Wu hu tu long

A great tale of good against evil with lots of chop sake along the way. It's just a great tale it really is. I think people should really enjoy this film.

The plot idea for "Brothers Five" is not at all unusual for a martial arts film. The old leader of the Flying Dragons is murdered and his five sons all return years later to exact revenge. Now here's the weird part--the five were all raised separately, know nothing of each other AND all arrive at almost the exact same time to fight the baddie and his hundreds of minions! Not surprisingly, the film consists of battle after battle--so much swordplay that after a while it all is a bit tiresome--even if the fights are well choreographed and have tons of realistic blood. And, while the baddies are all obliging enough to attack one at a time, the film does still feature some of the best fighting you'll find in a Shaw Brothers film.

So do I recommend it? Well, it all depends. If you haven't seen tons of martial arts films, you'll no doubt enjoy "Brothers Five". However, if you've already seen a lot, the film is just too familiar to make it a must-see. I liked it, but it was definitely a case of been there/done that.

BROTHERS FIVE (1970) is a well-made Shaw Bros. swordplay mini-epic with top-ranked action performers on both the hero and villain sides and a steady stream of large-scale fight scenes. The plot is a simple straightforward affair of five brothers being reunited for the first time since childhood and then schooled for a mission of revenge against the villain who killed their father and took over his property. If you're looking for deep emotional subtext and fraternal conflict and tension, there are plenty of Chang Cheh films to choose from (VENGEANCE, THE HEROIC ONES, THE DUEL, BLOOD BROTHERS, etc.). If you just want one solid weapons battle after another, with clearly marked good guys and bad buys, then this is the one for you.

Cheng Pei Pei (COME DRINK WITH ME, GOLDEN SWALLOW, THE SHADOW WHIP) plays Miss Yan, the swordswoman whose father was an ally of the brothers' father and has now made it her life's work to find the brothers, bring them together and prepare them for their mission by teaching techniques from the "Five Tigers with One Heart" kung fu manual, the only copy of which is in her possession. Three of the brothers are played by genre stalwarts Yueh Hua (COME DRINK WITH ME), Chang Yi (BELLS OF DEATH), and Lo Lieh (FIVE FINGERS OF DEATH), while the other two are played by Chin Han (LADY GENERAL HUA MULAN), and Kao Yuan (THE JADE FACED ASSASSIN). Each uses a different weapon in battle, with Yueh Hua favoring a metal ring with sharp edges that doubles as a hat, Lo Lieh wielding a black whip, and Chin Han swinging a blacksmith's hammer, to name three. The villains, led by the formidable trio of Tien Feng, Wang Hsieh, and Ku Feng, also have unusual weapons.

What makes this film stand out from so many similar Shaw Bros. swordplay adventures, including several from the same director (Lo Wei), is the high quality of the action staging, which is credited to Hsu Erh Niu (aka Simon Hsu, aka Simon Chui) and Chu Yuan Lung (aka Sammo Hung). The fight scenes are generally shot in long, unbroken takes in medium long shot, with the camera following the performers as they move so we can see the action in full frame for an extended period. This means the actors have to work a lot harder than usual and master a succession of intricate moves to complete one shot. Most of these scenes are shot outdoors in bright daylight with the others shot in large, well-lit interior sets. On the Blu-ray edition of this film, released by Well Go USA, these scenes are quite beautiful to behold. This is the way martial arts action should be shot.

Simon Hsu did action scenes for quite a number of Shaw films from 1969-1976, including some others I've reviewed here: HEADS FOR SALE, THE YOUNG AVENGER, BLACK TAVERN, AMBUSH and THE DRAGON MISSILE. Sammo Hung had worked with Hsu on MAD, MAD SWORD at Cathay and staged action scenes for a couple of other films at Shaw before moving on to Golden Harvest, where he devoted the bulk of his efforts in the '70s, and becoming a major star and director of kung fu films in his own right by the end of the decade. In BROTHERS FIVE, Hung appears in one extended fight scene as a security officer guarding a shipment of money for one of the brothers and gets to show how agile and athletic he was for a man his size. It's just one of the many distinct pleasures this film has to offer.

To me this movie serves as a demonstration of how the lowly often uncredited stuntman made films like this possible. Now Chang Yi, Yueh Hua and Cheng Pei Pei certainly do some impressive 12-16 without a cut series of moves throughout the film. That's Chang Yi and not a stuntman going through the wall and leaping unassisted atop the table. Focus on the fight when the three first attack Flying Dragon headquarters. Initially Tien Feng comes out to fight each one. These are all one or two moves then cut. That's because it's actor against actor. Next all you see is Tien Feng's back because it's a stuntman. Now the cuts with Pei Pei and the rest are 12-16 moves again. I really believe a good stuntman and fight choreographer could make my grandma look as good as any of the Five Venoms. Back to the movie - I encourage all fans of this genre if you have not already seen it to go buy a legitimate copy because you will enjoy it and enjoy it again. Read the other reviews here too - all excellent reviews unlike my humble attempt.