Papa en a deux

This still remains in my memory as one of the funniest films ever. In that respect, it was very much ahead of it's time, certainly for 1970. A number of current and future stars were cast very cleverly (who could imagine Penelope Keith, for example, as a German lesbian, and a former mud-wrestler to boot??!!). This film poked fun at almost every aspect of the Establishment, and that is not a bad thing - but very brave at the time, I would suggest. An absolute classic, in my view.

Marty was one of the great talents of his generation.I was a fan particularly of his writing on Round The Horne. However he didn't seem to have great success when it came to films in the UK.There are some funny sequences in this film,but as a whole it is wanting.He didn't try again here for 7 years.Incidentally it is curious that this film has a low rating but 14 out of 20 reviewers have rated this 7 or above.

This is far better a film than I expected. I knew Marty Feldman would be good but I rather expected the usual British sex comedy ingredients of unfunny sequences with men (too old) falling over as they scramble towards very average looking girls (all the while squealing). Big surprise then, for this is an intelligent, inspired and inventive exercise, being very much of its time and all the better for it. The spoof TV adverts at the start threaten to overwhelm but thanks to Richard Williams' inspired animation all turns out very well and the picture is very representative of the time, with swirling graphics and sublimely surreal moments (tube of toothpaste car with dwarfs inside!). Good script with political and social satire and some funny lines. Julie Ege far, far better than one might have imagined and indeed there are more good looking girls in this than in all the rest of similar films of the period put together. There is a slightly over extended sequence towards the end in the TV props department but even here there is inventiveness and overall a very good effort that must surely have been as much fun to make as to watch.

Although a completely silly, absurd movie, Jim Clark's "Every Home Should Have One" (also called "Think Dirty") is also sort of a spoof of advertising and commercialism. Marty Feldman plays an ad exec hired to come up with a sexy way to advertise porridge. And when I say sexy, I don't mean it lightly! I mean, have you ever seen Julie Ege?!

I figure that, like "Bob & Carol & Ted & Alice", this movie was basically capitalizing on cinema's new permissiveness. Even so, there is some REALLY funny stuff here. Some scenes made me absolutely crack up. Feldman was truly showing what he would later bring to Mel Brooks's movies.

Also starring Judy Cornwell, Patrick Cargill (the police chief in "Help!"), Jack Watson, Penelope Keith and Shelley Berman.

Marty Feldman was an extremely funny and under appreciated comedian and this film is one of his funniest. You probably will remember Feldman from his Mel Brooks days in YOUNG FRANKENSTEIN and SILENT MOVIE. However, he also had two other worthwhile films to check out: THE LAST REMAKE OF BEAU GESTE (1977) and IN GOD WE TRU$T (1980). In Think Dirty, Feldman wrote the screenplay and stars to wonderful comic effect. Most of the funniest moments are sex-related and there is a brief nude scene with Julie Ege, but overall the film portrayed in a seemingly innocent tone. The basic idea of using a controversial topic (in this case sex) to sell a product is not an advertising novelty, but Feldman pulls it off with a good deal of funny moments, especially the day-dreaming sequences and the animated bits (by Richard Williams Studios of PINK PANTHER fame). I happen to disagree with Leonard Maltin's review of this film (and this is not uncommon). I would recommend this to any Monty Python fan or anyone who enjoys the Farrelly Brothers and Mel Brooks comedies today.