Gas! -Or- It Became Necessary to Destroy the World in Order to Save It.

This was a weird sort of science fiction comedy from "Professor Corman". This film pretty much reminds me of a spaced out version of the short lived show "The New People", which came out a year earlier. The whole idea of everyone over 35 being killed by a gas that didn't work on the younger population was a wild idea to begin with, but the surrealism of this movie even made it wilder to look at. Too bad that Corman's last film for A.I.P. couldn't have been a schlock classic like many of his earlier. At least on the bright side we get to look at a very young Cindy Williams, Talia Shire and Ben Vereen in what was one of, if not their first roles in a motion picture.

A gas is let loose upon the world that kills anyone over twenty-five years old.

Coming from Roger Corman, I wanted to like this, but it never seemed coherent and I think not enough thought was put into a plot or story arc. There are things I enjoyed, such as the permit guy with the whip and how this was an alternate version of "Logan's Run" (this film came out after the novel but before the film, so whether or not there was an influence, I have no idea).

There was a problem in that almost no one was under 18. This seemed to be teenagers and young adults cutting loose, but who was watching all the infants?

This is the kind of movies that make me feel good. The kind of movies that makes you say: Man! Me and my friends could have made this one!

Anyway.. it's the greatest hippie-road-trip-movie I have ever laid my eyes on

peace

This is the film that Roger Corman says was his final straw with AIP. After mildly editing WILD ANGELS and THE TRIP, their virtual elimination of "God" and the obliteration of the original ending led him to form New World Pictures.

Seeing this film at the American Cinemateque in a striking new print shows both its virtues as a one-of-a-kind (well, at least for anybody BUT Corman!) oddity as well as a failed attempt at counter-culture comedy. It's hard to see how even the original Director's Cut (if it exists at all) would really be that much of an improvement. What is on the screen is still probably about 90% of what Corman shot, and it's a scattershot affair. The Cinematography and Music stand out, as well as bits of the acting, particularly by Elaine Giftos.

Roger Corman spoke after the Cinemateque screening.

Corman said that he hadn't seen the movie since its release in 1970. It was edited before its theatrical release by AIP. Most significantly was the almost complete elimination of the voice of "God". Corman speculated that since AIP had gone public (stock market) around that time, that they were concerned that the "Jewish comic"-type voice would be considered sacriligious! Then, AIP cut the most elaborate shot in the entire film. The original ending! Elaine Giftos and Robert Corff were to "walk off into the sunset in the most cliched ending possible." This was shot in a big panaroma shot "with marching bands and the whole cast included." Corman said that it STILL bothers him that as released, the film "has no ending."

Roger Corman is undeniably one of the most versatile and unpredictable directors/producers in history. He was single-handedly responsible for some of my favorite horror films ever (like the Edgar Allen Poe adaptations "Masque of the Red Death" and "Pit and the Pendulum") as well as some insufferably cheap and tacky rubbish quickies (like "Creature from the Haunted Sea" and "She Gods of the Shark Reef"). Corman also made a couple of movies that are simply unclassifiable and – simply put – nearly impossible to judge properly. "The Trip", for example, as well as this imaginatively titled "Gas-s-s-s" can somewhat be labeled as psychedelic exploitation. In other words, they're incredibly strange hippie-culture influenced movies. Half of the time you haven't got the slightest idea what's going on, who these characters are that walk back and forth through the screen and where the hell this whole thing is going. The plot is simply and yet highly effective: a strange but deadly nerve gas is accidentally unleashed and promptly annihilates that the entire world population over the age of 25. This *could* be the basic premise of an atmospheric, gritty and nail-bitingly suspenseful post-apocalyptic Sci-Fi landmark, but writer George Armitage and Roger Corman decided to turn it into a "trippy" road-movie comedy. None of the characters is even trying to prevent their inevitable upcoming deaths; they just party out in the streets and found little juvenile crime syndicates. "Gas-s-s-s" is a disappointingly boring and tries overly hard to be bizarre. The entire script appears to be improvised at the spot and not at all funny. Definitely not my cup of tea, but the film does have a loyal fan base and many admirers, so who am I to say that it's not worth your time or money?