Ajouter une intrigue dans votre langueA New Mexico deputy marshal gets assigned to Manhattan's 27th Precinct.A New Mexico deputy marshal gets assigned to Manhattan's 27th Precinct.A New Mexico deputy marshal gets assigned to Manhattan's 27th Precinct.
- Nommé pour 6 Primetime Emmys
- 1 victoire et 10 nominations au total
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I remember watching McCloud all those years ago. It was comfort TV, and had an aw shucks to it with McCloud's persona. Like a fish out of water in the Big Apple. I sometimes wondered how he covered rental costs but never mind, the episodes were entertaining and was kind of an antidote to The French Connection.
McCloud is a good 70's police show. It is never really serious, and McCloud always drives chief Clifford crazy in almost every episode, JD Cannon (the Chief) adds some humor to the show. This is a great show to see famous old time TV and Movie stars make guest appearances. One can also see many stars when they were young and just starting out, example Terri Garr, and Weekend at Bernie's Terry Kizer. I rate this show a 9/10. See it for fun.
When the Mystery Movies started on NBC, the viewer was treated to a set of rotating series, including the great Columbo, the fresh MacMillan & Wife, the unusual Hec Ramsey, the very 70s Banacek, to name a few. And then there was this fish-out-of-water series about a New Mexican lawman working in the Big Apple, and it was cool, very fun and enjoyable.
Having never seen Coogan's Bluff, I had no comparison points and so took the program on its own merits. The cast was excellent. Lanky, likable Dennis Weaver wore Marshall Sam McCloud like a second skin, and because he'd been in Westerns, was believable as the cowboy cop; his riding and gun-handling skills appeared very natural, and he was also good at fight scenes. Short-fused police Chief Peter B. Clifford was his foil, adeptly portrayed by veteran actor J. D. Cannon. These two formed the main dynamic conflict for the programs. They were supported by a good cast of characters that included long-suffering Sergeant Joe Broadhurst(Terry Carter), a lovely reporter in love with Sam named Chris Coughlin(Diana Muldaur), and a changing roster of cops(including a delightful turn by Teri Garr as Sergeant Phyllis Norton).
The writing was decent, and the episodes where McCloud went even further afield to places like Australia, Paris and Hawaii were great. The chemistry of the cast was never flat, and there did slowly build in the cranky Chief Clifford a grudging respect for McCloud's unconventional approach to police investigation. When stuck in Hawaii on a trumped-up murder charge, Clifford is almost even glad that McCloud is there with him...almost.
Unlike some of the other shows that aired in the NBC Mystery Movies, this one has not grown stale or appears too dated, much like Columbo. Yes, it was at times formulaic, but the formula was appealing and easy to enjoy, and the main character less grating than some from that same time period. It wasn't as dated as Banacek or as silly as the Snoop Sisters, but like Columbo and McMillan & Wife, has aged gracefully and is still a fun ride, you betcha.
Having never seen Coogan's Bluff, I had no comparison points and so took the program on its own merits. The cast was excellent. Lanky, likable Dennis Weaver wore Marshall Sam McCloud like a second skin, and because he'd been in Westerns, was believable as the cowboy cop; his riding and gun-handling skills appeared very natural, and he was also good at fight scenes. Short-fused police Chief Peter B. Clifford was his foil, adeptly portrayed by veteran actor J. D. Cannon. These two formed the main dynamic conflict for the programs. They were supported by a good cast of characters that included long-suffering Sergeant Joe Broadhurst(Terry Carter), a lovely reporter in love with Sam named Chris Coughlin(Diana Muldaur), and a changing roster of cops(including a delightful turn by Teri Garr as Sergeant Phyllis Norton).
The writing was decent, and the episodes where McCloud went even further afield to places like Australia, Paris and Hawaii were great. The chemistry of the cast was never flat, and there did slowly build in the cranky Chief Clifford a grudging respect for McCloud's unconventional approach to police investigation. When stuck in Hawaii on a trumped-up murder charge, Clifford is almost even glad that McCloud is there with him...almost.
Unlike some of the other shows that aired in the NBC Mystery Movies, this one has not grown stale or appears too dated, much like Columbo. Yes, it was at times formulaic, but the formula was appealing and easy to enjoy, and the main character less grating than some from that same time period. It wasn't as dated as Banacek or as silly as the Snoop Sisters, but like Columbo and McMillan & Wife, has aged gracefully and is still a fun ride, you betcha.
In "Coogan's Bluff," the movie that led to "McCloud," Clint Eastwood's Coogan came to New York to capture a villain, did so, and went back to New Mexico. Obviously this wasn't going to do for the series, so Sam McCloud was sent to New York to study how they did things in the Big Apple... and then proceeded to ignore them and do things his way.
Like practically every cop in the history of television, his boss didn't like his methods and would have loved to be rid of him (McCloud actually did grant his wish in one episode when he resigned, but needless to say he came back), but our horse-riding hero got results. Of course, it didn't hurt that his sort-of girlfriend was the Commissioner's cousin... it's what you know and who you know that counts.
So it went for seven years, first as part of "Four-in-One" (an hour-long revolving series with four instalments) then as part of the "NBC Mystery Movie" until its demise; the series had plenty of comedy (McCloud, trying to land a plane: "The big hand is on 3, the little hand is on 4!" Clifford: "You're looking at the clock, McCloud!") but it wisely took its central premise seriously, never going out of its way to be quirky a la "due South" - McCloud going horse riding down the streets notwithstanding. Dennis Weaver's had other series after this, but we're not going to remember him for "Stone" (and certainly not for the snooze-inducing "Buck James"); it'll be for "Gunsmoke," "Gentle Ben," and for (relatively) younger audiences Deputy Marshal Sam McCloud.
"There you go..."
Like practically every cop in the history of television, his boss didn't like his methods and would have loved to be rid of him (McCloud actually did grant his wish in one episode when he resigned, but needless to say he came back), but our horse-riding hero got results. Of course, it didn't hurt that his sort-of girlfriend was the Commissioner's cousin... it's what you know and who you know that counts.
So it went for seven years, first as part of "Four-in-One" (an hour-long revolving series with four instalments) then as part of the "NBC Mystery Movie" until its demise; the series had plenty of comedy (McCloud, trying to land a plane: "The big hand is on 3, the little hand is on 4!" Clifford: "You're looking at the clock, McCloud!") but it wisely took its central premise seriously, never going out of its way to be quirky a la "due South" - McCloud going horse riding down the streets notwithstanding. Dennis Weaver's had other series after this, but we're not going to remember him for "Stone" (and certainly not for the snooze-inducing "Buck James"); it'll be for "Gunsmoke," "Gentle Ben," and for (relatively) younger audiences Deputy Marshal Sam McCloud.
"There you go..."
I miss the NBC Mystery Movie, which gave us Columbo, McMillan and Wife, McCloud, and several shows that didn't make it. McCloud deservedly was a show that lasted. It starred Dennis Weaver who, after his big success as Chester on "Gunsmoke" proved that he wasn't one to be typecast. He was terrific as McCloud, a westerner assigned to work in New York City under Chief Clifford (the ever-irate J.D. Cannon). Though his ways were often criticized, McCloud always got the job done. "You said yourself I'm funky," he once told Clifford. Terry Carter provided able support.
Diana Muldaur was McCloud's sophisticated Manhattan girlfriend, and you could really see how she'd fall for him - it's obvious she saw him as a real man in a world of dull types.
At the time of this writing, Dennis Weaver is 81 and still working occasionally, though not enough for his many fans. He has given us some wonderful characters over the years. McCloud is one, a funky cowboy riding the Manhattan streets.
Diana Muldaur was McCloud's sophisticated Manhattan girlfriend, and you could really see how she'd fall for him - it's obvious she saw him as a real man in a world of dull types.
At the time of this writing, Dennis Weaver is 81 and still working occasionally, though not enough for his many fans. He has given us some wonderful characters over the years. McCloud is one, a funky cowboy riding the Manhattan streets.
Le saviez-vous
- AnecdotesThis show was a television adaptation of the Clint Eastwood movie, Coogan's Bluff (1968).
- GaffesMcCloud's accent is totally wrong for someone supposedly from Taos New Mexico. Taos is located in northern New Mexico, and Anglos there do not speak in that sort of accent, but rather more or less a general American accent.
- Citations
[repeated line]
Sam McCloud: *There* yuh go!
- Versions alternativesOnly the first season featured hour long episodes (47 minutes plus commercials). The pilot and subsequent seasons were 90 minutes or longer. For repeats, the six episodes of season one were edited together in pairs of two to form three 90 minutes installments. These were given the new titles 'Man from Taos'; 'Manhattan Manhunt'; and 'Murder Arena'. Some additional voice-overs by the main cast was added to imply connections between the story lines where originally there had been none.
- ConnexionsEdited from Four-In-One (1970)
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- How many seasons does McCloud have?Alimenté par Alexa
Détails
- Durée2 heures
- Mixage
- Rapport de forme
- 4:3
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