Ajouter une intrigue dans votre langueJane Eyre, an orphan, becomes a governess at Thornfield Hall where she falls for her employer, Edward Rochester. As they grow closer, strange events occur, leading to a dark secret that test... Tout lireJane Eyre, an orphan, becomes a governess at Thornfield Hall where she falls for her employer, Edward Rochester. As they grow closer, strange events occur, leading to a dark secret that tests Jane's courage and love for Rochester.Jane Eyre, an orphan, becomes a governess at Thornfield Hall where she falls for her employer, Edward Rochester. As they grow closer, strange events occur, leading to a dark secret that tests Jane's courage and love for Rochester.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 1 victoire et 4 nominations au total
- Amy
- (as Sue Lawe)
Avis à la une
Now, despite this, I would say that this is my favorite version of Jane Eyre, though the Orson Welles and Joan Fontaine version of the 1940s is close to being as good.
George C. Scott is a great Rochester--very gruff, brooding and unattractive--as well as an incredibly fine actor. Susannah York is a stronger and spunkier Jane than Joan Fontaine's and I prefer the spunkier one. The only area where the 1940s version seemed better was in the back story at the horrible school where Jane was raised.
No other film actress has achieved Jane's self possession, self reliance, modesty, and self control in a way that consistently points to the novel itself, rather than some film director's misguided attempts to deliver a trivialized cartoon cut out. And it is these attributes that render Miss York's treatment of Jane's deeply held emotions all the more affecting, since they are kept under lock and key.
Some other actresses have come close, (Joan Fontaine) while others have evidently had no conception of what on earth they were doing (Virginia Bruce).
Suffice it to say that up to now, Susannah York has bested all others. As Mr. Roderick, George C. Scott is too old, but turns in a serviceable performance otherwise.
Plaudits also to the cinematography for achieving a truly romantic bleakness comparable the paintings of Caspar David Friederich. Delbert Mann understood the importance of landscape to this story, (another key attribute jettisoned in other versions) and for this he is to be congratulated.
Finally, the sumptuous and unforgettable score of John Williams. Forget "Star Wars" ! for this is a score of genuine musical achievement, richly romantic, stirring and melancholic all at the same time, not to mention being eminently listenable on its own terms.
Three cheers to all concerned in this A-1 production.
Le saviez-vous
- AnecdotesThis movie was expertly dubbed into Mandarin and widely released in China in the 1980s with huge success. Until today it has been considered as the best dubbed movie ever in China and has been loved and remembered by tens of millions of audiences across the country. The dubbed version was also release on audio cassette tape.
- Citations
Edward Rochester: You're very cool. An orphan child of low degree, where do you find such coolness?
Jane Eyre: Out of my head, sir.
Edward Rochester: The one I see on your shoulders?
Jane Eyre: Yes, sir.
Edward Rochester: And has it other furniture of the same kind within?
Jane Eyre: It is well stocked, I hope, sir.
- ConnexionsFeatured in The 24th Annual Primetime Emmy Awards (1972)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Jane Eyre - eine Frau kämpft um ihr Glück
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 50min(110 min)
- Mixage
- Rapport de forme
- 1.33 : 1