Little Big Man
- 1970
- Tous publics
- 2h 19min
L'histoire d'un visage pâle partagé entre ses origines et sa famille d'adoption, indienne.L'histoire d'un visage pâle partagé entre ses origines et sa famille d'adoption, indienne.L'histoire d'un visage pâle partagé entre ses origines et sa famille d'adoption, indienne.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 5 victoires et 11 nominations au total
- Sunshine
- (as Amy Eccles)
- Caroline
- (as Carol Androsky)
- Lieutenant
- (as Jess Vint)
Avis à la une
It's an epic, tragic tale - but one told with an often very funny voice. Part satire, part honest look at America's dark and untold history, the tone and narrative structure of this film were ground-breaking. And it still looks fresh: the script, the acting, the camera, the music: everything still oozes quality more than 40 years later. A timeless classic. 9 stars out of 10.
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Critique: Extremely enjoyable, epic western directed by Arthur Penn. Praised for its depiction of Native Americans, it has biting satirical (and political) touches, saddled with farcical historical accounts of the Indian Wars. The once controversial aspects were meant to represent the ideologies of the time, but it has not lost any of its grit.
What I like the most is its unique interpretation of Indians. Never in the long cycles of American westerns were Indians presented as almost alien, coming across as a mythical people whose ignorance of political maneuvers and technology proved their downfall. A very bitter and sad farewell swansong to what war and genocide has taken away.
Atypical cast delivers strong passages but you won't forget the 2-standout roles of General Custer as portrayed by the maniacal Richard Mulligan and 'Old Lodge Skies' played by the philosophical Chief Dan George.
QUOTES: Old Lodge Skies: "There is an endless supply of white men. But there has always been a limited number of 'human beings'. We won today, we won't win tomorrow."
I've gone back to the movie several times since that first viewing and it continues to entertain and affect; for me, a film that has emotional resonance well after the first viewing is rare and, though it does not always point to greatness, it often does.
Every element of the film is fantastic. The acting, by Hoffman and Dan George in particular, is amazing, as is Penn's direction. The story picaresque and always fascinating. There simply is no weak component to this movie.
I must also commend the film as a literary adaptation. I am not the most supportive critic of the Thomas Berger novel upon which the film is based. I find its thematics confused; it cannot decide whether or not it wants to revise western mythology or further it and, in that way, it fails for me. Calder Willingham's adaptation removes the ambivalence inherent in the novel and thereby writes one of the first and greatest revisionist Hollywood Westerns.
Little Big Man is a great movie, as I have said, and it deserves much more notoriety than it receives. This is, I fear, a film that too few people of my generation know. If you haven't seen it, I highly recommend it as an excellent and entertaining way to spend a couple of hours.
This is the story of Jack Crabb who begins the movie as a 121 year old man in a nursing home recounting his life.And what a life it was.He bounces back and forth in the Old west between the world of the white man and the world of the Native American.Crabb sees and does just about everything possible in both worlds.The joy and sadness and fun he has along the way makes for one helluva movie.
Dustin Hoffman is brilliant in this film.It may be his best performance ever yet it is somehow overlooked when many people think of his movies.It is a tour de force for Hoffman who plays an Indian and gunslinger and drunkard and muleskinner and many other things in this movie. Chief Dan George is nothing short of amazing in this movie.But yet one critic said he wasn't acting,he was just an Indian playing an Indian.Bah! Richard Mulligan was so perfect as General George Custer in this movie that he is who I see whenever I hear the name of Custer mentioned.Faye Dunaway and Martin Balsam create memorable characters too.
This movie makes one of the strongest statements I've ever seen about the treatment of the Native Americans yet you probably won't even realize it at the time.This is a movie that you'll replay in your head and then it hits you that there was even more there than met the eye.
The humor,tragedy and lush characters will stay with you long after you see this movie.This movie is based on the fine book by Thomas Berger and is very faithful to it.I recommend the book wholeheartedly, too.
Le saviez-vous
- AnecdotesThe role of Old Lodge Skins was initially offered to Marlon Brando, who turned it down. Other sources claim Arthur Penn's first choice for the role was Sir Laurence Olivier. When that didn't work out, Richard Boone was slated for the role. When Boone backed out at the last minute, Chief Dan George was given the part and earned an Oscar nomination.
- GaffesThe wires forcing a horse to fall are visible in the final battle scene, just before Custer exclaims "Fools! They're shooting their own horses!"
- Citations
Jack Crabb: Do you hate them? Do you hate the White man now?
Old Lodge Skins: Do you see this fine thing? Do you admire the humanity of it? Because the human beings, my son, they believe everything is alive. Not only man and animals. But also water, earth, stone. And also the things from them... like that hair. The man from whom this hair came, he's bald on the other side, because I now own his scalp! That is the way things are. But the white man, they believe EVERYTHING is dead. Stone, earth, animals. And people! Even their own people! If things keep trying to live, white man will rub them out. That is the difference.
- ConnexionsFeatured in Arthur Penn: The Director (1970)
- Bandes originalesBringing In the Sheaves
(1880) (uncredited)
Music by George A. Minor (1880)
Hymn by Knowles Shaw (1874)
Sung a cappella by Faye Dunaway
Meilleurs choix
- How long is Little Big Man?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Les extravagantes aventures d'un visage pâle
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 559 552 $US
- Montant brut mondial
- 31 559 552 $US