the tone begins to change. Those haunting lyrics returned to my head as I watched Bergen and Strauss attempting to escape from their abductor(respite is given by the sight of Candices' wonderful rear end). Strauss, being a soldier is obliged to burn the gunrunners wagon. The gunrunner has a large number of guns which he is going to sell to the Cheyenne indians. Bergen tries to stop him, but fails. The two escape and hide out in a cave. Bergen then leaves Strauss, possibly feeling that their relationship can come to nothing as she's due to marry another Soldier. She's found by cavalry scouts and brought back to their camp. Here she learns that the Cavalry troop are about to attack a Cheyenne village a few miles away. Coincidentally the village is the one she lived in for 2 years. She leaves the cavalry troop and heads straight for the village, hoping to warn them of the pending attack. This leads us to the finale. I won't describe it as I think it is beyond me. I don't think I can describe the effect it had on me either. Before this I had some idea of how the American Indians had been treated by the Europeans. The documentary on the ill fated Custer and his troop had only hinted at this type of treatment, and of course increased my capacity for cynicism.
The finale of Soldier Blue confirmed what that haunting song had hinted at. It's like nothing I've ever seen before. I was shocked beyond belief, and as an avid movie fan I have seen some shocking movies. Even the finale in "Don't Look now" comes nowhere near this. The director should be credited. He rams his point home (although some people may feel a little exploited). Forget all that nonsense about this movie referring to the My Lai atrocities in Vietnam. It's a poignant testament to human innocence(The Indians) and a disturbing testament to a successful act of genocide. Namely the systematic destruction of the native Americans.
I recommend this movie. Although it's not for everyone. The plot line rambles a bit at times. The photography is beautiful. Although some might think it typically 1960's. The acting is top notch. But it's NOT for the squeamish or faint hearted. Keep well away from this movie regardless of the fact that you bore the brunt of the opening 20 minutes of Saving Private Ryan.
Le saviez-vous
- AnecdotesOriginal work print of the movie was 135 minutes long. When it was test-screened to an audience, they almost started a riot after watching this version. This was the only time that the full uncut version was shown, and it caused the studio to decide that it was unreleasable unless massive cuts were made to the film's violent scenes. Some of these cut and never included in any official version scenes include shots of Indian women's breasts being sliced off and thrown around; children's limbs graphically severed (real amputees were employed for these shots); a little girl's legs cut off by wagon wheels; a soldier gleefully cutting an Indian's arms off before shooting another Cheyenne in the eye; the fate of Spotted Wolf, who is beheaded and his head is hoisted as a trophy by a soldier before he tosses it to another soldier, who then throws it off camera. Spotted Wolf's head attached to the stirrup of a cavalryman was not cut and is shown in the release print, and there are stills showing his mutilated body lying on the ground without the head and four cavalrymen running around with his severed head in their hands, howling and laughing while blood is spurting from the neck stump.
- GaffesThe voice-over at the end of the film describes the events witnessed as taking place in 1864. However, earlier in the movie Honus tells Cresta that his father was killed at the battle of Little Bighorn which occurred in 1876.
- Citations
Col. Iverson: When I see young people today behaving like that I just... I can't help wondering what this goddamn country's coming to.
- Versions alternativesThe movie was originally rated "R" by the MPAA. In 1974 a new version was rated "PG" which removed the most graphically violent parts from the massacre as well as a toned down rape scene, but the scene still contained full frontal nudity of a native woman.
- ConnexionsFeatured in JFK II: The Bush Connection (2003)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 510 520 $US