Attaque au Cheyenne Club

"The Cheyenne Social Club" is a delightful easy going comedy western produced and directed by screen legend Gene Kelly. Given the subject matter, Kelly manages to stick handle around the double entendres and present a comedy that is tastefully done and probably offended no one.

Two drifters, John O'Hanlan (James Stewart) and Harley Sullivan (Henry Fonda) are working cattle in Texas. One day O'Hanlan receives a letter informing him that he has inherited some property in Cheyenne, Wyoming. So he and Harley set out for Cheyenne.

When they arrive, they discover that the property that O'Hanlan has inherits is a bawdy house known as The Cheyenne Social Club. They meet the "Madame", Jennie (Shirley Jones) and the rest of the girls, Opal Ann (Sue Ann Langdon), Pauline (Elaine Divry), Carrie Virginia (Jackie Russell), Annie Jo (Jackie Joseph) and Sara Jean (Sharon DeBord).

O'Hanlan at first is hailed as a saviour by the townsfolk. He is given carte blanche at the local saloon by the Barkeep (Robert Middleton) and becomes the most popular man in town. Harley meanwhile has struck up a friendship with another saloon girl Alice (Jean Willes) after he stops her runaway horse.

O'Hanlan is uncomfortable with the kind of business he's in and announces that he is closing up the Social Club while he ponders his next move. Well, the townsfolk don't take too kindly to this and turn against him. In particular he runs afoul of bully Corey Bannister (Robert J. Wilke).

When Jennie is beat up by Bannister, O'Hanlan comes to her aid. With some unexpected help from Harley, he manages to gun down Bannister. The local Marshal (Arch Johnson) warns O'Hanlon that Bannister's relatives will surely come after him. Harley decides to return to Texas. On the trail he meets the Bannisters led by "Uncle" Charlie (Charles Tyner) who are heading to Cheyenne.

Only O'Hanlon is left to defend the Social Club and its girls. But then........................

Stewart and Fonda had been friends since the 1930s and play well off of each other. As a contrast, takes a look at "Firecreek" which they made two years earlier for two completely different performances. Both had done light comedy before so were able to play these roles convincingly. They even get to "sing" a song on the trail (good thing they didn't quit their day jobs).

The film is made even better with its fine supporting cast. In addition to those already mentioned there is Dabbs Greer as Lawyer Willowby, J.Pat O'Malley as a fast talking drummer and John Dehner, Jason Wingreen, Myron Healey and Hal Baylor in other roles.

Great entertainment.

After many years in the military, seeing few movies, I am still catching up on old flicks thanks to videos. Discovering Cheyenne SC is worth all my efforts. Cliches and all, it is a pleasure to watch the interaction of these two old "pros," Stewart and Fonda, and the superb supporting cast. I view this film often and laugh each time. I live close to the Eaves Ranch set, which I understand was built or expanded primarily for Cheyenne SC and where most of the movie was filmed. The set has changed some and the water tower was demolished a couple years ago. There is a piece of RR track and a couple livestock cars there, and the town buildings still exist, having been used for dozens of other movies since "Cheyenne SC" including "Silverado" and "Wyatt Earp." Unfortunately the owner/builder of the set Mr. J.W. Eaves just passed away on August 8 this year.(2001) A memorial service was held at his movie town.

Cowboy James Stewart gets a letter that's followed him through many jobs for almost two years. It seems as though his prosperous brother from Cheyenne died and left him a going business, something called The Cheyenne Social Club. So Stewart quits his job in Texas and rides to Cheyenne to claim his inheritance and saddle pal Henry Fonda goes along for the ride.

The Cheyenne Social Club rises and falls on the chemistry between its two stars and this one rises like the lightest of angel food cake. The two movie icons and best friends from Princeton days are so perfectly cast it's a shame they didn't make a sequel and have some further adventures.

No doubt also these two helped director Gene Kelly over the rough patches in a movie genre he really wasn't familiar with. Kelly was wise enough to cast the film with a whole lot of players familiar with the western genre. And he was wise enough to give all these people their head and they don't let him down.

It turns out that The Cheyenne Social Club is a bordello under the temporary management of Shirley Jones. It's quite an institution in Cheyenne, but it doesn't quite seem right for Stewart, something a working cowboy can enjoy, but not live off. Of course his friend Fonda seems to have settled down quite nicely there.

Fonda's part could have been the great grandfather of the character he played in The Rounders. Apparently whatever suits Stewart just tickles Fonda plumb to death.

Best moment in the film is when Jimmy Stewart gets the best of bad guy Robert J. Wilke in a gunfight after he beats up Shirley Jones. Of course it's with the help of Fonda and a noisy pecan. Has to be seen to be appreciated.

This was James Stewart's last starring western and a great one to go out on as well.

Next to "El Dorado", this is my favorite western. It is fun from start to finish. Best friends in real life play best friends on the Texas panhandle. Jimmy Stewart (John) and Henry Ford (Harley) have been "riding together" for 10 years when John receives a letter from a lawyer in Cheyenne.

With John and Harley being drifters, it has taken the letter two years to catch up to them. John is told his older brother DJ has died and left him a thriving business in Wyoming; The Cheyenne Social Club. Always wanting to be a "Man of Property", John packs up and heads to Cheyenne with Harley in tow (even though neither man knows exactly why Harley feels the need to tag along everywhere John goes).

Both John and Harley are salt-of-the-earth people. Harley has a passion for pecans and John cannot wait to claim his inheritance and become a Republican. The wagon wheel comes off when John realizes the Cheyenne Social Club is actually an high end, upscale brothel. The ladies who live in the equisitly furnished house are the cream of the crop, expecting nothing but the best from themselves and their clientelle. When John pops into the picture, the ladies fancy him a hero although John has plans to turn the house into a legitimate business.

The casting and directing of this film is perfectly done. Shirley Jones is the Madam of the house and all the ladies cast give prostitutes a fine name. Gene Kelly (yes that Gene Kelly) directs this enjoyably light fare with a smooth touch.

Why this was not made into a series of movies, I'll never know. There could have been 2 sequels based on the strength of the cast's chemistry alone. If an attempt to remake this wonderful film is ever undertaken, it's success or failure will rely on the casting. Like "Fun with Dick and Jane" and "Bewitched", the wrong combination of actors can kill a great storyline.

This is a 9 out of 10 stars. It must be viewed the first time over a dinner of steak and beer with a room full of friends and the sweet smell of perfume in the air.

No matter how many movies teamed Jimmy Stewart and Henry Fonda, it was not enough. Gene Kelly directs the pair here in a simple story of long-time friendship in the Old West, familiar ground, sure, but a story that always brings a smile to my face.

When John O'Hanlan (Stewart) discovers that his long lost brother has died, he's surprised to find that he has inherited a business. Enthusiastically he crosses the country from Texas to Cheyenne to become ‘a man of property', just what he's always wanted.

But the Cheyenne Social Club, his business, is a brothel. The premiere brothel in this boom town, sure, but that's not exactly what O'Hanlan had in mind. Thankfully his riding partner Harley Sullivan (Fonda) has tagged along, Harley may have his own point of view on most things, but he does smooth out many of the rough spots they encounter along the way.

Story is predictable, the climax is anti-climatic, but, who cares when you get to see these on-screen buddies in a buddy movie defined.