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Papa en a deux

Titre original : Every Home Should Have One
  • 1970
  • Tous publics
  • 1h 34min
NOTE IMDb
5,0/10
558
MA NOTE
Marty Feldman in Papa en a deux (1970)
SatireComédie

Ajouter une intrigue dans votre langueTeddy, working at an advertising agency, has to come up with a campaign for frozen porridge.Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.

  • Réalisation
    • Jim Clark
  • Scénario
    • Herbert Kretzmer
    • Milton Shulman
    • Marty Feldman
  • Casting principal
    • Marty Feldman
    • Judy Cornwell
    • Garry Miller
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,0/10
    558
    MA NOTE
    • Réalisation
      • Jim Clark
    • Scénario
      • Herbert Kretzmer
      • Milton Shulman
      • Marty Feldman
    • Casting principal
      • Marty Feldman
      • Judy Cornwell
      • Garry Miller
    • 21avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos30

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    + 24
    Voir l'affiche

    Rôles principaux57

    Modifier
    Marty Feldman
    Marty Feldman
    • Teddy
    Judy Cornwell
    Judy Cornwell
    • Liz
    Garry Miller
    • Richard
    Shelley Berman
    Shelley Berman
    • Nat Kaplan…
    Hy Hazell
    Hy Hazell
    • Mrs. Kaplan
    Julie Ege
    Julie Ege
    • Inga
    Penelope Keith
    Penelope Keith
    • Lotte
    Moray Watson
    Moray Watson
    • Chandler
    Jack Watson
    Jack Watson
    • McLaughlin
    Mark Elwes
    • Rokes
    Harold Innocent
    Harold Innocent
    • Jimpson
    Dinsdale Landen
    Dinsdale Landen
    • Rev. Geoffrey Mellish
    John McKelvey
    • Col. Belper
    Charles Lewsen
    • Arthur Soames
    Maggie Jones
    • Hetty Soames
    Ellis Dale
    • Leonard Crape
    Frances de la Tour
    Frances de la Tour
    • Maud Crape
    • (as Frances De la Tour)
    Patrick Cargill
    Patrick Cargill
    • Wallace Trufitt M.P.
    • Réalisation
      • Jim Clark
    • Scénario
      • Herbert Kretzmer
      • Milton Shulman
      • Marty Feldman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    5,0558
    1
    2
    3
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    5
    6
    7
    8
    9
    10

    Avis à la une

    7vinnienh

    Look not only at Feldman's eyes, but notice that car!!!

    British sex-comedy that has some very nicely animated sequences in it and is funnier than the average comedy made in the UK of this genre. The 7 dwarfs and the "toothpastetube-car" are really a must-see! I think the scene with the amazing car is the best!
    gpshovlin

    An all-time favourite for maybe the wrong reasons!

    I remember seeing this for the first time when I was about 7. Children In Need was on BBC 1 (or maybe Comic Relief) and I was allowed to sleep downstairs to watch the whole event. Anyway, I found this on the other channel at about 2.30am, and I was totally blown away by it. Not least the funky theme tune, the cartoons, those eyes, Julie Ege etc. Anyway, a couple of years later I got it on VHS...surprise surprise, the cut I'd seen on ITV had been trimmed significantly. The bit with the hot dog vendor, the fantasy sequence where Teddy imagines a fight sequence with the vicar had both been cut, with maybe some other bits. I've seen this film more than any other film, and have collected as much stuff to do with it as I can; 4 posters, lobby cards, and approximately 60 black and white stills. If anyone has anything else related to this film, please get in touch. A few things bother me though; how did Shelley Berman get involved?Why is Alan Bennett uncredited? Shelley Berman turned up in Friends a few years back, and his character's name was Kaplan, as in this film. Was Kaplan his own persona, or was this a nod to the film? Does the US cut differ any from the UK?
    7christopher-underwood

    swirling graphics and sublimely surreal moments

    This is far better a film than I expected. I knew Marty Feldman would be good but I rather expected the usual British sex comedy ingredients of unfunny sequences with men (too old) falling over as they scramble towards very average looking girls (all the while squealing). Big surprise then, for this is an intelligent, inspired and inventive exercise, being very much of its time and all the better for it. The spoof TV adverts at the start threaten to overwhelm but thanks to Richard Williams' inspired animation all turns out very well and the picture is very representative of the time, with swirling graphics and sublimely surreal moments (tube of toothpaste car with dwarfs inside!). Good script with political and social satire and some funny lines. Julie Ege far, far better than one might have imagined and indeed there are more good looking girls in this than in all the rest of similar films of the period put together. There is a slightly over extended sequence towards the end in the TV props department but even here there is inventiveness and overall a very good effort that must surely have been as much fun to make as to watch.
    5malcolmgsw

    Some good sequences in a misfire

    Marty was one of the great talents of his generation.I was a fan particularly of his writing on Round The Horne. However he didn't seem to have great success when it came to films in the UK.There are some funny sequences in this film,but as a whole it is wanting.He didn't try again here for 7 years.Incidentally it is curious that this film has a low rating but 14 out of 20 reviewers have rated this 7 or above.
    4artpf

    Meh

    Very 70's and very English. The Brits love their vicars. And the 70s loved the exploration of sex. Catchy theme song.

    There's lots of Monty Python-esque tomfoolery as well. It's a weird films. Especially the sound. It has a dubbed quality to it, almost like it was made in Japan and dubbed in English. Only it's not.

    Makes for weird viewing.

    Not a lot of nudity despite the cover art and film concept.

    The bottom line is this -- I really wanted to like this film. I'm a fan of English humor and Marty Feldman. But in the end, it's not really a good film. It will not deliver any belly laughs.

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    Centres d’intérêt connexes

    Peter Sellers in Dr. Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe (1964)
    Satire
    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Veteran actress Patience Collier plays a "Mrs. Levin" in the film, and is outrageously made up to resemble a transvestite version of the eminent journalist and broadcaster Bernard Levin, a friend of producer Ned Sherrin and one of the stars of Sherrin's most famous TV series, "That Was the Week That Was (1962)" (1962).
    • Citations

      Inga Giltenburg: [Subtitles in Swedish dream sequence] This was your first time? What did you think of it?

      Teddy Brown: It's better than open sandwiches.

    • Crédits fous
      During the opening credits, all the "by"s are replaced with "buy"s.
    • Connexions
      Featured in Funny Turns: Penelope Keith: Lady of the Manor (2000)
    • Bandes originales
      Every Home Should Have One
      (uncredited)

      Music by John Cameron (uncredited)

      Title Lyric BUY Caryl Brahms & Ned Sherrin

      Sung BUY Millicent Martin

    Meilleurs choix

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    FAQ14

    • How long is Every Home Should Have One?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 juin 1978 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Suédois
    • Aussi connu sous le nom de
      • Vous n'y résisterez pas!
    • Lieux de tournage
      • New Malden, Surrey, Angleterre, Royaume-Uni
    • Sociétés de production
      • British Lion Films
      • Example
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Mixage
      • Mono

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