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Ajouter une intrigue dans votre langueA race of sexy women from Angvia, a planet in another dimension, comes to Earth to kidnap women to repopulate their planet.A race of sexy women from Angvia, a planet in another dimension, comes to Earth to kidnap women to repopulate their planet.A race of sexy women from Angvia, a planet in another dimension, comes to Earth to kidnap women to repopulate their planet.
- Réalisation
- Scénario
- Casting principal
Carol Hawkins
- Zara
- (as Carolanne Hawkins)
Avis à la une
Fun but very silly B-movie. Not so much poundshop 007 as pervy Dr Who. There is scant story, dialogue or direction. Both James Robertson Justice and Charlie Hawtrey are completely wasted (although were they actually wasted their performances might actually improve). A half hour nap would not disrupt your viewing pleasure.
The photography, art and wardrobe (or lack of) are the only things keeping the ship afloat as it lurches towards the final credits; although sheer awfulness of execution makes for truly comical moments along the way. If you like "so bad it's good" movies I recommend this one.
The photography, art and wardrobe (or lack of) are the only things keeping the ship afloat as it lurches towards the final credits; although sheer awfulness of execution makes for truly comical moments along the way. If you like "so bad it's good" movies I recommend this one.
If anything, "Zeta One" (a.k.a. "The Love Factor" and "Alien Women") proves that the U.S.A. doesn't have a lock on cheesy soft-core porn movies. In this one, a race of alien women (many of whom run around topless) kidnap earth women to repopulate their world. What sounds like a fun spoof of spy movies and sci-fi flicks fails miserably, due to many factors, not the least of which is that there's simply no point of view. The cast (and the script) seem to meander around without any real purpose. The secret agent character, James Word (played by Robin Hawdon of "When Dinosaurs Ruled the Earth") seems to have two purposes in the movie: to have sex with every woman who crosses his path, and smoke cigarettes, since he doesn't seem to do anything else. A part like his takes a deft comedic touch, which Hawdon just doesn't have. The story is told in flashback, and the framing sequences featuring Hawdon and lovely Yutte Stensgaard seem to indicate trouble with the original film (Hawdon has a moustache in the main body of the film, but is without it in the framing sequences). Scenes dealing with a strip-poker game and Word's ultimate fate go on for what seems like an eternity without any real payoff. And top-billed James Robertson Justice gives a textbook example of a "where's-my-paycheck?" type performance. The British have a reputation for stuffiness, and if this movie is any indication, it is a reputation well-deserved.
A race of topped, average-breasted women from the planet Angvia, in another dimension, come to earth to kidnap women to repopulate their planet.
There were a few things I liked about about this film. One was that the spy was named James Word, who I assume was named so because his "word is his bond". Or something along those lines. The joke names (such as Angvia being an obvious anagram for vagina) are not very deep.
The other was that the elevator seems to be an inspiration for Marvin the Paranoid Android in Douglas Adams' books. Adams was 17 when the film first came out, and being a British science fiction film, he may have seen it. Someone might know this... I do not. But I found the similarity striking enough.
There were a few things I liked about about this film. One was that the spy was named James Word, who I assume was named so because his "word is his bond". Or something along those lines. The joke names (such as Angvia being an obvious anagram for vagina) are not very deep.
The other was that the elevator seems to be an inspiration for Marvin the Paranoid Android in Douglas Adams' books. Adams was 17 when the film first came out, and being a British science fiction film, he may have seen it. Someone might know this... I do not. But I found the similarity striking enough.
ZETA ONE (aka: THE LOVE FACTOR) opens with a groovy James Bond-esque theme song playing over still shots of seminude nymphets lounging about. The Bond-ness continues, as this is a cheeky parody of such films.
The negligee-thin story line is just a flimsy frame to hang all of the naughtiness on. So, not a lot happens.
When Zeta (Dawn Addams) finally shows up, things pick up a bit. Slightly. She and her troupe of alien babes kidnap Earth women to add to their colony.
Yep, this is another of those movies that great-grandad used to sneak off to see at some rundown theater. Today, it's fun in its own quaint way. So, if you're looking for some silly, late-1960's-70's soft core cheeeze, then, you'll probably enjoy this...
The negligee-thin story line is just a flimsy frame to hang all of the naughtiness on. So, not a lot happens.
When Zeta (Dawn Addams) finally shows up, things pick up a bit. Slightly. She and her troupe of alien babes kidnap Earth women to add to their colony.
Yep, this is another of those movies that great-grandad used to sneak off to see at some rundown theater. Today, it's fun in its own quaint way. So, if you're looking for some silly, late-1960's-70's soft core cheeeze, then, you'll probably enjoy this...
I believe I first became aware of this sci-fi/sexploitationer via the biography for actress Valerie Leon included among the extras on the Anchor Bay DVD of Hammer's superior BLOOD FROM THE MUMMY'S TOMB (1971); incidentally, the film under review was made by rival company Tigon.
To begin with, the script was apparently inspired by a comic strip (such cinematic adaptations were all the rage at the time no doubt, the makers were encouraged by the success of BARBARELLA [1968]). Still, even reading through the cast list, I knew not to raise my 'artistic' hopes too highly given that it featured both James Robertson-Justice and Charles Hawtrey, stalwarts of (respectively) the popular "Doctor" and "Carry On" comedy franchises who actually turn out to be the villains of the piece!! The narrative drew heavily on another then-current fad i.e. espionage in fact, the hero is a stud-like albeit laid-back secret agent who naturally proves irresistible to the alien women (actually, an alternate moniker for the film) the titular figure (played by veteran Dawn Addams) sends his way in order to derail his investigation into the abduction of several earth girls.
That said, the plot is barely there and becomes especially confusing not to say silly during the latter stages; for what it's worth, the film culminates in a chase wherein the otherworldly gals kill virtually all of their male pursuers simply by pointing their fingers at them (accompanied by the incongruous noise of gunshots)!! Needless to say, ZETA ONE's raison d'etre and prime asset is its relentless parade of innumerable but anonymous starlets of the era in the nude or otherwise scantily-clad: the above-mentioned Valerie Leon herself is underused, but fellow future Hammer lead Yutte Stensgaard who engages the hero (to whom he's recounting his non-exploits) in a lengthy and decidedly irrelevant game of strip-poker comes off quite well (no pun intended). Also worth mentioning are the low-budget but appropriately psychedelic sets and the title tune (featuring a reasonably effective guitar riff).
To begin with, the script was apparently inspired by a comic strip (such cinematic adaptations were all the rage at the time no doubt, the makers were encouraged by the success of BARBARELLA [1968]). Still, even reading through the cast list, I knew not to raise my 'artistic' hopes too highly given that it featured both James Robertson-Justice and Charles Hawtrey, stalwarts of (respectively) the popular "Doctor" and "Carry On" comedy franchises who actually turn out to be the villains of the piece!! The narrative drew heavily on another then-current fad i.e. espionage in fact, the hero is a stud-like albeit laid-back secret agent who naturally proves irresistible to the alien women (actually, an alternate moniker for the film) the titular figure (played by veteran Dawn Addams) sends his way in order to derail his investigation into the abduction of several earth girls.
That said, the plot is barely there and becomes especially confusing not to say silly during the latter stages; for what it's worth, the film culminates in a chase wherein the otherworldly gals kill virtually all of their male pursuers simply by pointing their fingers at them (accompanied by the incongruous noise of gunshots)!! Needless to say, ZETA ONE's raison d'etre and prime asset is its relentless parade of innumerable but anonymous starlets of the era in the nude or otherwise scantily-clad: the above-mentioned Valerie Leon herself is underused, but fellow future Hammer lead Yutte Stensgaard who engages the hero (to whom he's recounting his non-exploits) in a lengthy and decidedly irrelevant game of strip-poker comes off quite well (no pun intended). Also worth mentioning are the low-budget but appropriately psychedelic sets and the title tune (featuring a reasonably effective guitar riff).
Le saviez-vous
- Anecdotes"Angvia," the planet the aliens are from, is an anagram for vagina.
- GaffesWhen Bourdon's lackey is dispatched after Zara, he is easily close enough to grab her at the foot of the ladder, but as she is having difficulty maneuvering the rungs in go-go boots, he obviously pauses to give her a head start.
- Citations
Maj. Bourdon: [to a girl whose hemline barely covers her crotch] Well, lift up your skirts and let's see your pretty legs.
- Versions alternativesThe original UK cinema release suffered BBFC cuts which removed most of the nudity, including Mark's assorted flings with naked women, and toned down the torture of Zara by Bourdon. Later video and DVD releases were uncut.
- ConnexionsFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996)
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- How long is The Love Factor?Alimenté par Alexa
Détails
- Durée1 heure 26 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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