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L'Ultime Randonnée

Titre original : Little Fauss and Big Halsy
  • 1970
  • R
  • 1h 39min
NOTE IMDb
5,9/10
1,6 k
MA NOTE
Robert Redford and Michael J. Pollard in L'Ultime Randonnée (1970)
The friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.
Lire trailer2:22
1 Video
33 photos
Drame

Ajouter une intrigue dans votre langueThe friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.The friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.The friendship between two Arizona dirt bike racers is tested when they both lust for an attractive runaway young woman who joins them on the racing circuit.

  • Réalisation
    • Sidney J. Furie
  • Scénario
    • Charles Eastman
  • Casting principal
    • Robert Redford
    • Michael J. Pollard
    • Lauren Hutton
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    1,6 k
    MA NOTE
    • Réalisation
      • Sidney J. Furie
    • Scénario
      • Charles Eastman
    • Casting principal
      • Robert Redford
      • Michael J. Pollard
      • Lauren Hutton
    • 30avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Trailer
    Trailer 2:22
    Trailer

    Photos32

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    + 27
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    Rôles principaux12

    Modifier
    Robert Redford
    Robert Redford
    • Halsy Knox
    Michael J. Pollard
    Michael J. Pollard
    • Little Fauss
    Lauren Hutton
    Lauren Hutton
    • Rita Nebraska
    Noah Beery Jr.
    Noah Beery Jr.
    • Seally Fauss
    • (as Noah Beery)
    Lucille Benson
    Lucille Benson
    • 'Mom' Fauss
    Ray Ballard
    Ray Ballard
    • The Photographer
    Linda Gaye Scott
    Linda Gaye Scott
    • Moneth
    Erin O'Reilly
    Erin O'Reilly
    • Sylvene McFall
    Ben Archibek
    • Rick Nifty
    • (as Benjamin Archibek)
    Sharmagne Leland-St. John
    • Marcy
    • (non crédité)
    Erick Vinther
    Erick Vinther
    • Motorcycle rider #1
    • (non crédité)
    Beverly Yissar
    • Short Spectator
    • (non crédité)
    • Réalisation
      • Sidney J. Furie
    • Scénario
      • Charles Eastman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    5,91.5K
    1
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    10

    Avis à la une

    6danieljfarthing

    A surprisingly dark, uncomfortable but meritable thesis on toxic masculinity, misogyny & narcissism

    With Robert Redford blending Brad Pitt & Burt Reynolds to a kick-ass Johnny Cash soundtrack in a tale of motorbikes, booze & womanising, 1970's "Little Fauss And Big Halsy" COULDA been iconically fun... but writer Charles Eastman & director Sidney J Furle made it a serious thesis on what's now known as 'toxic masculinity' with the misogyny, narcissism & crass selfishness that Redford's 'charming' character bleeds over all around him (like Michael J Pollard, Lauren Hutton & Linda Gaye Scott) as he uses them. Without humour, or the usual 'character redemption' it's a dark character study but an interesting view of that era that some may prefer not to remember.
    6Prismark10

    Little Fauss and Big Halsy

    When Alex Cox used to present the BBC's cult film strand Moviedrome. He boasted that you will not find films from the likes of Robert Redford here.

    Little Fauss and Big Halsy would had been tailor made for Moviedrome. It is a cult obscure film. It was made just as Redford was on the cusp of superstardom.

    Redford plays Halsy Knox a braggart. A small time womanising motorbike racer and petty crook always looking for his next buck. Halsy can race but he does not have temperament or the mechanical knowledge to be a winner.

    Halsy meets Little Fauss (Michael J Pollard) a mechanic who wants to be a racer. He just cannot stay on his bike when he goes fast. His parents are oafs and Fauss is shy with a child like innocence. He has no friends.

    Fauss hooks up with Halsy, he tunes his bikes and Halsy races, they even make some money. Fauss soon sees through Halsy's tall tales and his womanising. Halsy always hooks up with a floozy who hangs around the races.

    Fauss is upset when Rita Nebraska (Lauren Hutton) who came across them running totally naked before a race, falls for Halsy even though she is aware that he is shallow and unreliable.

    There is an element of the counterculture in this movie. There are several songs from Johnny Cash. There is full frontal nudity. It is an atypical Redford film, he is a chancer with no redeeming features. He appears half naked for most of the movie, shirtless and showing a long scar on his back.

    There are hints of homoeroticism. One male photographer at the beginning of the movie is more interested in photographing Halsy's bronzed torso.

    Fauss grows up as a person with his time with Halsy. He becomes a better racer and he also gets to have sex with one of Halsy's cast offs. He also tries to leave them in the same way as Halsy by sneaking away early in the morning.

    The main difference is Fauss still remains a better person. This comes up when he talks about being drafted to the army, Halsy then reveals how he got his scar on his back.

    Little Fauss and Big Halsy is a small scale character piece and part road movie. Robert Redford was interested in flawed people. A year before this he played an Olympic skier in Downhill Racer. His character was selfish who was only interested in winning gold.

    In The Great Waldo Pepper made in 1975, Redford played a stunt pilot who told tall tales of his exploits in World War One. The box office failure of that film meant that Redford stuck with mainly heroic parts. Only as director would he examine the darker side of the American dream.

    Director Sidney J Furie has made an offbeat and meandering look at Americana. The script is too thin and also predictable. Furie pumps it up with the race scenes.
    7FloridaJoeH

    Worth your time....

    I have seen a LOT of movies...a LOT...and I believe this is worth your time....A fun film with good acting and character development....Redford gives a solid performance, but Pollard really shines....the two of them together are really believable....

    Enjoy !
    olhipe69

    A Cult Classic?

    Saw this in the drive-in back in '71 and thought it was pretty good! Saw it again on Speedvisions "Lost Drive-in" some time ago but some of the scenes were "edited for TV". I don't believe it was ever released on video...too bad!
    8wmann-9

    A great film...

    This was a great movie if you were a kid growing up around motorcycle racing. I was just 14 when this movie came out. I went to the theater to see it because I had heard it was about motorcycle racing. It was great! It captured the eccentric attitude of racers in general and was really very accurate as to the characters one could find in AMA racing. "On Any Sunday"! We would trailer our bikes all over the northeast to any race we could find. Enduros, motocross, flat-track, scrambles... whatever was going on, we'd go! Change tires, fenders, or what ever we needed to do to the bikes and take off. Great movie and great times! when you were involved with the racing scene, you got to know the other regulars that would show up at the various races and there were the personalities found in the movie. Every one knew a Halsey! Most of us were more Fauss, however. we were more interested in riding and tuning than partying and chasing skirts! This movie is one of the only movies I actually searched for and purchased just so I would have it as the years go by.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In Robert Redford's biography, he called Little Fauss and Big Halsy "the best script of any film I've ever done." He was, however, somewhat less than thrilled with the film when it did not live up to its expectations at the box-office. However, when the film premiered on television around the time Redford was shooting Les Hommes du président (1976), he confided in Alan J. Pakula that he resented its television broadcast because, after years of successful films, he was less than enthusiastic about Little Fauss and Big Halsy, which he considered a stain on his filmography. Pakula told Redford that the film showcases one of the best performances the star had ever given, stating that his performance in it was "the last unself-conscious revelation of the actor's real-life edge." The film is also Redford's son Jamie's favorite of all his father's films.
    • Gaffes
      When they are broken down and they are chatting at the back of the pickup, they are shown in profile with Halsey in the background. Past Halsey, deeper in the background, there is a constant stream of vehicles on what is obviously a major thoroughfare. Then the camera pans to a long shot showing them sitting in the rain. This long shot also shows the surrounding countryside and they are on an isolated dirt road with no major thoroughfare around.
    • Citations

      Little Fauss: I was going faster than I ever went in my whole life, then I fell off.

    • Connexions
      Referenced in Shaft, les nuits rouges de Harlem (1971)
    • Bandes originales
      Rollin' Free
      Composed and Sung by Johnny Cash

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    FAQ18

    • How long is Little Fauss and Big Halsy?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 octobre 1971 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Little Fauss and Big Halsy
    • Lieux de tournage
      • Sonoran Desert, Arizona, États-Unis
    • Sociétés de production
      • Alfran Productions
      • Furie Productions
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 755 485 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 39min(99 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.39 : 1

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