And Soon the Darkness

you won't be disappointed. The set-up is very slow and plodding, but the last hour is one of the most atmospheric and tense I've ever seen. I really felt for Jane after she loses her friend while on a biking holiday in France. I was annoyed at first, but then glad, that there are no sub-titles for the French speaking people. Jane doesn't speak French well either, so her helplessness and frustration translated to me extremely well. I felt her situation was very real. The story keeps you guessing about who to trust and who not to trust. Also, the whole movie takes place in one day during the daytime, so the title takes on extra meaning as Jane tries to find the truth. As darkness approaches, she loses more and more hope her friend is alive. Its really cool. I give it 8 out of 10.

I first saw this film in the mid 70's one night when I was babysitting.I found it thrilling and deliciously scary.There's something very natural about the girls performances.A shame Pamela Franklin retired from acting some years ago. Great to see it on DVD.Have to get a copy!.It pops up now and then on late night tv.Well worth a look.

Very menacing atmosphere throughout. The two girls, Franklin and Dotrice look wonderfully vulnerable and add a sexual frisson to the film. The pace is leisurely and the lack of subtitles deliberately enhances the confusion and sheer terror that is building up in Jane's mind. Sadly unavailable on this side of the world but thank God for Region 1 DVDs.

7/10

Writers Brian Clemens & Terry Nation and director Robert Fuest prove that this kind of movie need not take place at night in order to be scary. This is about as good as a daytime suspense flick could be.

Pamela Franklin and Michele Dotrice play young nurses on vacation in France who are riding their bicycles through the country. Things go very bad when, after a fight, Franklin pedals off and leaves Dotrice on her own, after which Dotrice disappears from sight. A stranger (Sandor Eles) offers to help Franklin, but she'll have her doubts about him, just as she will about most other characters.

It's a bold move for the filmmakers to have no subtitles for the French dialogue, and it works in important ways: it stresses Franklin's vulnerability and frustration, and ensures that we in the audience are *not* two steps ahead of her the entire time. The desolate rural locations, while beautiful in their way, also help to create that sense of helplessness. There are long distances between towns, and the fields seem to go on forever. Laurie Johnson's music is used sparingly, and other than a bouncy main title theme that doesn't seem appropriate for a film of this type, it helps to set the mood. That said, Fuest, Clemens, and company know when the movie is in no need for music, as a key suspense sequence takes place largely in silence.

The tension here is palpable; in fact, after something of a slow start, things just get creepier and creepier and poor Franklin, who's absolutely winning in the role of the desperate young protagonist, comes to feel that she may not be able to trust anyone. One particularly great moment has Franklin conversing with a roadside café proprietress (Hana Maria Pravda), who manages to find the two correct English words for what she means to say, "bad road", and when she utters these words it sends chills up the spine; we then know that this area is fraught with danger. We find out that there'd already been a murder some years ago.

Good supporting performances by John Nettleton as the Gendarme, Clare Kelly as the schoolmistress, and Pravda greatly aid in the telling of this story, which delivers a nail biting climax and which in the end has a cyclical quality. It's good stuff, and worthy of discovery or rediscovery.

Seven out of 10.

I remember seeing this on late night television years ago, and had very fond memories of it. Recently i caught up with it on dvd, and found that my memory had not let me down. Every aspect of this film demonstrates film making talent of the very highest order. The script is superb, keeping you guessing right up to the end. The acting of the leads is faultless, but the icing on the cake is the amazing direction by Fuest. He manages to turn the open, sunny, French countryside into a nightmare landscape. Gradually cranking up the tension, alienation, and paranoia with the skill of a master. He really should have been a massively successful director. Pure craftsmanship, with a very creepy edge.