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Après des années à faire des films, Elvis fait un retour triomphal sur scène en 1970. Maintenant, regardez les images des coulisses des répétitions et les performances dans l'un des regards ... Tout lireAprès des années à faire des films, Elvis fait un retour triomphal sur scène en 1970. Maintenant, regardez les images des coulisses des répétitions et les performances dans l'un des regards les plus intimes d'Elvis capturés sur film.Après des années à faire des films, Elvis fait un retour triomphal sur scène en 1970. Maintenant, regardez les images des coulisses des répétitions et les performances dans l'un des regards les plus intimes d'Elvis capturés sur film.
Glen D. Hardin
- Self - Musician
- (as Glen Hardin)
Charlie Hodge
- Self - Musician
- (as Charley Hodge)
Estell Brown
- Self - Background Vocalist
- (as The Sweet Inspirations)
Sylvia Shemmell
- Self - Background Vocalist
- (as The Sweet Inspirations)
Ann Williams
- Self - Background Vocalist
- (as The Sweet Inspirations)
Roger Wiles
- Self - Background Vocalist
- (as The Imperials)
Jim Murray
- Self - Background Vocalist
- (as The Imperials)
Joe Moscheo
- Self - Background Vocalist
- (as The Imperials)
Armando Morales
- Self - Background Vocalist
- (as The Imperials)
Terry Blackwood
- Self - Background Vocalist
- (as The Imperials)
Avis à la une
The original theatrical version was drastically re-edited in 2001 to make Elvis' stage performance the core of the show, thus removing all interview footage of the crowd before the concert, etc. Also given its due importance is the various rehearsal sessions which show Elvis goofing off on occasion but clearly knowing what he wants and in complete control of the proceedings. Indeed, Elvis is in great shape both vocally and physically and in great spirits, too and the fact that he had been missing live performances during a self-imposed hiatus (a direct result of his lengthy Hollywood sojourn) is palpable. Rather ironically perhaps, among the crowd of admirers one can glimpse such Hollywood celebrities as the already retired Cary Gramt, Sammy Davis. Jr., George Hamilton and ex-Elvis co-star Juliet Prowse!
Presley clearly wanted this film to be done right because he engaged the services of a respectable director (Denis Sanders) and a great director of photography (Lucien Ballard). Personally, I found "Suspicious Minds" to be the standout performance in the concert but all the songs he performed were good ones including some pretty obscure current titles like "Patch It Up" and it was refreshing to see the old "rock'n'roll" era standards being "thrown away" in a tongue-in-cheek manner by The King one right after another. His handling of the occasional cover "You've Lost That Loving Feeling" and "Words" was also quite impeccable.
After a three-week long Elvis marathon, this is undoubtedly the best way to remember him because, watching him here, one really appreciates why the man was so loved when he was alive and why he is still so revered, missed and imitated 30 years after his death...
Presley clearly wanted this film to be done right because he engaged the services of a respectable director (Denis Sanders) and a great director of photography (Lucien Ballard). Personally, I found "Suspicious Minds" to be the standout performance in the concert but all the songs he performed were good ones including some pretty obscure current titles like "Patch It Up" and it was refreshing to see the old "rock'n'roll" era standards being "thrown away" in a tongue-in-cheek manner by The King one right after another. His handling of the occasional cover "You've Lost That Loving Feeling" and "Words" was also quite impeccable.
After a three-week long Elvis marathon, this is undoubtedly the best way to remember him because, watching him here, one really appreciates why the man was so loved when he was alive and why he is still so revered, missed and imitated 30 years after his death...
Looks to me as if the documentary reflects Elvis searching for a new direction. After all, he can't keep doing his standard R&R year after year. Hound Dog and the others undoubtedly revolutionized pop culture, making Elvis probably the most important musical performer of the last 60-years. But then styles do change. Still, it is almost painful to hear him toy with his signature songs in the Las Vegas stage act. I guess I'm still expecting 1956.
To me, his career was a tragic one, perhaps too much success too soon. Unfortunately, he never found real artistic traction after his army stint. Hollywood and Las Vegas simply sapped his creativity, and except for a couple of invigorating TV specials, his career entered a slow down- spiral, becoming finally a sad parody. Yet he remains one of pop music's great raw talents.
The documentary itself shows Elvis at ease in the jamming sessions, where he can be himself. That segment goes on a little too long, but is more revealing than the lengthy Las Vegas segment where Elvis the talent tries uncomfortably to fit into a casino stage act. To me, the act is something of a shambles, interrupted by his least little whim. Nonetheless, he's handsome as ever, still trim and slim, and looking great. Hard to say, however, what's going on with the inner Elvis since the 100-minutes manages very little of that. And that's likely the documentary's biggest failing. Nonetheless, hardcore fans should enjoy.
To me, his career was a tragic one, perhaps too much success too soon. Unfortunately, he never found real artistic traction after his army stint. Hollywood and Las Vegas simply sapped his creativity, and except for a couple of invigorating TV specials, his career entered a slow down- spiral, becoming finally a sad parody. Yet he remains one of pop music's great raw talents.
The documentary itself shows Elvis at ease in the jamming sessions, where he can be himself. That segment goes on a little too long, but is more revealing than the lengthy Las Vegas segment where Elvis the talent tries uncomfortably to fit into a casino stage act. To me, the act is something of a shambles, interrupted by his least little whim. Nonetheless, he's handsome as ever, still trim and slim, and looking great. Hard to say, however, what's going on with the inner Elvis since the 100-minutes manages very little of that. And that's likely the documentary's biggest failing. Nonetheless, hardcore fans should enjoy.
They cleaned up the print and soundtrack, got ridda interviews with the Velvet Elvis fan-clubs(the types who claim their Cats listen to the King), the array of Sammy Davis Jr. types in attendence, and put in more lost footage of Elvis jamming/rehearsing in LA with the band. There is a version of 'Get Back' that has to be heard-it medleys into 'Little Sister' and works great.
As for the Hotel Casino concert that follows-it's great, of course. He trots out the expected hits-'Heartbreak Hotel', 'Can't Help Falling in Love', 'Suspicious Minds', etc. the last a highlight along with 'In the Ghetto' and 'Polk Salad Annie'.
He is great form, both vocally, in front of the audience and with the band. Enjoyable also is the interplay between Elvis and Hardin, Scheff and Burton, a primo guitarist if there ever was one. You can also see Cissy Houston(Whitney's mom) as one of the Sweet Inspirations backing him up.
Too often Elvis the musician, singer and regular guy-as reg as he could ever be-gets shoved aside by the nightmarish late period stereotype we all know and dread. This goes a good deal towards correcting that.
*** outta ****-good show.
As for the Hotel Casino concert that follows-it's great, of course. He trots out the expected hits-'Heartbreak Hotel', 'Can't Help Falling in Love', 'Suspicious Minds', etc. the last a highlight along with 'In the Ghetto' and 'Polk Salad Annie'.
He is great form, both vocally, in front of the audience and with the band. Enjoyable also is the interplay between Elvis and Hardin, Scheff and Burton, a primo guitarist if there ever was one. You can also see Cissy Houston(Whitney's mom) as one of the Sweet Inspirations backing him up.
Too often Elvis the musician, singer and regular guy-as reg as he could ever be-gets shoved aside by the nightmarish late period stereotype we all know and dread. This goes a good deal towards correcting that.
*** outta ****-good show.
It was a heart - pounding, pulse racing, mind blowing, fast moving, breathtaking, exhilarating, overwhelming, thrilling and exciting, sensational and tremendous, wonderful and superb show with all the TCB band playing terrific along to the one and only great Elvis Presley. Elvis' 3rd Las Vegas season since he made his live concert comeback in 1969 a year after his TV comeback.
Candid footage of Elvis behind the scenes gets you closer to this really down to earth wonderful human being and this is the real Elvis looking his best. 7 years before he died and extremely thin and fit and powerful. Dominating the film this is a great show for all people and it is certainly something to watch if you want to learn something about The one true King - Elvis Presley.
Candid footage of Elvis behind the scenes gets you closer to this really down to earth wonderful human being and this is the real Elvis looking his best. 7 years before he died and extremely thin and fit and powerful. Dominating the film this is a great show for all people and it is certainly something to watch if you want to learn something about The one true King - Elvis Presley.
8rbrb
Make no mistake this film is compelling.
It is a documentary.
Set in 1970 with Elvis preparing for his forthcoming Los Vegas shows. There can be no doubt that he is one of the most sexually appealing and charismatic performers in history.
Elvis is an Icon and what impresses me is that he had so much talent and that is revealed in this movie.Talented too are the band and backing singers and the others who aided his performances.
The sexual chemistry which connected him to his fans is unparalleled in show business history and this movie shows why.
8/10
It is a documentary.
Set in 1970 with Elvis preparing for his forthcoming Los Vegas shows. There can be no doubt that he is one of the most sexually appealing and charismatic performers in history.
Elvis is an Icon and what impresses me is that he had so much talent and that is revealed in this movie.Talented too are the band and backing singers and the others who aided his performances.
The sexual chemistry which connected him to his fans is unparalleled in show business history and this movie shows why.
8/10
Le saviez-vous
- AnecdotesFootage of the party held in Elvis Presley's suite after his August 10th, 1970 opening show finds him in the company of Sammy Davis Jr., Cary Grant, Kenny Rogers, and Roman Polanski.
- Citations
Elvis Presley: If the songs don't go over, we can do a medley of costumes.
- Crédits fousThe end credits showed Elvis greeting people backstage following the show.
- Versions alternativesIn 2001, a new version of That's the Way it Is was compiled. The new version eliminated much of the documentary and non-Elvis content of the original in favor of adding additional performances of Elvis rehearsing and in concert. The final film runs 12 minutes shorter than the original, but contains more music, although several performances included in the original film are omitted (most notably the concert performance of "I Just Can't Help Believin'", even though the new version of the film features footage of Presley rehearsing the song and being concerned about remembering its lyrics on stage). The special edition was released on January 19, 2001, when this new version made its worldwide debut on the cable network Turner Classic Movies, and was produced by award-winning producer Rick Schmidlin. In August 2007 a two-disc DVD "special edition" was released by Warner/Turner that has both the reworked version plus the original cut. The original, however, has only a mono soundtrack (it was made with four-track stereo). The DVD also includes approximately 35 minutes of additional performances and other footage that was not included in either edition.
- ConnexionsEdited into Elvis: The Lost Performances (1992)
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- How long is Elvis: That's the Way It Is?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Elvis: That's the Way It Is
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 34 301 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- 4-Track Stereo(original version)
- Rapport de forme
- 2.35 : 1
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