Lucifer Rising

How can I truly describe this film without giving away any spoiling details? Well let me see to begin with I will go into what commonly (in my perspective) qualifies as a movie these days. Normally something that is out of the ordinary and eye catching is a good plus; don't forget something with some sort of mysterious element that makes viewers want more. Most importantly is the ability for a movie to peak interest just upon seeing a clip of it.

Kenneth Anger's "Lucifer Rising" definitely meets these qualities head on and goes beyond them. I find it saddening that a few people are incapable of seeing the pure art presented here but alas to each their own. What is perhaps more saddening is the state the film industry is in today; we have countless movies being made out of 3D effects and action laced scenes of dramatized color. There is no soul to some music anymore some say and the same can be said about the film industry.

I gave this film a 10 out of 10 because it carries every aspect of mystique and mystery anyone interested in these premises could hope for. There is a definitive occult inspired quality to the film, the soundtrack is phenomenal (I began to tear up towards the end due to the music fused with the wonderful imagery, I won't spoil the details, see for yourself). How long has it been since you last saw a movie that not only made you want to feel and think but outright FORCED you to!? These days thinking and feeling a connection to a movie's characters is optional but this film reflects just the opposite. There is no way around connecting to every character present in this film; dialog isn't even needed to do so, simple proof that humanity can convey a message better without word and instead with pure imagination. Is it any wonder that ancient civilizations used symbols and carvings in their culture to capture the attention of others? This film goes beyond the human into the mystical then back into the human world once more. This film feels like it is, in itself, a spiritual experience of some sort, perhaps something simply on the human level.

If you have not seen this film yet then all I can say is see it. Light a candle, sit in the dark, turn up your speakers, play the film. Despite being only a half hour long the movie doesn't need much more than that to truly capture the attention of your eyes (all 3 of them); you may find your heart swelling with life as well in pure connection to the emotion put into this that is beyond description. See for yourself why don't you? Overall this film is timeless in every manner.Oh and I should also mention I was born fairly recent into the "newer" generation, in fact 18 years after this film was made. You'd think someone in my age group would not even know this film existed but I have the greatest respect for what Anger and Page, in fact, what every person behind this work accomplished.

As much as I'd love to give more specific details I feel this film is too unique to be perfectly described with simple words.

Far removed from the 'satanic panic' of 1969's Invocation of My Demon Brother, and closer to the imagery, motifs and ideas of his earlier short Inauguration of the Pleasure Dome, Lucifer Rising finds the infant terrible of the hippie counterculture once again dabbling in the occult, the mystical and the mythological, only this time, with a clear, focused and assured approach. Gone are the frantic superimpositions and chaotic editing. Lucifer Rising is for the most part cleanly edited, more refined in the selection of images and more carefully constructed than its predecessors. It sees Anger harnessing his delirious side in the service of a certain film-making finesse, without losing any of his symbolic potency. What other proof is there that this is Anger at his most professional when he even uses tracking shots in some instances! What next, professional actors? A Crowley-esquire view of ancient Egypt then, with Lucifer as the bringer of Light, touching themes of death and rebirth, Lucifer Rising may lack the visceral, hypnotic madness of its predecessor but makes up for it with an air of spellbinding psychedelia.

Egyptian gods summons the angel Lucifer - in order to usher in a new occult age.

This film has been on my to-see list for almost twenty years. In the 1990s, I was big into the counter-culture scene and was reading quite a bit on Charles Manson. The name "Kenneth Anger" came up again and again, and his work was something I just had to see. But the opportunity never presented itself.

Now (2015) I have seen it, and it did not disappoint. Some have called it an extended music video, which is not far off. Others say it is something "occult", but even there I think that is slightly off. I doubt very much the people involved were taking themselves seriously, blending images and symbols from the Druids, Egyptians and Crowley... what an experience.

I don't know much about Kenneth Anger and have only made my way to this film via an interview between Freeman Fly and a guest. They were discussing Crowley and Satanism and mentioned this film.

It's crazy but in a twee, dated way.

Entertaining, slow moving, insightful, and sometimes shocking fourth installment to the Kenneth Anger short film collection; it possesses all these attributes, as well as being influential to experimental directors of today. A lot of what Anger was doing in "Invocation of My Demon Brother" (film layers, fast edits, bizarre soundtracks) can be seen in most of the music videos on MTV; a characteristic that has driven parents, as well as teenagers, crazy. The primary source of these ideas came from the Acid Trip footage, extensively explicated in Tom Wolfe's lysergic-fused biographical novel, "The Electric Kool-Aid Acid Test." Nevertheless, the idea caught on and Anger utilized the technique to the fullest in "Demon Brother," counterweighted by an equivocal tape-loop supplied by Mick Jagger. In the second film "Lucifer Rising," Anger had already developed his experimentation with edits and layers, this time presenting a more formalized run to the film. Marianne Faithful makes an appearance in the film, as well as an assortment of 60's notables, which includes Manson family member Bobby Beausoleil who also wrote the film's score. Altho not Anger's best volume, (Scorpio Rising is the better) it still has many elements -- as I explained -- that will turn some people on; ergo, a cult following.