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Gimme Shelter

  • 1970
  • Tous publics
  • 1h 31min
NOTE IMDb
7,8/10
13 k
MA NOTE
Mick Jagger, Keith Richards, Mick Taylor, Bill Wyman, and The Rolling Stones in Gimme Shelter (1970)
Trailer for Gimme Shelter
Lire trailer0:31
1 Video
61 photos
ConcertDocumentaryMusicThriller

En 1969, les Rolling Stones montent sur la scène d'un grand festival musical en Californie. Le service de sécurité, assuré par des Hell's Angels, tue un fan en plein concert. Un document bru... Tout lireEn 1969, les Rolling Stones montent sur la scène d'un grand festival musical en Californie. Le service de sécurité, assuré par des Hell's Angels, tue un fan en plein concert. Un document brut qui marque un tournant dans leur carrière.En 1969, les Rolling Stones montent sur la scène d'un grand festival musical en Californie. Le service de sécurité, assuré par des Hell's Angels, tue un fan en plein concert. Un document brut qui marque un tournant dans leur carrière.

  • Réalisation
    • Albert Maysles
    • David Maysles
    • Charlotte Zwerin
  • Casting principal
    • Mick Jagger
    • Keith Richards
    • Mick Taylor
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    13 k
    MA NOTE
    • Réalisation
      • Albert Maysles
      • David Maysles
      • Charlotte Zwerin
    • Casting principal
      • Mick Jagger
      • Keith Richards
      • Mick Taylor
    • 104avis d'utilisateurs
    • 60avis des critiques
    • 85Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 1 nomination au total

    Vidéos1

    Gimme Shelter (1970)
    Trailer 0:31
    Gimme Shelter (1970)

    Photos61

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    Rôles principaux44

    Modifier
    Mick Jagger
    Mick Jagger
    • Self
    Keith Richards
    Keith Richards
    • Self
    • (as Keith Richard)
    Mick Taylor
    Mick Taylor
    • Self
    Charlie Watts
    Charlie Watts
    • Self
    The Rolling Stones
    The Rolling Stones
    • Themselves
    Bill Wyman
    Bill Wyman
    • Self
    Marty Balin
    Marty Balin
    • Self
    • (as Jefferson Airplane)
    Sonny Barger
    Sonny Barger
    • Self
    Melvin Belli
    Melvin Belli
    • Self
    Dick Carter
    • Self
    Jack Casady
    Jack Casady
    • Self
    • (as Jefferson Airplane)
    Mike Clarke
    • Self
    • (as The Flying Burrito Brothers)
    Sam Cutler
    • Self
    Spencer Dryden
    Spencer Dryden
    • Self
    • (as Jefferson Airplane)
    Chris Hillman
    Chris Hillman
    • Self
    • (as The Flying Burrito Brothers)
    John Jaymes
    • Self
    Paul Kantner
    Paul Kantner
    • Self
    • (as Jefferson Airplane)
    Jorma Kaukonen
    Jorma Kaukonen
    • Self
    • (as Jefferson Airplane)
    • Réalisation
      • Albert Maysles
      • David Maysles
      • Charlotte Zwerin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs104

    7,813.4K
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    Avis à la une

    teddyryan

    Essential

    I can't get enough of Mick Jagger in his prime. New York City. 1969. He introduces himself and then says, "Welcome to the breakfast show." This guy is the man. But, then comes Altamont. This part is frightening. It makes you see why the 60s was so f-ed up. You've got British concert promoters playing the stereotypes to a tee. You've got hippies using the words, "groovy." You've got all the evidence to believe that flower children were as stupid as portrayed in their modern context. But, the most scary thing...it is what is. The Hells Angels are brutal. They get angry and they get picked on. The retaliate like a wild animals. People are being beaten with sticks and women are crying, but the show goes on. Yes, this was the end of peace/love. If the foundations of WOODSTOCK were to give us any hope in a hippie ideal, they were not there for THE ROLLING STONES. And, so we point the finger. But don't point it at Mick Jagger. He did his best. And, there's a freeze on him at the end, just as the roaring guitar of Keith Richards explodes into "Gimme Shelter." It is one of the coolest moments I have yet to witness on celluloid.
    9KnightsofNi11

    A harrowing must see

    October 1969 marked a month of tragedy for rock and roll. The Rolling Stones were on their US tour when they stopped to play a free concert at the Altamont Speedway in San Francisco. It was a concert event that was supposed to be the Woodstock of the West, but it ended up being just the opposite. Hell's Angels were hired for security and, as the chaos of the show ascended, the Angels became more and more violent towards the crowd until the night ended in the stabbing and murdering of at least one of the concert goers. Gimme Shelter is the documentary which focuses on this tragic occurrence in brutal detail. The film mixes concert footage of the Rolling Stones, footage of the night at Altamont, as well as the band watching and reflecting on that terrible night. It's an extraordinary and harrowing film which will shake you to your core as you watch the raw, unedited footage taken at Altamont and the unending brutality which seems so unnecessary and so easily preventable. It's a remarkably disturbing experience to watch Gimme Shelter.

    I honestly believe it was a stroke of genius to make this film so simple. There was no need to tamper with the Altamont footage or add anything extraneous to it. Gimme Shelter is perfect in the way it just shows us all of the actual footage from the concert, as well as leading up to the concert. There's no narration, no extra pictures or clips. It is just the footage put together in a way that details that terrible night in the straightest way possible. There could not be a more thorough account of the events at Altamont. This is the finest way to view something this out of the ordinary. The footage we watch in Gimme Shelter is stunning and unforgettable. It's safe to assume that 99% of the audience at that show was on acid, and the results are amazing to watch. There is an incredible amount of footage of people having wild acid trips, doing all sorts of bizarre things. It is amusing to watch at first, but quickly becomes deadly when Hell's Angels are introduced into the equation. Thus we have a scenario that is nerve racking to witness unfold and we are then filled with immense anxiety and dread as the situation grows into the tragedy it morphed into by the end of the night.

    Of course, what makes Gimme Shelter more than just a simple reflection on the tragedy at Altamont Speedway is the footage of the Rolling Stones watching the Altamont footage and reflecting on it all. The shock and awe is very obvious in their reactions and hearing what they have to say about it is fascinating. They don't say much about it because of all the shock, but they say enough and they display enough body language to convey their loss for words at this event and how horrified they are that something like this had to happen under their watch. This is possibly the saddest aspect of the entire situation. The fact that someone was murdered is horrific enough, but the fact that it had to happen in the name of rock and roll is deafeningly sad. It is painful to watch the messages of peace and love flourish in that concert audience, only to be violently contrasted by the over reactions of Hell's Angels. It's a sickening occurrence that seems to evoke more innate sadness than anger. It's terrible to watch but it makes Gimme Shelter one of the most powerful and provocative documentaries you will ever see. This film is an incredible experience that you will not soon forget.
    10bazibazbaz

    It used to be a lot more than Only Rock'n'Roll

    When you see this movie you really understand how sanitised, safe and corporate the music scene is today.

    The Stones were possibly the biggest band in the world at the time, so by today's standards it seems unbelievable they'd put on a free concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no security for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added security - as well as the standard knives and baseball bats. And they weren't afraid to use them, even on the bands, especially Jefferson Airplane's Marty Balin.

    Throw in some of the original Satanic rock band's finest sinister creations and you get the real deal, not some pantomime metal/goth horror facsimile. At the time many people really did believe that they could change the world and looked to bands like the Stones as leaders of the counterculture, and you really get the impression things like this mattered a hell of a lot more, but after Altamont, well...

    Nevertheless, the version of Under My Thumb that Jagger delivers as he's watching the terrible action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this film seem like it was shot on another planet. Gimme Shelter is the most rock'n'roll film ever made, for all the right and wrong reasons.
    8ccthemovieman-1

    Film Gives You A Good Feel Of The Period & Dumb Decisions

    Boy, you could write a lot about the significance - cultural and otherwise of what happened at this big rock concert and why....but this is a website to review films. So rather than going on and on about how naive and stupid these concert promoters were to hire thugs as "security," suffice to write that the movie speaks for itself. It shows what happened, and you can make up your own mind.

    However, much of the time is taken up interviewing mindless stoners and clueless rockers, none of whom sound intelligent enough to properly discuss the situation. This documentary does give you a good idea of the period and how easily one could go from a peaceful Woodstock to this disaster. In fact, watching this film just makes me all the more stunned that nothing really tragic at Woodstock with all those kids, although the organizers there obviously didn't make a few crucial mistakes the guys here made.

    This documentary shows how many dumb things were allowed to take place, and just makes you shake your head in disbelief. For that, they did a good job with this film, accomplishing, I assume, what they desired.

    It was fun to go back and see clips of The Jefferson Airplane, The Flying Burrito Brothers (you couldn't beat the names of rock groups back then!) and Ike and Tina Turner. However, as we see, the "counterculture" wasn't all good rock, "peace and love," folks; there were so real bummers and lives ruined.
    7stevenfallonnyc

    Subject is stronger then the film-making

    "Gimme Shelter" is definitely a well-made documentary, although not really better made than many other similar documentaries. The strength is what exactly this one is showing, namely the death of 60's innocence at a sleazy unorganized concert packed with drugged-out hippies watching the world's greatest rock and roll band. With that at hand, it'd be really hard to make a bad film.

    Even though gigantic festivals like Altamont were new at the time, it is hard to imagine just how clueless people were in organizing the event. Even with the parking, when they are talking about how they have room for only a (relatively) small number of cars when they need room for many times more, the answer simply is a suggestion to ask the landowner next door to use his land to park cars and hope for the best, and that's that.

    There probably is no better film where you can get that certain "feel" for the late 60's hippie-rock crowd and scene. It's really sad in a way because unfortunately, all the hippies themselves come across as clueless themselves, as if The Stones have all the answer's to their problems.

    The whole mix was amazingly combustive, with The Stones, 300,000 drugged-out hippies, and plenty of showerless Hells Angels just looking for an excuse to kick someone's ass. It's hard to imagine anyone giving the security responsibilities to such a mammoth event to a group of guys that appear as if they'd have a difficult time simply *spelling* the actual word "security." But it all does make for an amazing portrait of a truly incredible event. Truth is, Altamont never actually changed anything much; instead, it was a wakeup call for those who still for whatever reason, refused to acknowledge that the times have already been changing indeed.

    The footage at Madison Square Garden is actually the best concert footage in the film, interesting seeing how the house lights were on all the time and how the band played on stage without any props or effects (KISS was still 5 years away).

    Many may disagree with this, but on the DVD, the newly remixed music in the film actually sounds too clean, especially during the concert sequences. The audio sometimes sounds so good, that it makes the film, itself gritty and hardcore, look "fake" and "dubbed" all too many times.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      After viewing concert footage, police identified Alan Passaro, a local Hell's Angel, as the man who stabbed Meredith Hunter. He was arrested and charged with murder. At his trial, closer examination of the footage showed that Hunter had pulled a gun before Passaro pulled his knife. Passaro was acquitted on grounds of self-defense.
    • Citations

      Grace Slick: You don't hassle with anybody in particular. You gotta keep your bodies off each other unless you intend love. People get weird, and you need people like the Angels to keep people in line. But the Angels also - you know, you don't bust people in the head - for nothing. So both sides are fucking up temporarily; let's not keep FUCKING UP!

    • Versions alternatives
      Re-released in 1992 with some uncensored dialog and some more brief nudity; this version is rated R.
    • Connexions
      Edited into Everything You Always Wanted to Know About Swing But Were Afraid to Ask (1999)
    • Bandes originales
      Jumpin' Jack Flash
      Written by Mick Jagger & Keith Richards

      Performed by The Rolling Stones

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    FAQ18

    • How long is Gimme Shelter?Alimenté par Alexa
    • What Happened to the Hells Angel Who Stabbed the Man at the Altamont Concert?
    • Why did Meredith Hunter pull out a gun?

    Détails

    Modifier
    • Date de sortie
      • 1 novembre 1971 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Criterion (United States)
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Rolling Stones: Gimme Shelter
    • Lieux de tournage
      • Muscle Shoals, Alabama, États-Unis(Playback of tracks in studio)
    • Sociétés de production
      • Maysles Films
      • Penforta
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 999 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 31 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
      • 4-Track Stereo
    • Rapport de forme
      • 1.37 : 1

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