Le Magot

Simply put, I enjoyed this thoroughly. Although I am not familiar with the play of the same name, or any of the actors aside from Richard Attenborough, or any of the crew, I suspect this only enhanced my enjoyment.

I had only previously seen Richard Attenborough in Jurassic Park and this movie will most certainly make me keen to see him again. I caught this on TV after another movie and I had absolutely no idea what I was watching. It was completely unplanned on my part.

By the end I was laughing obediently at the ensuing hilarity. If you happen to find this movie is to your tastes then the comedy hits hard and uncompromising like a heavy weight boxer. But to be fair I enjoyed The Love Guru and Basic Instinct 2 so I am in no position to comment on 'taste'. I did however enjoy it enough to feel motivated to add my first review for it.

Got recommended to me by a friend who loves the cars displayed in the film (Triumph Mayflower, car used for the actual heist)... but I must say, I really enjoyed this (seemingly trashy) film: it made up with wit, sharp dialogue and humor for some wicked plot points and awkward slap-stick situations.

It may mystify those hooked on two modern types of comedy film: those which mock the people who don't conform and those which don't ever rise beyond crude vaudeville. Loot sympathises with those who defy and subvert social codes.

The visual aspect of the film got me, as well: the color coding of the set design, character blocking and image compositions are very well done. Very cramped, chaotic, blindingly colorful (enhanced by analogue film and how it filters colors) and brimmed with humor and details. Especially I liked the mansion of the dead mother with its exuberant vintage opulence and vibrant colors. Also the light design is in some scenes just upright genius.

Overall, this gem was LOADS of fun to watch, don't take everything to serious and enjoy the witty dialogues, sometimes SUPER trashy music and exaggerated humor. This is a comedy, made for those who won't take everything to seriously, not even love, death, money and society. It is so dark, it is the brightest thing I've watched in months.

You can tell throughout "Loot" that it is trying real hard to be an edgy black comedy. However, it doesn't even compare to the much funnier "Weekend At Bernie's". Why do I compare the two? Because both involve a corpse that moves around a lot.

A couple of young men easily steal a bunch of money from a bank vault. The bank is right next to a funeral parlor and they hide the money in a coffin. Not an empty coffin...one with a body in it. Well, they can't fit all the money into the coffin so they take the body out in order to make room for their stash of cash.

Craziness ensues as the two men try to hide both the money and the corpse from relatives and the police. It seems to go on and on and on. To make things worse, most of the story takes place in a hotel. This probably would've made a more interesting play rather than a movie. 2/10

I am rarely tempted to add my own thoughts on any film on IMDb, but when the review for the black farce that is LOOT is compared less than favourably to WEEKEND AT BERNIES in all seriousness then even I feel I have to hitch up the keyboard and redress the situation.

These are two films that are from totally different worlds.

W.A.B's is an American teen romp, the kind that keep the tit and ass count down to get as many 15 year olds in to the multiplex, whilst LOOT is the second to last play written by Joe Orton the darling of the mid sixties theatre scene in London.

Now I have never particularly liked LOOT as a play or as a film, preferring Entertaining Mr Sloane, Berly Reid's performance being worth the price of admission alone, but to compare it to W.A.B.'s is like comparing Hamlet to GHOST because of the presence of a spook in them. But it is easily a far superior film, yes it is a little creaky and the farce is shoe horned in but then that was Orton's style.

LOOT is an example of the sad fag end of the sixties as they misfired to a close.I half expect to see Withnail and I come lurching over the horizon like spectres.

Weekend At Bernies indeed.

see also "Entertaining Mr.Sloane" and the bio pic "Prick Up Your Ears".

You can't go wrong when Galton and Simpson adapt an Orton play.

Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.

Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.

Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.