Attaque au Cheyenne Club

Fun Western comedy with two-towering actors and bemusing situations that happen when an upright cowboy after the death of his brother receives an unusual legacy : The Cheyenne social club and he along with another friend from Texas go to the location . Agreeable film about two nice cowpunchers plenty of humor , thrills and stunning performances . "John", a honest cowpuncher (James Stewart) to which accompanies his inseparable friend "Sullivan" (Henry Fonda), another cowboy from Texas who are longly friends from 10 years ago , at the prospect of inheritance they decide to go in search of the business of his deceased brother . At the long trek takes place some amusing exchange of dialogs among them . After that , they discover the truth as the Club results to be the town's bawdy brothel plenty of joyful girls ( Shirley Jones , Sue Ane Langdon , Elaine Devry as sexpots of bordello) with a great tradition in the region. As Stewart increasing involvement with luscious employees and Fonda helps to operate the bordello . Meanwhile there appears the assortment of bad guys (Robert J Wilke , Charles Tyner) who force shoot'em up on them.

Gentle entertainment about a bordello in the Old West with two masters of the performance , James Stewart and Henry Fonda , they are magnificent experts in the art of conjuring laughs of nothing , here are reunited in this atypical but amusing western with a lot of jokes , undistinguished moments and comical attitudes , in addition a multitude of absurd situations. Fun screenplay by James Lee Barret , Western's ordinary , though clichés run through-out , the enjoyable story is enhanced for amusing moments developed among main characters and especially on the relationship between James Stewart and Henry Fonda. The stellar cast is accompanied by some secondary actors very good as Shirley Jones , Robert J Wilke , Robert Middleton , John Dehner and Charles Tyner .

It also appreciates a good production design and colorful cinematography in Panavision by William H. Clothier , John Ford's usual .It's a movie highly desirable to spend 103 fun minutes professionally directed by Gene Kelly, an expert dancer and choreographer . Kelly dares to lead this western with acceptable results, and offers us here an entertaining comedy without major skills , but should to make it more dynamic . He directed some films as "Singing in the Rain" , ¨On the town¨ , co-directed by Stanley Donen , and ¨Invitation to the dance¨, ¨Hello Dolly¨ , ¨Guide of married men ¨ , ¨ Cheyenne Social Club turns out to be his only Western . It's a minor and thin effort and is beneath this great trio Fonda-Stewart-Kelly . An object of lesson by old masters who will appeal his fans .

This is a great comedy western without being stupid satire and is nothing like Blazing Saddles by Mel Brooks. I personally hate satire on a high level. This is a hilarious movie with a great cast of characters. I first saw this movie when I was very young. But to ensure before I rated that I didn't remember this movie as funny just because I was a kid. I recently viewed it again. I am 44 and thing it is hilarious. I enjoy mostly serious westerns but also love comedic westerns when they are done well. Other good movies are Maverick, Support Your Local Sheriff, Support Your Local Gunfighter and John Wayne's "McClintock". So if you don't like any westerns that have comedy then this will not be for you. Perhaps you just go more for gritty reality such as Tombstone, Wyatt Earp, Unforgiven or classics such as True Grit and The Outlaw Josey Wales. But if you enjoy a laugh without being stupid satire you will like this movie. I am assuming that is why the reviews that have been written were mostly negative.

"The Cheyenne Social Club" is a delightful easy going comedy western produced and directed by screen legend Gene Kelly. Given the subject matter, Kelly manages to stick handle around the double entendres and present a comedy that is tastefully done and probably offended no one.

Two drifters, John O'Hanlan (James Stewart) and Harley Sullivan (Henry Fonda) are working cattle in Texas. One day O'Hanlan receives a letter informing him that he has inherited some property in Cheyenne, Wyoming. So he and Harley set out for Cheyenne.

When they arrive, they discover that the property that O'Hanlan has inherits is a bawdy house known as The Cheyenne Social Club. They meet the "Madame", Jennie (Shirley Jones) and the rest of the girls, Opal Ann (Sue Ann Langdon), Pauline (Elaine Divry), Carrie Virginia (Jackie Russell), Annie Jo (Jackie Joseph) and Sara Jean (Sharon DeBord).

O'Hanlan at first is hailed as a saviour by the townsfolk. He is given carte blanche at the local saloon by the Barkeep (Robert Middleton) and becomes the most popular man in town. Harley meanwhile has struck up a friendship with another saloon girl Alice (Jean Willes) after he stops her runaway horse.

O'Hanlan is uncomfortable with the kind of business he's in and announces that he is closing up the Social Club while he ponders his next move. Well, the townsfolk don't take too kindly to this and turn against him. In particular he runs afoul of bully Corey Bannister (Robert J. Wilke).

When Jennie is beat up by Bannister, O'Hanlan comes to her aid. With some unexpected help from Harley, he manages to gun down Bannister. The local Marshal (Arch Johnson) warns O'Hanlon that Bannister's relatives will surely come after him. Harley decides to return to Texas. On the trail he meets the Bannisters led by "Uncle" Charlie (Charles Tyner) who are heading to Cheyenne.

Only O'Hanlon is left to defend the Social Club and its girls. But then........................

Stewart and Fonda had been friends since the 1930s and play well off of each other. As a contrast, takes a look at "Firecreek" which they made two years earlier for two completely different performances. Both had done light comedy before so were able to play these roles convincingly. They even get to "sing" a song on the trail (good thing they didn't quit their day jobs).

The film is made even better with its fine supporting cast. In addition to those already mentioned there is Dabbs Greer as Lawyer Willowby, J.Pat O'Malley as a fast talking drummer and John Dehner, Jason Wingreen, Myron Healey and Hal Baylor in other roles.

Great entertainment.

My lasting memory from seeing this film in a large screen theater in 1970 is the opening scene: Fonda and Stewart at work on a snowy range with other cowboys before Stewart gets notified of his inheritance.

I don't think the film made much money upon initial release, but when it was shown on US network television in the late seventies, it was the number one telecast for the week. Back in those pre multi cable days, I'm sure some grasping producer (Glenn Larson type) was contemplating a pilot for a few weeks.

Cowboy James Stewart gets a letter that's followed him through many jobs for almost two years. It seems as though his prosperous brother from Cheyenne died and left him a going business, something called The Cheyenne Social Club. So Stewart quits his job in Texas and rides to Cheyenne to claim his inheritance and saddle pal Henry Fonda goes along for the ride.

The Cheyenne Social Club rises and falls on the chemistry between its two stars and this one rises like the lightest of angel food cake. The two movie icons and best friends from Princeton days are so perfectly cast it's a shame they didn't make a sequel and have some further adventures.

No doubt also these two helped director Gene Kelly over the rough patches in a movie genre he really wasn't familiar with. Kelly was wise enough to cast the film with a whole lot of players familiar with the western genre. And he was wise enough to give all these people their head and they don't let him down.

It turns out that The Cheyenne Social Club is a bordello under the temporary management of Shirley Jones. It's quite an institution in Cheyenne, but it doesn't quite seem right for Stewart, something a working cowboy can enjoy, but not live off. Of course his friend Fonda seems to have settled down quite nicely there.

Fonda's part could have been the great grandfather of the character he played in The Rounders. Apparently whatever suits Stewart just tickles Fonda plumb to death.

Best moment in the film is when Jimmy Stewart gets the best of bad guy Robert J. Wilke in a gunfight after he beats up Shirley Jones. Of course it's with the help of Fonda and a noisy pecan. Has to be seen to be appreciated.

This was James Stewart's last starring western and a great one to go out on as well.