Photo interdite d'une bourgeoise

This film is rather unusual for a giallo. It's well-filmed but not particularly stylized. The plot is rather strange, but generally makes sense. It has no graphic violence, and although it has plenty of perverse sexual situations, it barely has even the circumspect nudity of the earliest Caroll Baker gialli ("Sweet Body of Deborah", "Orgasmo", etc.). A society woman (played by Dagmar Lassender) is nearly raped on the beach by a sinister man who tells her that her industrialist husband has murdered one of his colleagues. The man blackmails her into sleeping with him by threatening to expose her husband, and then blackmails her again with graphic photos of their affair. The husband meanwhile is himself involved with her sexually voracious best friend (played by Nieves Navarro aka Susan Scott), and the whole thing might be some kind of plot to drive her mad.

This movie works mainly because of the acting. Dagmar Lassander was one of the better actresses to appear in gialli, second only to Edwige Fenech and the aforementioned Carroll Baker at playing these hysterical, beleaguered victim roles. Even better is Nieves Navarro as her sex-hungry best friend who has pornographic pictures taken of herself and says at one point, after Lassender's character confides about her near rape, that she would have "adored being violated" (there's a kind of refreshingly politically incorrectness to the ridiculous dubbed dialogue of these movies). She is such a dubious and ambiguous character that even at the end it is not clear whether she is a loyal friend to the protagonist or an unexposed villain.

The director, Luciano Ercoli, is the Italian husband of former Spanish model Navarro. He made several other gialli, all featuring his wife, but this is probably the one where he made the best use of her. He is no Dario Argento or even Sergio Martino, but his direction is certainly adequate. The screenwriter, Ernesto Gastaldi, contributed scripts for any number of these pictures and he puts forth a pretty decent and suspenseful one here. This movie is kind of hard to find right now, but it is worth seeing if you like these kind of movies.

This is a slightly unusual giallo. In fact, it is debatable whether it is actually a giallo at all, as there is no knife-wielding black-gloved assassin and there are no murders to speak of. Strictly speaking, this is a mystery movie with a giallo feel. The gialloesque elements come in the form of an eye-catching title, stylish camera-work, great interior decor, a Morricone score, a convoluted mystery, sleazy undertones and the usual quota of beautiful looking women and hideous looking men. In other words, its great fun. The cast is very small, including giallo regular Pier Paolo Capponi, but the undoubted stars of the show are the leading ladies. Both Dagmar Lassandar and Susan Scott look very alike, and this is no bad thing as they are both stunning. Susan Scott is particularly effective here, she has a great screen presence and truly shines in this film - it really is hard to take your eyes off her. The Morricone score is pretty varied, from dreamy lounge to cheesy Euro-pop. It isn't necessarily one of his better soundtracks but it certainly has kitsch value. There is also some incredibly un-PC dialogue and the plot itself is not exactly coming at us from a feminist angle! However, this is to be expected from a 70s giallo movie and its one of the reasons why we love them. They are time-capsules of a different era. I would recommend this film for giallo completists and lovers of obscure Italian movies. Its unusual and camp fun. But if you are expecting an Argentoesque violent thriller you may be best served looking elsewhere.

The dull Minou (Dagmar Lassander) is spending a couple of days in her house nearby the beach. When she goes to a restaurant to have dinner, she is harassed by a stranger (Simon Andreu) riding a motorcycle that tells that her husband has killed a business investor. Minou calls her husband Pier (Pier Paolo Capponi) and they return home. Pier is a businessman near bankruptcy and former lover of Minou's best friend Dominique (Susan Scott). Soon Minou receives a phone call of the stranger that tells that he has a tape of Pier killing an investor. He proposes to trade the tape for kinky sex with her, and Minou accepts the proposal to protect Pier. But soon she learns that she was victim of a scheme and Pier did not kill the investor. Further, the stranger now has photos of their sex and blackmails her, and she confides everything to Dominique. What will they do?

"Le foto proibite di una signora per bene", a.k.a. "The Forbidden Photos of a Lady Above Suspicion", is a flawed and erotic thriller with a great plot point in the end. The actresses are extremely sexy and gorgeous, and the erotic tension is kept along the story. However, their characters are silly and shallow. The story has many flaws to misguide the viewer, but the final twist is unexpected. My vote is seven.

Title (Brazil): "Fotos Proibidas" ("Forbidden Photos")

This unusual giallo starring Dagmar Lassander (Hatchet for the Honeymoon- The House by the Cemetery) and Susan Scott (Death Walks at Midnight- Emanuelle and the Last Cannibals) is one of the best of the genre! The movie follows a middle age married woman (Minou) who is almost raped by a psycho inform her that her husband is a murderer. The madman blackmails Minou into sleeping with him. A few days later she receives a letter with photos of her and the blackmailer in bed together! The movie is unusual to the giallo as it doesn't have violent murders or explicit nudity. Instead, director Luciano Ercoli (Death Walks on High Heels- Death Walks at Midnight) give us an interesting story, a lot of style, wonderful Ennio Morricone score, and great acting by the four leads in a film that will keep you interested till the end .

Very recommended if you are into the wonderful world of giallo. 9/10.

Ever after giallo writer Ernesto Gastaldi teams up with producer-director Luciano Ercoli for this Forbidden Photos... Set in 1970, this early giallo is nicely shot in Techniscope. No murders, just plain old blackmail story and some shy eroticism. Sultry Dagmar Lassander is at her best and Susan Scott is also fab as the devious friend.

The plot is totally implausible but the suspense works til the end...

It's always surprising to see in these 70's gialli how the women look incredibly sexy and how the men are all ugly...projections of the writers/directors fantasies, maybe? Anyhoo... not boring at all, funny at some point -check out the dresses and the hats, it's a blast!-, not necessary but worth a look.