Matt Helm règle son comte

Well, at least compared to the two Matt Helm flicks immediately preceding it. After a couple of pretty big missteps, the series returns to the fine form of the first film, The Silencers. This is in no doubt very much due to the return of that film's director, Phil Karlson of Walking Tall fame.

While the budget was obviously reduced for this one, it may have helped the pacing, which is not bogged down by cumbersome set pieces and elaborate gadgets. From the time Helm first arrives at Contini's château, the movie races breezily along helped by well choreographed (by Bruce Lee!)fight scenes in place of the earlier movies' overblown hovercraft chases, runaway spaceships and the like. Additionally, this is the only one of the 4 Helm movies where the main villain's death doesn't seem anti-climatic. The soundtrack is great and absolutely helps to keep things moving along as well.

This cast is most enjoyable, with Nigel Green stealing the show while stealing the gold. He delivers many of the best lines in the movie, nay the series. Nancy Kwan and Elke Sommer are excellent as a couple of deadly femme fatales and Tina Louise is rescued from Gilligan's island just in time to give Helm his first lead. Sharon Tate showed a proclivity for comedy that was so deft and popular with movie goers that she was supposed to reprise her role in the never to be made The Ravagers. Also notable was the film debut of a little known martial arts expert named Chuck Norris. Dino himself seems to be enjoying the proceedings this time around and is a little more energetic. MacDonald, Helm's boss, is now being played by John Larch and actually takes part in some of the action.

In conclusion, this is one tight, exciting and truly funny (without being silly) little movie, at least by Dean Martin Matt Helm standards. It's too bad this was the last in line, because it could have served as the action comedy template going forward.

Count Massimo Contini (Nigel Green) is the mastermind behind a billion dollar gold robbery. His plan is to send the world markets into chaos. He may get away with it unless Matt Helm (Dean Martin) can track down the missing gold. But along the way, Helm will meet up the Count's hired muscle, a gorgeous female killer, and a ditsy woman who insists on helping him.

I suppose the best way to describe a Matt Helm film would be a light and breezy spoof of the James Bond movies. Nothing is very serious and you're sure that everything will work out in the end. Dean Martin plays Matt Helm about as laid back as could be imagined. Instead of a gun, you're more likely to see him with a drink in one hand, a cigarette in the other, a beautiful woman to ogle, and a quick quip. His fights scenes may leave a lot to be desired, but there's no denying his "cool".

The Wrecking Crew is actually one of the better Matt Helm films. The hiding place of the gold is ingenious, the spy gadgets are plentiful, and the women are everywhere. The cast is one of the better assembled for any of these films. Nigel Green and Elke Sommer make a wonderful pair as the distinguished master criminal and the sexy killer (roles very similar to the ones they played in 1966's Deadlier Than the Male). But Sharon Tate really shines as the ditsy Freya Carlson. It's incredibly sad to think that this would be Tate's last role before her brutal murder. She's a joy and a real pleasure to watch.

Fluffy day glo spy spoof for those who don't take their action/adventure too seriously. Dean Martin plays the part of Matt Helm with his typical laid back swagger which is just right for the featherweight material. Not as reliant on gadgetry as the 007 series, probably due to budgetary restraints, this still has some cool set pieces and that swingin' 60's atmosphere. It also has that same 60's sensibility to it's female characters namely viewing them as sex objects and little else, if you're willing to take that into consideration before viewing this is a pleasant way to pass a little time.

Aside from Dean the cast is full of beautiful women. Two of those knockouts, Tina Louise, fresh from Gilligan's Island, is in and out of the film in under ten minutes, and Nancy Kwan's part doesn't require much more than her looking great in psychedelic dresses and doing karate chops.

It's the other two ladies who make an impact despite the script's rather weak efforts to provide them with anything to work with. Elke Sommer, phenomenally beautiful, manages to be silkily devilish in one stunning outfit after another. The real standout is Sharon Tate as the klutzy but endearing Freya Carlson. This was the tragic beauty's penultimate role before her murder and coupled with her amusing performance in the previous year's Don't Make Waves it shows that she had a very real talent for comedy add into that her lovely looks and she could have had a solid career ahead of her as a glamorous comedienne.

Of the four films in the Matt Helm series the first The Silencers is probably the best but this one is a close second.

As I watched this movie I couldn't help smiling. The movie is essentially a spoof of James Bond flicks with super-guy fighting well-equipped villain. Seductive women and ridiculous gadgets are abundant. Some are as cute as they come (I am talking about women here). All are fallible (women). All women fall for our super-guy. He seemed to be bemused by this (who wouldn't). While he conquers one woman after another, he also manages to rescue a few tons of gold from the grip of the above mentioned villain (the later is usually considered to be the main plot - what a preposterous notion). One has to love the irreverent soundtrack. They don't make movies like this anymore. Pity. 9/10.

The movie is fantastic in its execution, not its substance, but it was never intended to be serious.

The movie has all the glamor, and opulence that only American movies seems to be able to deliver. The choice of color, the character, and of course the girls.

Dean Martin's Matt Helm was a product of the swinging '60s, and it's a beautiful movie in its own way. I wish that the modern movies had more of this kind of opulence to its style. Why not live a little like the way these people did ?

It's intentionally silly, but if you take away the silly it still has the glamor like nothing you see these days. The movie is worth seeing for this alone.

Elke Sommer, and Sharon Tate were beautiful, and we don't see beauties like this anymore either.