Les Géants de l'Ouest

The Undefeated is a pretty good Western flick. It's light-hearted (for the most part), solid entertainment. John Wayne plays a Yankee soldier who forms an unlikely friendship with a Confederate, played by Rock Hudson, very shortly after the end of the Civil War. The two are both leading men south of the border for various reasons, and as the film progresses, the two help each other, rescue each other, and share a few drinks a number of times.

That's why it's light-hearted, there's a lot of smiles from both lead actors, all the supporting cast and, I dare say, the majority of the audience. There are very few unlikeable parts to this movie. That's not to say it's outrageously good; some of the supporting cast look amateurish at times, and the music occasionally stifles the action on screen, but aside from that, it's fine. John Wayne and Rock Hudson were two of those rare actor types who can't put in a bad performance if they try, but I don't think I need to tell you that.

It's a good package. Perfect for evening viewing, I'd recommend, as I just spent a very profitable evening in front of it. Some short but sweet action scenes, some just plain sweet romance subplots and a good and happy ending makes for one satisfied viewer. Far from perfect but great all the same. *** / *****

The Civil War is over but certain Confederate units refuse to call it quits. Colonel John Henry Thomas (played by The Duke)and his gang encounters one such band of rebels at the start of this film. Then there is the unit led by Colonel James Langdon played by Rock Hudson. They accept the fact the war is over but decide rather than live under the stars and stripes head out lock stock and barrel for Mexico women and children included. Wayne and his men bid farewell to the Army and set out to make a buck or two rounding up and selling wild horses. Wayne and his men cross paths along the way with Hudson and his refugees which make up the bulk of the story.

It's a little easy to understand Thomas and his men but not so easy to understand the Langdon group. When they encounter trouble it's almost hard as a viewer to have any pity for them.

Wayne gets support from a number of actors who co-starred with him in several of his films. Veteran character actor Dub Taylor is along as a nasty Chuck Wagon driver. Former Los Angeles Rams Quarterback Roman Gabriel is cast as a native American who served for Wayne during the war and is now his main man when it comes to tracking, scouting etc. Gabriels Ram teammate Merlin Olsen is also featured as a Confederate soldier who hates to fist fight but is called upon to do so. Decent western John Wayne film all in all. The Confederates may have lost the war but in this film they certainly ate better than the Yankees do.

The Civil War is over and it's been pretty costly to both sides. John Wayne has lost nearly every man who volunteered to serve with him and is broke. Rock Hudson who was also a Colonel on the other side went broke financing a regiment of his own and the Yankee carpetbaggers are ready to take over his plantation.

Wayne leads the remainder of his men to capture and tame wild horses to sell. Hudson gets an offer from Emperor Maximilian of Mexico to bring his people and resettle there. He needs all the help he can get to prop up his unpopular government. Hudson is certainly bringing a better quality of Anglo than Burt Lancaster did in Vera Cruz.

When Wayne feels a rip off coming from some middlemen horsetraders, he settles it in the usual Duke fashion and heads to Mexico himself. There the parties of Wayne and Hudson meet and their stories are entwined from then on.

With Wayne and Hudson co-starring, The Undefeated was led by two men who between them were number one at the box office for about a dozen years combined. Wayne was coming off his Oscar winning performance in True Grit. This film was definitely guaranteed an audience.

The story is both men are decent fellows and born leaders. Each is trying to pick up the pieces of civilian life and each is the leader of a party looking to them for leadership. A healthy and mutual respect develops between them despite previous political differences.

Wayne gets a whole load of players who worked with him before for this part. As he grew older he liked to have familiar faces around him. He had the star clout to insure it as well. Ben Johnson, Bruce Cabot, Edward Faulkner, Harry Carey, Jr., are some of the Wayne film veterans here.

Dub Taylor in his only film with the Duke does a very entertaining job as McCartney the cook. Dub did so many westerns when he wasn't doing hillbillies it's amazing that his and Wayne's path crossed only once.

This was also an early film for Jan Michael Vincent who went on to a star career of his own. Two members of the Los Angeles Rams, Roman Gabriel and Merlin Olsen were in this as well. Gabriel played a surrogate son to Wayne and rival for the hand of Melissa Newman to Vincent. Merlin Olsen is also here as a Confederate aide to Hudson. Gabriel decided movies wasn't his thing, but Olsen certainly had a substantial career after football.

The Undefeated has a nice, easy and charming flow to it, just like The Comancheros. Wayne and Hudson work well together in their only joint outing. Less action than you normally have in a Wayne film, but it's mixed in well with some good comic moments.

As Duke said parodying one of his one lines from a previous hit film of his, "Let's Take 'Em to Mexico." You'll like the ride.

"The Undefeated" is one of the finest of John Wayne's later westerns, "True Grit" excepted and taking into consideration that "Big Jake" is nothing to slouch at.

"The Undefeated" is the Duke's biggest large-scale epic since "The Alamo" a decade earlier. The battle scenes and the shots of the horse drive are stirring and impressive.

Another thing that separates this film from other post-1965 Wayne westerns (except for "The Cowboys") is the dialog. It's sharp, crisp, witty and often fun.

Here's a good example of that sharp, witty & pointed dialogue: Duke and co-star Rock Hudson had just returned to their camp after being forced to kill a Mexican bandit leader, who, with his gang wanted Rock & Duke's valuables, their horses and their women. When one of the women asks the Duke why he had to kill him, he replied matter of factly, "The conversation sorta dried up." Classic stuff!

And Hugo Montenegro's memorable score is terrific - the best work I personally have heard from him. It helps perpetuate the whole notion that this is indeed an epic western.

I'm amused at some of the wanna-be Rex Reed's here, the "I am a critic so I can't really, actually, truthfully admit that I loved something like this" with their "ho hum, it's passable, I guess"; and their "it's an okay time killer if you've got nothing better to do." How too, too cool. Give me a break, you elitist wanna-be's!

"The Undefeated" is long on length and even longer on entertainment. This is a grand western.

"The Undefeated" (1969) teams up John Wayne and Rock Hudson as ex-Union and Confederate officers after the Civil War in Mexico. Langdon (Hudson) wants to relocate his family & friends whereas Thomas (Wayne) wants to make money selling horses to Emperor Maximilian. The problem is that Benito Juarez and his followers are at war with Maximilian and this causes unforeseen problems for the Americans, who have no choice but to team-up.

The set-up of story is great and loosely based on Joseph Orville "Jo" Shelby and his Missouri raiders and their families who really did seek to relocate to Maximilian's Mexico, but had to return after the victory of Juarez' forces. The movie starts with a Civil War battle and the announcement that Lee has surrendered and the war is over, which segues into Langdon and Thomas and their people going to Mexico for completely different reasons; and then they meet. This is great, but the filmmakers add some goofiness, like an over-the-top, fun-spirited brawl between the Confederates and Federals at a 4th of July party in the wilderness. These types of scenes were fairly common in Wayne Westerns at the time and I always thought they detracted from these movies. There's a way to mix realistic comedy into a movie and a way not to and this isn't the way. Besides, how can a serious brouhaha be fun? When you punch people in the face in real life they get bloody noses and missing teeth; here they just laugh it off.

Another problem is NFL quarterback Roman Gabriel as a full-blooded Native American and adopted son of Thomas. No matter how you slice it, he looks like a white dude with a mop of black hair. To add insult to injury, Langdon's cute daughter (Melissa Newman) falls head-over-heals in love with him and the way it happens simply isn't realistic. Would a genuine Southern belle really swoon over a full-blooded Indian who visits their encampment? Would no one notice that the two have wandered off to make-out, in plain view of the others? Would Col. Langdon really not mind that his daughter is sucking face with a full-blooded Native? In our day and age it's no big deal and most people could care less, but it's still an issue in some circles; how much more so back then, particularly with a proud Southern Colonel and his people?

If you can overlook these flaws, however, this is a very worthwhile Western with quality drama, action, characters and locations (shot in Baton Rouge, Louisiana, and Durango, Mexico). The cast is also notable. Besides the two stars, you also get Lee Meriwether, Marian McCargo, Jan-Michael Vincent (in a too-small role), Merlin Olsen, Ben Johnson and various Wayne Western staples.

This is a likable Western because the people are so likable. For instance, the way one group is unselfishly willing to let go of something of great worth on behalf of another group blows the mind, but it reveals their nobility and the fact that they value human beings more than they do monetary gain, but only because they've found them worthy. It also reveals respect and the willingness to forgive & heal after the nation's most bloody war.

The film runs 119 minutes.

GRADE: B-