Matt Helm règle son comte

The movie is fantastic in its execution, not its substance, but it was never intended to be serious.

The movie has all the glamor, and opulence that only American movies seems to be able to deliver. The choice of color, the character, and of course the girls.

Dean Martin's Matt Helm was a product of the swinging '60s, and it's a beautiful movie in its own way. I wish that the modern movies had more of this kind of opulence to its style. Why not live a little like the way these people did ?

It's intentionally silly, but if you take away the silly it still has the glamor like nothing you see these days. The movie is worth seeing for this alone.

Elke Sommer, and Sharon Tate were beautiful, and we don't see beauties like this anymore either.

Fluffy day glo spy spoof for those who don't take their action/adventure too seriously. Dean Martin plays the part of Matt Helm with his typical laid back swagger which is just right for the featherweight material. Not as reliant on gadgetry as the 007 series, probably due to budgetary restraints, this still has some cool set pieces and that swingin' 60's atmosphere. It also has that same 60's sensibility to it's female characters namely viewing them as sex objects and little else, if you're willing to take that into consideration before viewing this is a pleasant way to pass a little time.

Aside from Dean the cast is full of beautiful women. Two of those knockouts, Tina Louise, fresh from Gilligan's Island, is in and out of the film in under ten minutes, and Nancy Kwan's part doesn't require much more than her looking great in psychedelic dresses and doing karate chops.

It's the other two ladies who make an impact despite the script's rather weak efforts to provide them with anything to work with. Elke Sommer, phenomenally beautiful, manages to be silkily devilish in one stunning outfit after another. The real standout is Sharon Tate as the klutzy but endearing Freya Carlson. This was the tragic beauty's penultimate role before her murder and coupled with her amusing performance in the previous year's Don't Make Waves it shows that she had a very real talent for comedy add into that her lovely looks and she could have had a solid career ahead of her as a glamorous comedienne.

Of the four films in the Matt Helm series the first The Silencers is probably the best but this one is a close second.

Well, at least compared to the two Matt Helm flicks immediately preceding it. After a couple of pretty big missteps, the series returns to the fine form of the first film, The Silencers. This is in no doubt very much due to the return of that film's director, Phil Karlson of Walking Tall fame.

While the budget was obviously reduced for this one, it may have helped the pacing, which is not bogged down by cumbersome set pieces and elaborate gadgets. From the time Helm first arrives at Contini's château, the movie races breezily along helped by well choreographed (by Bruce Lee!)fight scenes in place of the earlier movies' overblown hovercraft chases, runaway spaceships and the like. Additionally, this is the only one of the 4 Helm movies where the main villain's death doesn't seem anti-climatic. The soundtrack is great and absolutely helps to keep things moving along as well.

This cast is most enjoyable, with Nigel Green stealing the show while stealing the gold. He delivers many of the best lines in the movie, nay the series. Nancy Kwan and Elke Sommer are excellent as a couple of deadly femme fatales and Tina Louise is rescued from Gilligan's island just in time to give Helm his first lead. Sharon Tate showed a proclivity for comedy that was so deft and popular with movie goers that she was supposed to reprise her role in the never to be made The Ravagers. Also notable was the film debut of a little known martial arts expert named Chuck Norris. Dino himself seems to be enjoying the proceedings this time around and is a little more energetic. MacDonald, Helm's boss, is now being played by John Larch and actually takes part in some of the action.

In conclusion, this is one tight, exciting and truly funny (without being silly) little movie, at least by Dean Martin Matt Helm standards. It's too bad this was the last in line, because it could have served as the action comedy template going forward.

In this one, Matt Helm's antagonist is Count Contini, a gold smuggler, played by Nigel Green. He is aided by his gang of thugs and two female sidekicks, Linka (Elke Sommer) and Gwen Ya-Rang (Nancy Kwan). As might be expected, both try to seduce Matt, offering fake carrots. Interestingly for a Matt Helm movie, however, Linka is a rare woman in Matt's orbit who is the recipient, rather than initiator, of the first display of interest. Earlier, there is a nice scene in which Lola Medini (Tina Louise), a former associate of Contina, seduces Matt in connection with the intrigue.

Ultimately, it is Freya Carlson (Sharon Tate) who gets her man. She is a Danish tourist agent who leads Matt around in fulfilling his duties. Like Stella Stevens in "The Silencers," she is initially quite clumsy, and is involved in a nice wetlook scene (actually, so is Linka). Freya helps Matt foil the villains.

I'm focusing mostly on the women here, but hey, you can hardly beat this bunch in this male fantasy series. The only Bond movie that can rival this group is "Thunderball."

Much better than the previous 2 Matt Helm films, but not as good as the first, THE SILENCERS. THE WRECKING CREW was directed by PHIL KARLSON as was the first Matt Helm movie 3 years earlier. This time around, Matt Helm (DEAN MARTIN) is sent to Denmark to immobilize Count Contini (NIGEL GREEN) who has hijacked a fortune in gold bullion. Assisting Helm is eager, but bumbling Freya Carlson (SHARON TATE). Freya is more of a hindrance than a help however. Contini's former flame Lola Medina (TINA LOUISE)is willing to provide pertinent information to Helm, for a cut of the action. She is killed though before she can tell him anything by a bomb laden bottle of scotch placed in her bar by Contini's current paramour Linka (ELKE SOMMER). Another beauty in the Count's arsenal is Yu Rang (NANCY KWAN). Contini tries to buy Helm off, but when that is unsuccessful, resorts to a dozen lame brained attempts to murder him. Will Helm triumph over the evil Count Contini ? What do you think ? One of the reasons that this movie is better than the previous 2 is that Helm is giving a female sidekick that is funny. As in THE SILENCERS where you had klutzy Gale Hendricks (STELLA STEVENS), here you have Freya (SHARON TATE) in a similar role. Neither MURDERERS ROW, nor THE AMBUSHERS had that. And TATE, although only 25 when this was made, showed very funny comedic ability. The production dollars spent appear less than in all 3 prior Helm flicks. In a scene where Helm is sparring with one of Contini's men outside of the Count's chateau, the artificial grass fold up like a rug. The interior sets look like something from a porno movie. The fight scenes are slow, and obvious. At 51, MARTIN was getting a little old for this kind of thing. Plus, JAMES BOND aside, ersatz "Spy Films" were on their way out. If you watch the credits at the end, you'll see a notice that states : Matt Helm will be back in THE RAVAGERS. Alas, it was not to be. This genre had run its gamut and what a schmaltzy time it was !!!