Let It Be
- 1970
- Tous publics
- 1h 21min
NOTE IMDb
7,6/10
8,4 k
MA NOTE
L'histoire de la tentative des Beatles de retrouver leur ancien esprit de groupe en faisant un album de retour aux sources, qui les a plutôt éloignés l'un de l'autre.L'histoire de la tentative des Beatles de retrouver leur ancien esprit de groupe en faisant un album de retour aux sources, qui les a plutôt éloignés l'un de l'autre.L'histoire de la tentative des Beatles de retrouver leur ancien esprit de groupe en faisant un album de retour aux sources, qui les a plutôt éloignés l'un de l'autre.
- Récompensé par 1 Oscar
- 2 victoires au total
John Lennon
- Self (The Beatles)
- (non crédité)
Paul McCartney
- Self (The Beatles)
- (non crédité)
George Harrison
- Self (The Beatles)
- (non crédité)
Ringo Starr
- Self (The Beatles)
- (non crédité)
Sue Ahearne
- Self - 'Apple Scruff'
- (non crédité)
The Beatles
- Themselves
- (non crédité)
Peter Brown
- Self
- (non crédité)
Geoff Emerick
- Self
- (non crédité)
Kevin Harrington
- Self
- (non crédité)
Eileen Kensley
- Self - 'Apple Scruff'
- (non crédité)
Michael Lindsay-Hogg
- Self
- (non crédité)
George Martin
- Self
- (non crédité)
Heather McCartney
- Self
- (non crédité)
Linda McCartney
- Self
- (non crédité)
Avis à la une
As a life-long Beatles fan don't expect objectivity here - I first saw this in the early 70's and found it riveting
and got the same feeling tonight. This was an early ordinary rockumentary about 4 ordinary yet very talented blokes in their late 20's at the peak of their creative powers, in the process of readjustment to being mere hairy bickering mortals again after experiencing a few years of quasi-godhood. "Mr. Epstein" was long dead although Paul was trying to fill his shoes, and their Apple Empire was shrinking. The Beatles almost on their own created intelligent pop/rock music, which imho has not moved on since 1969 where they left it. There have been many excellent innovative and intelligent rock bands that have come and gone since, many borrowing and adapting from the Beatles back catalogue however I don't count the many cash-in rip-off bands such as Oasis. Has anyone since not ripped them off at some point? I've lost count of the number of times over the decades I've heard a "new" piece of music and said to myself "I've heard that before somewhere ah yes, such and such by the Beatles". Apart from the quantum leaps in sound technology since then nothing of any lasting musical value has been added there has been no progression. Led Zeppelin filled stadia but did they fill billions of hearts? Queen was popular but did they rule the world? Pop and rock music may have always been ephemeral, but along with Louis Armstrong, Bix Beiderbecke, Lata Mangeshkar, Frank Sinatra and Jimi Hendrix the Beatles weren't. Never mind about their timeless music, they even managed to look timeless while everyone else around them in here looked dated by the early '70's. God works in mysterious ways.
John, Paul, George and Ringo got together first in Twickenham Studios then in the Apple basement in January 1969 to rehearse some new songs with the assistance of almost-5th Beatle Billy Preston (and occasionally actual-5th Beatle George Martin) and with the hope of playing live again sometime soon. Yoko (definitely not 5th Beatle) would have probably been on stage with them. As it turned out on they only made it to the Apple roof on 30th January, disturbing the peace of the police on the streets of London below. The Rolling Stone review of the film from 9th July 1970 that I remember so well was typically over-reverential but had some telling points the first being how deliberately grainy the photography was which still can take some getting used to and that there was over 800 hours of footage from 4 cameras to edit down to the brief 80 minutes we got. How on Earth can it ever be properly remastered and will more ever be officially available in our lifetimes? Maybe we should also bear in mind that the film was to be called Get Back as a return to simplicity for the band, and that McCartney originally penned racist lyrics for this sublime song which thankfully weren't incorporated into any of the final versions. There's a lot of classic pop music in here from their own then new stuff to rock'n'roll standards from the '50's, which the Beatles were in an ideal and unchallengeable position to translate for listeners both of the Old World of pop and the New World of rock that they left behind them.
Highlights: A splendid cod version of Bessame Mucho from McCartney; a loving version of You Really Got A Hold On Me from Lennon; the videos for Two Of Us, Let It Be, Long And Winding Road; and Get Back, Don't Let Me Down up on the freezing roof; so many others. Overall: to a fan, a beautiful and sad account of a unique group of individuals struggling and failing against disintegration; this should also be essential viewing to fans of intelligent pop/rock music who might have sometimes wondered where U2, Bon Jovi, Kings Of Leon et al came from so far though, this was the artistic pinnacle.
John, Paul, George and Ringo got together first in Twickenham Studios then in the Apple basement in January 1969 to rehearse some new songs with the assistance of almost-5th Beatle Billy Preston (and occasionally actual-5th Beatle George Martin) and with the hope of playing live again sometime soon. Yoko (definitely not 5th Beatle) would have probably been on stage with them. As it turned out on they only made it to the Apple roof on 30th January, disturbing the peace of the police on the streets of London below. The Rolling Stone review of the film from 9th July 1970 that I remember so well was typically over-reverential but had some telling points the first being how deliberately grainy the photography was which still can take some getting used to and that there was over 800 hours of footage from 4 cameras to edit down to the brief 80 minutes we got. How on Earth can it ever be properly remastered and will more ever be officially available in our lifetimes? Maybe we should also bear in mind that the film was to be called Get Back as a return to simplicity for the band, and that McCartney originally penned racist lyrics for this sublime song which thankfully weren't incorporated into any of the final versions. There's a lot of classic pop music in here from their own then new stuff to rock'n'roll standards from the '50's, which the Beatles were in an ideal and unchallengeable position to translate for listeners both of the Old World of pop and the New World of rock that they left behind them.
Highlights: A splendid cod version of Bessame Mucho from McCartney; a loving version of You Really Got A Hold On Me from Lennon; the videos for Two Of Us, Let It Be, Long And Winding Road; and Get Back, Don't Let Me Down up on the freezing roof; so many others. Overall: to a fan, a beautiful and sad account of a unique group of individuals struggling and failing against disintegration; this should also be essential viewing to fans of intelligent pop/rock music who might have sometimes wondered where U2, Bon Jovi, Kings Of Leon et al came from so far though, this was the artistic pinnacle.
The Beatles were on the verge of permanent implosion from within when the landmark documentary "Let if Be" was filmed. The iconic band could hardly stand to be in the same room with one another at this point, let alone continue on as the greatest popular music group the world will ever know.
Still, having watched this fascinating chronicle again after several years, I was struck with this one prevailing notion.
That is clearly just how much dang fun these legendary Liverpudlians were having when they put all the business and inflated ego BS aside, cranked up the amps and launched full force into exactly what they ever really wanted to do from the beginning.
Rock our as--- right straight off.
Still, having watched this fascinating chronicle again after several years, I was struck with this one prevailing notion.
That is clearly just how much dang fun these legendary Liverpudlians were having when they put all the business and inflated ego BS aside, cranked up the amps and launched full force into exactly what they ever really wanted to do from the beginning.
Rock our as--- right straight off.
I watched this Beatles documentary for the first time when it was released for the second time in the Spanish theaters in 1980.
I enjoyed it very much in spite of being 10 years old, because a friend of mine had the "Let it be" tape and we used to listen to it very often and we both knew all the songs pretty well. We had a splendid time.
Now I have a copy in VHS of the film and I use to watch it from time to time.
I know it´s mostly a documentary about The Beatles break-up which is kind of sad, but it would be unfair to say the film is not most enjoyable and besides the rehearsals and the arguments, it ends with the very last Beatles concert, (the famous rooftop concert).
The Beatles were four guys who spent some six years together 24 hours a day, "eight days a week" as they would say, working very hard, dealing with all kind of stressing events and it´s logical they split up in the end. Fame is very expensive. George Harrison explains it very well in the last chapter of The Beatles Anthology: "The fans gave the money and the screams, and The Beatles kind of gave their nervous systems...". And I agree with him. It had to be hell!.
None of the four Beatles was to blame for their break-up, that´s something that just had to happen.
If you ever have the chance of watching this film, just do it. It´s a must for all the Beatles fans and all the music lovers.
I hope this gem is released in DVD with lots of extras in the near future!!. Please, release it!!.
Long live the Beatles!.
I enjoyed it very much in spite of being 10 years old, because a friend of mine had the "Let it be" tape and we used to listen to it very often and we both knew all the songs pretty well. We had a splendid time.
Now I have a copy in VHS of the film and I use to watch it from time to time.
I know it´s mostly a documentary about The Beatles break-up which is kind of sad, but it would be unfair to say the film is not most enjoyable and besides the rehearsals and the arguments, it ends with the very last Beatles concert, (the famous rooftop concert).
The Beatles were four guys who spent some six years together 24 hours a day, "eight days a week" as they would say, working very hard, dealing with all kind of stressing events and it´s logical they split up in the end. Fame is very expensive. George Harrison explains it very well in the last chapter of The Beatles Anthology: "The fans gave the money and the screams, and The Beatles kind of gave their nervous systems...". And I agree with him. It had to be hell!.
None of the four Beatles was to blame for their break-up, that´s something that just had to happen.
If you ever have the chance of watching this film, just do it. It´s a must for all the Beatles fans and all the music lovers.
I hope this gem is released in DVD with lots of extras in the near future!!. Please, release it!!.
Long live the Beatles!.
The Beatles is probably the most famous musical act ever that has been on the ground of this Earth. That said the movie 'Let It Be' presents the group at a stage where they were about to break-up. They were not at their best during the filming, but what is shown in the movie is still about the most fabulous thing ever to see. There is no way anymore to get any closer to them than the 'Let It Be' movie.
John, Paul, George and Ringo will perform nicely raw versions of their famous hit songs. They haven't yet figured out all the lyrics yet but it's still nice to hear any the songs in a unfinished stage. The movie will also show you how they were playing some of their oldies as a warm up songs before starting with another take of their newer songs.
The atmosphere seems to be bit dark, Lennon is passive and Paul is clearly the one who is steering the ship now. Some visitors who appear at the studio make the daylight occasionally shine but as a better than nothing solution the rooftop concert in the end is "really enjoyable" like one of the passers-by say. It's all somehow sad, but strangely cool .
John, Paul, George and Ringo will perform nicely raw versions of their famous hit songs. They haven't yet figured out all the lyrics yet but it's still nice to hear any the songs in a unfinished stage. The movie will also show you how they were playing some of their oldies as a warm up songs before starting with another take of their newer songs.
The atmosphere seems to be bit dark, Lennon is passive and Paul is clearly the one who is steering the ship now. Some visitors who appear at the studio make the daylight occasionally shine but as a better than nothing solution the rooftop concert in the end is "really enjoyable" like one of the passers-by say. It's all somehow sad, but strangely cool .
I believe this candid look inside the troubled world of the later Beatles is a good account of why the world's greatest musical force ultimately broke up. I wouldn't easily recommend it to a "casual" Beatles listener, and certainly not at all would I suggest it for clueless "non-fans". But for the serious fan such as myself, this is fascinating to watch. Paul McCartney was the only Beatle at this point who was interested in trying to keep the band together; George Harrison was too busy getting fed up with Paul for telling him how to play his own guitar; Ringo Starr was lethargic and resigned to being the solemn background drummer; and John Lennon was so in love with Yoko Ono that he couldn't care less what the other three were doing anyway. So, it's this grim reality creeping into the once magical world of the Beatles' recording sessions that is tense and uncomfortable to watch here. But there is no denying that it's all frank, in-your-face, and well captured.
But it's not all ugliness. When Billy Preston is invited in for an inspired jam session, for example, everything seems like fun and games again. And the impromptu rooftop concert at the end of the movie displays The Fab Four at their best, playing great music together and having a lot of fun one last time as a unit, almost in spite of themselves. Of course, even with all its warts, there's always the music. Classic songs like "Two of Us," "I've Got a Feeling," "Don't Let Me Down," The Long and Winding Road," "Get Back," and the appropriate title tune itself are always there to make us feel good again. *** out of ****
But it's not all ugliness. When Billy Preston is invited in for an inspired jam session, for example, everything seems like fun and games again. And the impromptu rooftop concert at the end of the movie displays The Fab Four at their best, playing great music together and having a lot of fun one last time as a unit, almost in spite of themselves. Of course, even with all its warts, there's always the music. Classic songs like "Two of Us," "I've Got a Feeling," "Don't Let Me Down," The Long and Winding Road," "Get Back," and the appropriate title tune itself are always there to make us feel good again. *** out of ****
Le saviez-vous
- AnecdotesFollowing the argument with Sir Paul McCartney seen in the movie, George Harrison went home and wrote the song "Wah-Wah", which he recorded for his first solo album two years later. Three days after the argument with McCartney, Harrison temporarily quit the Beatles after a row with John Lennon. Harrison was coaxed back a week later, after McCartney promised that they would start recording in the band's new Apple Studios, instead of Twickenham Studios.
- GaffesDue to the two-camera technique used to film most of the scenes, during much of the performances the audio does not match up with the performers. One such example is during the Suzy Parker segment, and again during I Got a Feeling, though this scene was filmed using five cameras.
- Citations
John Lennon: I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition.
- Versions alternativesThe first cut, which was supervised by Michael Lindsay-Hogg and The Beatles themselves, ran for 210 minutes. It was screened in a private screening room on 20th July, 1969. After the screening, three of The Beatles wanted further cuts to be made. According to Mark Lewisohn's "The Complete Beatles Chronicle", a second version was edited in the absence of John Lennon and Yoko Ono. This new cut (with a considerable amount of "John and Yoko" footage cut out) became the 81-minute release that made the cinemas. In an interview on the "I Am The Eggpod" podcast, Lindsay-Hogg confirmed that the footage deleted from the theatrical release contained a large amount of material featuring Lennon and Ono sitting alone away from the group and "whispering to each other". Lindsay-Hogg claims that about "one reel of film" was removed.
- ConnexionsEdited from The Beatles: Don't Let Me Down (1969)
- Bandes originalesPaul's Piano Intro
Performed by The Beatles
Written by Paul McCartney
Published by Apple Records
Courtesy of Apple Records
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Beatles at Work
- Lieux de tournage
- Apple Corps, 3 Savile Row, Mayfair, Londres, Angleterre, Royaume-Uni(13-24 January 1969)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 061 569 $US
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