Le frisson des vampires

Jean Rollin's early films are an acquired taste with their accent on mood and atmosphere over linear plot structure. This film is the best of his early output, right up there with LES RAISINS DE LA MORT. It's got a prog-rock music score, long-haired hippie vampires, old cemeteries and castles lit in bright shades of red, blue and green. Rollin's first feature was like a pretentious student film. His second feature added a little science fiction to the vampire mythos. But it's here that all the ingredients came together in just the right way. I still find myself falling asleep during the nonsensical dialog scenes or long takes but am always riveted back to the screen by the next striking scene to come.

"Les Frissons des Vampires" can't be considered, in the strict sense, a horror film, because there are no suspense and/or scares waiting for the viewer. What the film has to offer is atmosphere, plenty of atmosphere. The plot is thin: a couple arrives in a castle, in order to pay the fiancée's two cousins, a visit (they were once brave vampire hunters, but one night they fell in battle, and became afterwards enthusiastic vampires). These cousins, together with their team (two beautiful servant maids and a solemn vampire girl that emerges out of the most unexpected places), prowl around the innocent guests. This stuff could lead to a really suspenseful film, but I guess that was not Jean Rollin's intention.

The lighting effects create beautiful night colors. Every new night, bathed in a different color - the castle - a visual leitmotif. The conversations are frequently literary (especially the two philosopher vampire cousins) and a self-parody - not to be taken seriously. Delicate camera movements, strange angle shots, various colored lights flooding landscape, castle and graveyard.... the idyllic prog rock of Acanthus..... the fog grows and spreads in wonderland.

We should relearn to watch films. "Les Frissons des Vampires" is slow-paced - maybe if you just relax and don't hang too much on the story, you may experience the film - enjoy its gorgeous colors effects, its poetic-humoristic dialogues (spoken in French, a very sweet language) and its bizarre atmosphere.

Welcome to the fantasy world of Jean Rollin. Give free reins to your senses and imagination. Dive in.

A young honeymooning couple stop for the night at an ancient castle. Unbeknownst to them, the castle is home to a horde of vampires, who have their own plans for the couple.

This is the sixth Jean Rollin film I have seen in the past week, and the fifth one to feature nude vampire women. Not sure what is up with Rollin: he needs nude women, vampires, castles and a sea side with a fence (or dilapidated pier) in all his films...

I think this one was probably the best of those I have seen. The rocking music, the actual attempt to have a back story for the vampires... it was like he decided that a plot would be nice, besides just the sex and stripped women. Good call, Jean.

This is one of those films that is entirely plotless, but it doesn't matter. There's bucketfulls of atmosphere and the acting is pretty good. The directing is excellent. It's got one hell of a lot of nude women in, but they're presented in an arty sort of way rather than simple pornography. I reckon it must have had a budget of about 20 francs, though, but this gives it a kind of loveable quality.

Perhaps it's a matter of personal taste, or the lack thereof; I love Jean Rollin movies, and this Rollin film in particular I've seen several times. Of all the European erotic horror of the sixties and seventies, Rollin's movies most effectively maintain a certain morbid psychedelic vibe, a genuinely Gothic atmosphere, which most of his peers' work only captures fitfully, at best. "Shiver of the Vampires" was the movie that firmly established my fondness for this entire genre; and if it sounds interesting to you, do yourself a favor and seek it out, especially the Redemption DVD, which is gorgeously mastered from (according to the liner notes) the director's own print.